A self-proclaimed-self-help junkie, I find myself in a predicament.
I know too much. The trouble with all this starting over crap is — whether you’ve moved coast-to-coast, left a relationship, or are totally revamping your outlook on life — at some point you have to stop starting over and, well, — just keep fucking going.
Self-helpers, like myself, will often spend much of their time building themselves up, hoping to arrive at some very specific end result and — they never quite get there. We can’t finish what we start. We give up. Or, worse — we settle. And, we find ourselves starting over. Again.
It’s an existential hamster wheel. And it’s especially cruel when you’ve read something like 80 books on the subject: Starting over. Creating yourself. Recreating yourself. Healing yourself. Losing yourself. Finding yourself. Finding happiness. Creating happiness. Losing happiness. Keeping happiness. — I know my fellow Seekers will understand. Because, we know. We’ve read the book on that — 80 times. We can watch ourselves fucking it up — in slow motion. We know exactly where we’re missing the mark. But, there’s no stopping that train once we’ve boarded. We’re freight hoppers. It’s this: A one-way track. Stay or jump. — But know, jumping off now will hurt.
Since moving back East, I’ve been trying, relentlessly, to deconstruct this goddamn train. I’ve exhausted myself. And so, I’ve had no choice but to give myself a little leeway. And, after watching the same landscape speed past my train-car window — it dawns on me that, this time, starting over won’t require that I design some grand master plan. I just have to ride this runaway train — and try to enjoy it.
The truth is — I’m in love with all these unfulfilled parts of myself. I admire my own willingness to trudge through mistakes and misery to get what I want. It makes me proud that I haven’t settled for someone else’s version of me. I revel in my highs and lows — I would hate for my own story to be linear. While I may be sad, I will never be stagnant. I’m still a kind of mystery, even to myself. And, sometimes, I find some real joy in my own elusiveness.
On my good days I seek patience, forgiveness, and — when I can muster it — a little tenderness. When I get even just a taste of these things, I’m able to locate some hidden part of myself.
There are moments, however fleeting, where I remember who I really am, without making apologies for her. And, when I find myself in those places — starting over doesn’t seem so pressing. I’m reminded that it is in the pursuit of my happiness that I have been most happy.
Keep fucking going. The train will roll on. Without brakes. Seekers, we don’t need them.
We trust the track — and we ride.
Photo Credit: Mike Brodie, From “A Period of Juvenile Prosperity”; http://mikebrodie.net/
Question: What is the difference between a teacher and a guru?
Answer: A teacher points the way. The guru is the Way. In the course of your awakening you will have thousands of teachers. Throughout all of this teaching, the guru waits, beckoning from beyond.
Be Here Now, Cook Book For A Sacred Life; Ram Dass, Pg. 6
I think we’re all waiting for the payoff.
The big reveal. — The moment of release. The summation of all this pain and toil. An unveiling of some blessed reason for the world’s continued suffering, and, what is certain to be, its ultimate demise.
We seek the guru because we tell ourselves it can’t be this. This place. This time. This cast of characters. This. It just can’t be. In our denial and disbelief, we gloss over the thing we know to be absolutely true. We beg answers of the teachers before us — but to truly know — we must go within. It’s clear to me now more than ever — relief is not around us. It is inside us. — Good lives within. — We must find it there and draw it out. A spiritual revolution.
I read the work of Baba Ram Dass daily. I love him. I’d love for him to be my guru. But the truth is, in my seeking him, I become more lost. What’s even more hilarious? — He taught me that lesson. Teachers are funny like that. They shine light where you’d rather not see, so, you go to another teacher, then another, then another. Soon you’ve seen too much, but really, you haven’t seen anything at all. I like to think you know what I mean, because I like to believe that we all are seekers.
I’m still in this funk, so, I’m stuck. I sit patiently and wait for instruction. From anyone, really. A customer. A coworker. A song. Sun glinting off the choppy waves of the water in the bay. — All messages from the Guru.
Recently, a few important people have drifted, unexpectedly, from my life. Teachers. — The best teachers. — And, watching them go has reminded me that there are new lessons I’m meant to learn. It’s not by my design. But, I must remind myself that if I allow myself to be stuck here, then I will continue to be just that. — Stuck here. Any design requires movement. Patience. Love. — Revolution.
