My mother apologizes for the untidiness of her supremely tidy dining room every time I come home to visit.

For as long as I can remember, tidiness has been a priority for my mother. And, when things do not appear as she sees them fit to appear, she is apologetic. In the same way, and with almost the same vigor, my father is unapologetic for the state of disarray in his “den.” Which is (or, I should say, was) a room that has all but one square foot of workable, moving space left in it. The rest of the floor, lays hidden beneath piles and piles and piles of books. These trembling towers of tomes are near collapse (as is the ceiling under them, right above my mother’s very tidy living room), all covered with three quarters of an inch of dust, and, most of them — unread.

Truth be told, I care little about the tidiness or untidiness of either of my parents respective spaces. I do, however, care about the stories these spaces tell. I care deeply about the character each room plays — the set in our little family’s Brooklyn house. I love how the acute nuances of our spaces (or lack thereof) can reflect our core traits and indicate how we’ve moved and continue to move through the world.

But, this story is not about my parents or the rooms in their house. — This story is about beauty.

As a child, beauty confused me. An awkward and lonely kid, I never felt beautiful. Beauty, as I understood it, was simple: Molly Ringwald. I wanted to be her. Red haired and moving through the world with her easy angst. She was a misfit, unconcerned with what anyone else thought of her. I watched all of her movies over and over again. I wanted to look like her, to pine after jocks like her, to dress like her, to love like her, and to be loved like her. I’d sit in the living room, curled up on my mother’s reupholstered chair with a big blanket, warm in the blue glow of our tiny 22″ TV set with a built-in VCR. And there, I let all that beauty wash over me like warm water.

But, the thing was, I didn’t look like Molly Ringwald. I never fell for a single jock. Not one. It was always the geek. — Every. Single. Time. Instead of her cool, bohemian clothes, I was clad in matching skirt and sweater sets from The GAP. And, love? Forget it. — Dorks of my caliber were lucky if we had someone willing to sit with us at lunch.

So, I wrote. — In little notebooks. For my English class. On my computer. In the back of my loose-leaf binder during science class. — I wrote everything.

And, in choosing all my words, so very carefully — I learned to be beautiful in a different way.

Sometimes, to be the storyteller, you must live on the periphery of your own story. If you want to tell it like it is, it helps if you don’t get too close. And, I think that’s why I’ve always loved writing. It’s kept me one step away from really getting into the tough stuff. Writing can be safe, in the dirtiest kind of way. You get to see everything, but, you can avoid feeling anything. You can always step back when things get too hot.

Storytellers aren’t judges. We are observers. — So, we let our mothers apologize for the untidiness of a perfectly tidy room because, we see. We see that, in the apology, there’s a story. How, in that apology she has told us: She values this place where we come together and sit. How, in this room, she gathers her child, her husband, her family, her friends and, here, they have a place at her table. A table that, sometimes, will be bare, with only a decorative basin at its center, and, others, will be set with fine china and cloth napkins. The apology is not for me, but rather, a note to herself. How she’d rather not have the little things clutter this, her sacred space.

We let our father’s “den,” now in such a state, that an entire episode of Hoarders could be devoted to cleaning it out, be. Because, this is the space where he stows his books. Tomes that he is saving, because, for him, there is value in words — spoken and unspoken, written and unwritten, read and unread. And, these near-tumbling towers of paper and dust are monuments to all the words he has and has not said. He needs them there. Why? I don’t know. — I don’t need to.

We, the storytellers, experience the world by allowing others to show us the beauty in all things.

My cousin Jeremy, with his love for Breen suits. My friend Joseph, with tattoos on his chest like mile markers from his ten-year journey across the country. My friend Lizzie, with her affinity for off-color, ill-timed jokes. My dead grandfather, with his turkey-laugh and his ability to be endlessly entertained by cats. My favorite bartender and dear friend, Tony, and his undying love for Elvis Presley and nights at the opera. My ex, Joe, and his habitual practice of reading true crime books in a claw foot bath tub until the water turned cold. — These people. Their idiosyncratic ways. They have colored my life. They have written my pages so beautifully that, I am sure, there is nothing better than to have been witness to them all.

But, as I write these final posts here on this blog, I see more clearly than ever, that to write my own story — to find my own Happiness — requires more. It requires stepping away from the page and into the fray. Happiness is living in all the beauty that surrounds me — not just observing it.

Happiness is the room. However it’s kept. — Mess or none. — If we choose to really be there.