Before my eyes, big cities have become incredibly small.
I turn off the television to avoid making myself sick. I embrace and abandon my own sense of place. I wait for healing. I look for apartments in Southern Vermont. I stare at a picture of a covered bridge surrounded by falling leaves, and, in another photo, the same bridge covered in snow. Different seasons. Each lonely and quiet. Isolated and still. It looks like a place my guru might wait for me. I feel myself moving closer to something. — We are all moving closer to something.
But life isn’t about moving. It’s about being. The most sacred lesson, more than any other lesson I’ve learned from my Baba, is the lesson of being. Not thinking, or seeking, or seeing, or knowing. It’s not a tangible trip. It’s not something you can destroy or embrace or free or trap. It’s not something you can kill. No amount of violence, inside or outside of us, can unsettle it.
It’s something we know because we are. All of us. Each one of us.
And, that’s the grist for the mill, Baba would say. — Becoming ourselves is the trip.
This moment, is a moment for the guru. — This moment, is the guru.
I haven’t had a cold-flu-bug like this in ages. Apparently everything was milder in Portland — including viral illness. — Meanwhile, back in New York…The weather. The people. The attitude. Not one thing is laid back. Not one. Even influenza cannot be bothered with a “mild” setting. Here — it’s all or nothing.
And, maybe that’s what I missed so much about this place. The limitless energy. New Yorker’s don’t have to gear up like we did back on the West Coast. Because, here, there is only one gear — Badass.
I remember when I first arrived in Portland, how people were taken aback by my candor. I said what was on my mind. To the point. I never pussyfooted around. That bothered a lot of people out West. They expected something more dilute and demure. They also thought that I walked too fast. And, even though we adjusted to each other, I missed New York City’s edge. Its speed. — Its sense of urgency. — There’s nothing quite like it anywhere else.
I’m considering moving up to New England, or at the very least, a bit further out of the city — maybe the Hudson Valley. I need an in-between-speed city. As much as I love the hustle, I also feel worn down. I want something easier. Quieter. I try to plot it out sensibly. But it’s difficult. What criteria should be used when selecting a home? I evaluate how I arrived at all the places I’ve been and the things that made me want to stay or go. It seems easy. But, it isn’t really. There are a lot of variables. And, while nothing is permanent — it’s still a big decision. Place can be everything. Mean everything. Place can define you. And, place can make or break your sobriety. — I’m starting to feel that as I slip here in Brooklyn. — I have to be careful.
What does my heart say? I wait to feel the pull.
I know it will take a special place to set my heart ablaze again. I guess it’s just a matter of time.
So, in the interim, I nurse this badass-East-Coast-cold and I tell people it like it is and I walk to work at record speeds.
I’ve heard it said, the definition of hell is standing in one place while wishing you were standing in another.
Unfortunately for us, it would appear that the human experience itself is an ongoing parade from one plane of our stuck-ness to the next. We stop. We assess. We look for new places to stand. And, me, I know — I’ve been in this spot before. I’ve felt it. — Change is imminent. I’m on the brink, but, I still find myself looking too far down the path ahead. I get caught up in distances that are too mysterious to gauge.
And, when I become overwhelmed by my own sense of place — or lack thereof — I do it. — I hunker.
My best friend can predict my hunkering — episodes of withdrawal and isolation — with laser-like precision. It’s no secret when I am tired of fighting the good fight. I become exhausted searching for the next, best place. So, I resign myself to my bed where I binge-watch television shows on Hulu and Netflix and tell myself that nothing will ever change. Ever. Ever. Ever.
It sounds terrible. But, in truth, it’s pretty fantastic. Not only is hunkering incredibly relaxing, non-invasive, and cheap — it’s the pre-cursor to breakthrough.
I wrote recently about the advantages of identifying patterns. — How labeling my predictable routines has helped me to see where I was wrong, or where I needed to change, or where I kept putting myself in harm’s way. And, yet another advantage of this self-awareness is — you know when things are about to shift.
Hunkering is a sign. And while I’ll admit that it’s a behavior that sends up some red flags, — mainly a house-ridden, quiet, and antisocial alcoholic — it’s not all bad, I assure you. I’ve camped out in the hunker bunker many times before. I know the drill. And, I know that what follows is the sincere desire, drive, and momentum — to evacuate.
An experienced hunker-er knows that change is inevitable. There are only so many hours we can stay in the good graces of our beds. There are only so many days we can devote to celebrating our own misery. And — there are only so many episodes of The Mindy Project available on Hulu Plus.
The truth is, if we stand in one place long enough, wishing we were standing somewhere else — we will eventually move toward that other place. We move because it is unbearable if we don’t. Sometimes, we don’t even know that we’ve taken the step.
To hunker is to catalyze.
So, I tell my best friend, lovingly — I’m going. Don’t call. Don’t write. Don’t text. I’m headed into the bunker. I know the drill. I celebrate my stuck-ness. I know where I’m disappearing to, and I know what’s coming. And, soon — I’ll emerge.
Because, after standing in the same place for far too long there is nothing else to do — but move.
Artwork: Andrew Wyeth; Daydream, Tempera on panel.
We don’t have to say goodbye. To the people. The places. The things.
We can just let them be. — Who they are. Where they are. As they are.
This is my big lesson in letting go. The one I needed to learn. My unavoidable and inevitable truth.
My mother and I pack up my apartment, and, I wish it were different. I wish that my last moments here, in this place, weren’t tip-toeing around my life’s possessions, all of which are strewn haphazardly across the floor. I wish that the big, black garbage bags — one for Goodwill and one for the dumpster — didn’t sit in the middle of my living room, slinking, dark portals to the sad and hopeless lost worlds that await my unwanted past. But we continue — dismantling this world as I know it, piece by piece.
It helps to remember that — I can come back. Maybe in 5 years. Maybe 10. On a plane, or, in a car. On another road trip — maybe with some new beau, or on business, or I don’t know — with a baby. I can’t know how I’ll return to this place. And, I think that’s the thing that scares and excites me the most. Who will I become without this place? Will I like her? Will I miss this woman I am now? Revile her?
Who can say what I’ll be when I return to Portland? I don’t know. — I can’t know. — What I’ll be wearing. What job I’ll have taken time off from to make the trip back. Until that moment, I will not know whether or not I’ve found the illusive thing I’ve always been seeking.
So, instead, I do it. I let go. — I make peace with what’s here. Now. — Who I am. Now.
The most difficult thing, is this: Letting go of everything. Allowing it all to just be — as is. Not knowing how my dreams will return to me, or, how I’ll return to them. In 12-Step, this is called — turning it over. And, it’s the thing that I have always wanted to do, but, never actually did. And, here I am, — allowing it. Placing it all into someone else’s hands, because I am tired of wringing my own.
No promises or commitments. Just time and space. A strange, uncertain portal to my destination — like the garbage bags, sitting in the middle of the living room floor.
But, that’s the way I want to tie it all up. My sobriety. My love. My city. — My letting go. Memorizing all the people, places, and things that held me together. Keeping them somewhere safe, as I turn, and walk the other way.
I will place all these moments into a cranial time capsule. I don’t know that it’s something that I want to write. It’s something I prefer to feel. And, feeling, that’s something I learned to do here — in Portland.
I tape up boxes. I clank through kitchen drawers and cupboards. I clear my cache. I pack up what I need and I throw the rest into the black-hole-garbage-bags in the middle of the living room floor. — I make room for new things. I convince myself to forget about the ways in which I’ll leave, and return, to this place.
In just hours, I will no longer be an Oregonian. And, maybe, I never was one. But, in order for me to leave — I have to believe: I was. I have to believe that in the same way this place made me who I am, it also allowed me to become what it is. Oregon is inside me now. An integral part. Maybe even the central part.
So, I don’t have to say goodbye. — Not even to myself. I can allow it all to just be. As is.
Me. My Oregon. My Portland.
The people. The places. The things. — Who they are. Where they are. As they are.
My sweet, 14+ pound kitty and I had quite the traumatic flight. But, we survived, and we pulled up to my childhood home in Bay Ridge, Brooklyn very much alive. I returned home to find that, despite the fatigue, stress, and moving-related nostalgia, I had been gifted an unusual and, somehow, special sense of place and peace upon my arrival. My cat, however — hid under my bed.
Just days later, my mother and I embarked on our epic cross-country journey BACK to Oregon. (We’re still on the road.) In Portland, we’ll be packing up the last of my things and saying final goodbyes to the people and places I have cherished for the past six years before driving back East. For good.
It’s a strange feeling. Moving — shuttling around. A friend of mine recently moved from Portland to Richmond, Virginia. We’ve been talking about the highs and lows of leaving one home behind for another. The excitement and the sadness. The stress and the satisfaction. One night, after expressing my mild panic about one thing or another, he sent me a text from the road: “The drive across country helped soften the change.”
I thought about his words. Digested them. That’s really what I’ve needed all along. — Something to soften things. All my things. — To make my places safe and comfortable. Graceful transitions have never been my forte.
But, in the car with my mother these past few days, between our laughter, obsessive podcast listening, eclectic music selections, and the obvious we’re-in-a-car-together-for-several-weeks frustrations…I’ve all but forgotten the sadness that my Portland-loss had brought. And, while there’s still packing to do and goodbyes to make, I think that confusing my sense of place has — softened things.
So, this week, and next, I celebrate. I celebrate myself. I celebrate my mother. And we celebrate our place — together and in the world. — Wherever that may be.
I learn that place will never define us. It cannot define us. It only builds and informs us — it transforms us. But, it is us who will do the defining. And, with each step I take away from, and back toward, Portland — I write myself. — My place. — I discover that I am my own home.
And, I allow myself to live — here — in my own heart.
And with that knowledge, I soften with every passing day.
As I pack, I find stories strewn about everywhere. Stacks of old papers. Pictures. Books. Dresses and socks. Keychains and candles. Molskines and mugs.
I can hardly breathe. — So, bear with me, there won’t be bonafide essays for a few weeks. Just travelogues. Notes on a transient life — which has spilled out in front of me like a bag of rice on the kitchen floor.
One thing is certain — we can tell who we were by the things we carry. Tim O’Brien once wrote a beautiful book that captured those feelings I’m only now beginning to understand.
What follows here are snapshots. Truly. There is so much more. Boxing up my life. Leaving this place I love. I sit with it. I look at it. All of it. I lay it all out on the cutting board. And, I cut away the pieces. Choosing the ones I will throw in my pot — and tossing the rest to the side.
I acknowledge these. These that were. These that shall remain.
1. Adam
His photos are all in one box. I put them there — years ago. A coffin at the top of a closet. The lid was covered with dust. We used to take photo-booth-photos everywhere we went. I still have all of them. The strip above was from our friend’s wedding. He loved me on that day — I remember — and I loved him back. We danced. We sat on cement steps with plates of food in our laps and we laughed. I have tried to throw everything of ours away before. No matter what I trash, I will forever keep this photo strip. Always. Because he was my first love. And, I will never love that way again. And this. — This is what that looked like.
2. Theresa
My maternal grandmother died before I was born, but I’m told that we are a lot alike. My mother says that she was no-frills. That she said what she had to say when she felt like saying it. That she insisted on eating salad with every meal. — And, that she was a fox. People see my fair skin and know that I’m Irish. But, they forget that her Mediterranean blood courses through my veins too. In the Summer, my shoulders turn her Italian, olive brown.
I knew my grandfather well. And, I knew he loved her real bad. — Even years after she died. — He’s gone now too. But, every time I consider settling on some guy — I think about them. And, I know, there’s some dude out there who’s gonna love me, real bad, even when I’m dead. And, I’m waiting for him.
When I see the picture above, the one with my mother sitting in Grandma T’s lap, I think to myself — we all look alike. And, we’re beautiful. Three generations of beautiful. Theresa’s dead, but she sees me. — I’ve known that since I was a kid. It’s weird. — I keep her pictures in every room so she can watch me. So she knows — her daughter did a really good thing.
3. Dad
My dad is, and always will be, a strange bird. But, there’s no guy in the world who will ever love me more. Growing up, he used to listen to a lot of classical music. Opera, symphony, choral — all that stuff. He had bookcases full of classical recordings. One day, he was just over it. Suddenly — it was all Bob Dylan — all the time. He used to pick me up at play rehearsal in Bensonhurst, Brooklyn and blast Blood On The Tracks like it had been released that day — every day. If we’re being honest, I’d rather not admit I know every track by heart — but, I do. My dad gives me Bob Dylan postcards and books. It’s like, he’s telling me — subliminally — if I get Bob, then, I’ll get him. That alone is enough to keep my interest. I don’t always acknowledge it, but, I love that my Dad is weird as fuck. Because, I am too. And, it’s nice not being so alone in my weirdness. He’ll watch an entire season of any HBO show I want — in 1-2 days. When I sold my complete series of OZ DVDs on Hawthorne yesterday, it kinda broke my heart. But, my Dad knows what’s up. He’s got HBO GO. And, I know, we’ll get back into it. And now, while we’re in the car — I get to pick the album. — I paid some dues getting through, Tangled Up In Blue.
4. Mom
My mom sends me a card for everything. They arrive so frequently, I forget how amazing they are. Now, I’m finding them everywhere. Sometimes, she’ll throw in some cash and tell me to grab a bite, or to do something nice for myself, or to buy the cat a treat. She wants me to be happy — always. In good, motherly fashion, she has always wanted me to have, feel, and be the best. I find her heart scribbled on tiny cards everywhere. Maybe she doesn’t know — I save them all. When I was little, she emphasized the art and necessity of the “Thank You” card. — How it will “never go out of style to have class.” How, to appreciate people and things is important. It occurs to me as I pour over her notes — crying like a child, because it’s uncanny how she always knew exactly when I needed saving — that I should send her more cards. There is no one in my life more deserving of thanks and kindness. She deserves nothing less than 100% class. And, there’s no one who needs more reminding to do kind things for herself. Someone needs to give her permission to feel good. Maybe that person is me.
The card above was sent to me at Christmastime — the year that my heart was first brutally slaughtered. Whenever I come across this note — I’m reminded of who I’m supposed to be. And, that’s a woman who’s a lot like my Mom. — Gracious, brave, strong, and impossibly classy.
5. Me, Myself & Eye
I took this photo yesterday in my kitchen.
I wanted to share a vulnerable moment with you this week because, well, that’s how I’m feeling. I wanted to show you the vulnerability. But, I don’t have to. I’ve been showing you for months and months. These things I’m packing up aren’t me. They’re my archives. All this crap I’m putting into bags and boxes — those aren’t the moments — they’re the evidence. Proof. My tears are like that too. All that outside stuff.
I keep asking myself — What am I really looking for in New York City?
I’ve never really sat down and thought about all the things I need in an analytical way. I usually just go with the flow, and, as things change — I make the necessary edits.
I was raised by two lawyers. So, I was editing myself before I even knew writing was a thing. And, when I did learn to write, because my folks had been coaching me, both consciously and unconsciously, to eliminate every unnecessary word, I never did beat around the bush. I always got right to the heart of the matter. Brevity. Was. King.
And, it’s true, frankness is all well and good — in expository writing. Brief writing. Law making. Compliance. Lawyer-y stuff. But, the trouble is — and always has been — I turned out to be more of a hippy-dippy spirit than my parents bargained for. I don’t mind if a sentence ends in a preposition. I won’t obsess about how my sentences begin — so long as I still have your attention when they end.
I see this pattern reflected everywhere. Especially in my sobriety. — I began the process of getting clean and sober, almost 3 years ago, in a completely analytical way. I made a checklist of all the things I could and could not do. I followed strict and specific rules. After all, brevity, I believed, would save me, so — I kept it short and sweet. And now, it’s all become second nature. As it happened, my own strict rules did not end up serving me in the way I had initially envisioned. So, I made edits. — My own, beautiful edits.
In the course of my life, I have edited everything. My love. My words. My body. My thoughts. I’ve tried so hard to squeeze all my things into a very precise framework. And, I truly believed, if I could just make everything fit, this plan of mine would produce some unblemished, polished, finished product. The perfect outcome.
On one of my epic walkabouts around Reed College campus, it hit me. — THE LESSON. — The thing that trumps all things I have learned here, and maybe, that I’ve learned in my entire life.
Scrap the edits.
It’s funny, because when I texted my father, the editor extraordinaire, in a panic about my big move, he texted me back with the great words of Julius Caesar before crossing the River Rubicon: Alea Iacta Est. — The Die Is Cast.
And, I see it now, when I look in the mirror. My face. My frame. My heart.
I see myself. Unedited. — And, my father was right. It is written. I am written.
I have put myself back together. All the things I have built — I have built from nothing. It took the better part of 6 years, but now, I am here. And, it’s too late for edits. — The trouble I could have saved myself. The heartache I could have been spared. The run-on sentences. The extra adverbs. The sentences that end in fucking prepositions. The EVERYTHING. — It’s all right here. She’s right here — staring back at me.
I tell my reflection: We won’t edit our love anymore. We get to own the heart we stitched back together. We won’t settle for less than we deserve. Our words, fair or foul — are ours. And, we speak for ourselves. We are our words — and sometimes — we’re dirty. Our body, it’s imperfect. We acknowledge our flaws. — Sometimes they’re all we have. We listen to our own quiet noise. You and I, we’re a team. The team.
*Â Â Â Â Â Â Â Â Â *Â Â Â Â Â Â Â Â Â *Â Â Â Â Â Â Â Â Â *Â Â Â Â Â Â Â Â Â *
Editing is for lawyers. And, I, I am a woo-woo-hippy-dippy-rule-breaker — with a semi-structured, somewhat-fool-proof plan. — An imperfect and beautiful representative of an unstable and curious humanity.
Alea Iacta Est. So, I scrap my practical edits and I ask myself again — What am I really looking for in New York City?
But, I think, the better question may be: What’s there, in New York City, looking for me? — The flawed, wounded, empowered and amazing — Unedited Me.
When you go to school to become a writer, they don’t teach you to write. — They teach you to read.
The voices. The colors. The timbres. Each writer’s words ring out their peerless note — dissonance or harmony — no two stories are the same.
Every writer has her unique fingerprint — even in her plagiarisms.
In high school they instruct you — The beginning! The middle! The end! The kind of storytelling that has somehow been distilled down to a series of predictable climaxes — each is noted on a three foot by three foot chalkboard. Written carefully in smudgy, cursive letters. All of which — have no meaning.
If you learned to read properly, you already know this three-pronged formula is a useless chore. — A map that leads you nowhere and discovers nothing.
If you learned to read properly, you already know that each story is just one dot on an infinite timeline. And, in the futile hunt to uncover everything, the writer’s unrepeatable dot marks, without knowing it, the unexampled treasures that she alone has illuminated.
No beginning. No middle. No end. — Just moments. — Dots.
This weekend, I packed up the last six years. Books in boxes, old notes and bills, yellowed rolling papers, dried up pens, and renegade Christmas ornaments. So many dots. Too many dots. Wonderful and tragic dots.
One, I set aside. A single page, tucked carefully away, hidden neatly in between the pages of my copy of James Joyce’s A Portrait of the Artist as a Young Man. — an entry, torn from my journal. I unfold it, only days away from turning six years old, it reads:
July 30th, 2009
      It’s hot in Brooklyn. I’ve been sitting in front of the box fan, watching TV and wondering if I’ll miss the heat and humidity of New York when we get to Portland. — If we get to Portland.
     Sometimes I wonder if it’s possible for me to get anywhere at all, because I’ve been sitting on a couch, somewhere in this city, just waiting for something to happen to me.
    Three months until we leave this place. Home. Family. Friends. All for the wild frontier — The West. Ninety days to see what needs to be seen — To say goodbye. To worry. To plan. To Dream.
      But, I try not to worry. Because, on most days, I’d like to be anywhere but here.
I read it twice. Then three times. And then, for that girl, I weep. Six years ago — and I still remember how she thought this place could save her. How saying goodbye would hurt her. How her story, six years later, would read exactly the same way, but, — she — she is impossibly different.
Today, I cannot be mistaken for that girl. I know now that — it’s true — this place did save me. And, even in the sanctity of being saved, I will still choose to leave it behind — my savior. I return to a different place, revisit another dot. An old dot that, now, I can finally allow to be new. A story I know well, but, I’ve yet to write.
In my living room, I see it written on a piece of paper. — How I’ve learned to read here. I embrace the moments where Oregon has made me into something that New York City never could have — Beautiful. Seen. Heard. The words may read the same way, but, there is a new heart here. I read it — the story that was written for his heart — before I knew my own. Before I discovered my seperate pieces. My own, little dots — strewn wildly across the Oregon dirt. The seeds I once placed in someone else’s hands for planting. — But now it’s my harvest. — I’ve grown my own fruit.
In Oregon, I learn to read again. — To read myself. — I connect my dots. I learn to hold these new things — My love. My loss. My beauty. My strength. My pain. My sobriety. — like my children, to my breast. I shoulder their weight and carry them back to where I started. And I begin again.
I see them. They mark my own timeline. — My unrepeatable dots. — A goodbye. A worry. A plan. A Dream.
(A very special thanks to the beautiful and talented Allison Webber for inviting me to be part of her photo series: The Personal Beauty Project. A series that empowers women, allowing them to be seen in the way that they see themselves. These images capture not only my spirit, but, the spirit of my Oregon. As I return to the East Coast, I am able to take these images with me. Images that, for me, represent so much of what and who I have become as a result of being part of this magical place. I encourage you all to enjoy Allison’s work at her aforementioned website.)
Oregon, if I could talk drunk to you — I’d say too much.
But, in between botched and blurred sentences, I’d speak those gems. I’d say things that my heart kept pad-locked-up until we went ahead and blasted the doors off with a fifth of Jim Beam and a couple of cold, tall pints.
It’s been a long time since we’ve opened those doors. And it’s been even longer since my heart allowed me to hear the things you’ve been trying to say. But baby, if I could talk drunk to you, I’d ask you — Do you remember being young? Not that you’re some old man, but — we’re old enough now that when we’re asked if we remember being young — we know the answer.
Do you remember loving her? Some girl. Any girl. This girl. Maybe she was quiet and lost. Maybe she walked up and down your coast. Maybe she stood in the arch of The Vista House, her hair flying wildly over The Gorge as she screamed out your name across the Columbia River and cursed you. But, do you remember loving her? Do you remember how you’d give anything for her to just call, or show up at your door? She’d look at you in a way that made you feel. Like you were really there — like you existed. Not only existed, but, existed just for her. Do you remember — feeling that way?
Love made you feel. Can you remember when love was humbling? When you’d bow down before it, sovereign, wanting nothing more than for it to look upon you? Just. One. Brief. Moment. — To crown you? We all felt it when we were young. Sometimes, because we didn’t know any better. But, more often than not — we did. Know better.
It’s not something you can escape. It captures you. And baby, I may feel old, but when I love you — when I let you go — I’m young. And my heart was once your happy captive. Those ideals that you thought I’d soon abandon, well, — maybe I will someday — but not today. Not today. Today this love rules me. It runs laps around my heart. It crushes me with its casual distance. And maybe, after our most recent repairs — your heart looks pretty shabby too, baby. But, if I could talk drunk to you, I’d tell you — It’s worth piecing together.
If I could talk drunk to you, I’d ask you to love me with that same, reckless abandon. I’d ask you to forget your old man heart and dive into mine, where things aren’t nearly as broken and battered as they were when I found you. I’d ask you why people give up on love when they’re finally old enough to feel it. I’d tell you, I may be young and stupid — but there are parts of me that are old — and I know more now than your green heart could handle. I’d tell you — I’m worth it. All of it. I’m that girl you couldn’t have back when you were seventeen. I’m the comfort that you never got from the women who held out their hands to light your cigarettes. I’m all that passion you beat down into your guts because you never thought you’d find someone who could match it.
Here I am.
If I could talk drunk to you, I’d tell you that — back then — before I met you, my love was like a paper cut. But now, your love fuels some massive inferno that turns my insides red-hot, and if it ever goes out, all that will remain is a burnt up cross where my heart used to be.
Oregon, you taught me to love. And, some days, I fear the love I have for you. You’ve broken me before. But, when you touch me, you spin that golden thread that pumps through my veins, straight to my heart. A drug that I’ll choose to give up, but, somewhere, I’ll always seek.
I should tell you — I’ve watched the sun rise over your head. And, that first time I told you I loved you, your sky said, “Oh baby, I love you too,” like I already knew, but, — I didn’t know. I never knew.
If I could talk drunk to you, I’d say that my love is crazy, and if you could see it, if it were an actual thing you could touch or hold — I know you’d want it. You’d want to keep it. You wouldn’t leave it on a shelf or stash it in some drawer. You’d wear it. You’d protect it. You’d carry it until whatever made you, made you no more.
If I could talk drunk to you, I’d tell you that — I know — I think too much. I wish it were that simple.
But, it’s not. Simple.
It’s time for me to go. But, you knew that already.
And, what good is talking drunk to you if I’m just telling you the things that you already know?
saucysobriety 