Category: Sobriety

Unedited Me

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I keep asking myself — What am I really looking for in New York City?

I’ve never really sat down and thought about all the things I need in an analytical way. I usually just go with the flow, and, as things change — I make the necessary edits.

I was raised by two lawyers. So, I was editing myself before I even knew writing was a thing. And, when I did learn to write, because my folks had been coaching me, both consciously and unconsciously, to eliminate every unnecessary word, I never did beat around the bush. I always got right to the heart of the matter. Brevity. Was. King.

And, it’s true, frankness is all well and good — in expository writing. Brief writing. Law making. Compliance. Lawyer-y stuff. But, the trouble is — and always has been — I turned out to be more of a hippy-dippy spirit than my parents bargained for. I don’t mind if a sentence ends in a preposition. I won’t obsess about how my sentences begin — so long as I still have your attention when they end.

I see this pattern reflected everywhere. Especially in my sobriety. — I began the process of getting clean and sober, almost 3 years ago, in a completely analytical way. I made a checklist of all the things I could and could not do. I followed strict and specific rules. After all, brevity, I believed, would save me, so — I kept it short and sweet. And now, it’s all become second nature. As it happened, my own strict rules did not end up serving me in the way I had initially envisioned. So, I made edits. — My own, beautiful edits.

In the course of my life, I have edited everything. My love. My words. My body. My thoughts. I’ve tried so hard to squeeze all my things into a very precise framework. And, I truly believed, if I could just make everything fit, this plan of mine would produce some unblemished, polished, finished product. The perfect outcome.

On one of my epic walkabouts around Reed College campus, it hit me. — THE LESSON. — The thing that trumps all things I have learned here, and maybe, that I’ve learned in my entire life.

Scrap the edits.

It’s funny, because when I texted my father, the editor extraordinaire, in a panic about my big move, he texted me back with the great words of Julius Caesar before crossing the River Rubicon: Alea Iacta Est. — The Die Is Cast.

And, I see it now, when I look in the mirror. My face. My frame. My heart.

I see myself. Unedited. — And, my father was right. It is written. I am written.

I have put myself back together. All the things I have built — I have built from nothing. It took the better part of 6 years, but now, I am here. And, it’s too late for edits. — The trouble I could have saved myself. The heartache I could have been spared. The run-on sentences. The extra adverbs. The sentences that end in fucking prepositions. The EVERYTHING. — It’s all right here. She’s right here — staring back at me.

I tell my reflection: We won’t edit our love anymore. We get to own the heart we stitched back together. We won’t settle for less than we deserve. Our words, fair or foul — are ours. And, we speak for ourselves. We are our words — and sometimes — we’re dirty. Our body, it’s imperfect. We acknowledge our flaws. — Sometimes they’re all we have. We listen to our own quiet noise. You and I, we’re a team. The team.

*          *          *          *          *

Editing is for lawyers. And, I, I am a woo-woo-hippy-dippy-rule-breaker — with a semi-structured, somewhat-fool-proof plan. — An imperfect and beautiful representative of an unstable and curious humanity.

Alea Iacta Est. So, I scrap my practical edits and I ask myself again — What am I really looking for in New York City?

But, I think, the better question may be: What’s there, in New York City, looking for me? — The flawed, wounded, empowered and amazing — Unedited Me.

 

 

Dots

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Photo Jul 21, 9 38 30 PM

When you go to school to become a writer, they don’t teach you to write. — They teach you to read.

The voices. The colors. The timbres. Each writer’s words ring out their peerless note — dissonance or harmony — no two stories are the same.

Every writer has her unique fingerprint — even in her plagiarisms.

In high school they instruct you — The beginning! The middle! The end! The kind of storytelling that has somehow been distilled down to a series of predictable climaxes — each is noted on a three foot by three foot chalkboard. Written carefully in smudgy, cursive letters. All of which — have no meaning.

If you learned to read properly, you already know this three-pronged formula is a useless chore. — A map that leads you nowhere and discovers nothing.

If you learned to read properly, you already know that each story is just one dot on an infinite timeline. And, in the futile hunt to uncover everything, the writer’s unrepeatable dot marks, without knowing it, the unexampled treasures that she alone has illuminated.

No beginning. No middle. No end. — Just moments. — Dots.

This weekend, I packed up the last six years. Books in boxes, old notes and bills, yellowed rolling papers, dried up pens, and renegade Christmas ornaments. So many dots. Too many dots. Wonderful and tragic dots.

One, I set aside. A single page, tucked carefully away, hidden neatly in between the pages of my copy of James Joyce’s A Portrait of the Artist as a Young Man. — an entry, torn from my journal. I unfold it, only days away from turning six years old, it reads:

July 30th, 2009

       It’s hot in Brooklyn. I’ve been sitting in front of the box fan, watching TV and wondering if I’ll miss the heat and humidity of New York when we get to Portland. — If we get to Portland.

      Sometimes I wonder if it’s possible for me to get anywhere at all, because I’ve been sitting on a couch, somewhere in this city, just waiting for something to happen to me.

     Three months until we leave this place. Home. Family. Friends. All for the wild frontier — The West. Ninety days to see what needs to be seen — To say goodbye. To worry. To plan. To Dream.

       But, I try not to worry. Because, on most days, I’d like to be anywhere but here.

I read it twice. Then three times. And then, for that girl, I weep. Six years ago — and I still remember how she thought this place could save her. How saying goodbye would hurt her. How her story, six years later, would read exactly the same way, but, — she — she is impossibly different.

Today, I cannot be mistaken for that girl. I know now that — it’s true — this place did save me. And, even in the sanctity of being saved, I will still choose to leave it behind — my savior. I return to a different place, revisit another dot. An old dot that, now, I can finally allow to be new. A story I know well, but, I’ve yet to write.

In my living room, I see it written on a piece of paper. — How I’ve learned to read here. I embrace the moments where Oregon has made me into something that New York City never could have — Beautiful. Seen. Heard. The words may read the same way, but, there is a new heart here. I read it — the story that was written for his heart — before I knew my own. Before I discovered my seperate pieces. My own, little dots — strewn wildly across the Oregon dirt. The seeds I once placed in someone else’s hands for planting. — But now it’s my harvest. — I’ve grown my own fruit.

In Oregon, I learn to read again. — To read myself. — I connect my dots. I learn to hold these new things — My love. My loss. My beauty. My strength. My pain. My sobriety. — like my children, to my breast. I shoulder their weight and carry them back to where I started. And I begin again.

I see them. They mark my own timeline. — My unrepeatable dots. — A goodbye. A worry. A plan. A Dream.

Each one on its own.

Each one, a place I call home.

Photo: Allison Webber; http://www.allisonwebber.photography/

(A very special thanks to the beautiful and talented Allison Webber for inviting me to be part of her photo series: The Personal Beauty Project. A series that empowers women, allowing them to be seen in the way that they see themselves. These images capture not only my spirit, but, the spirit of my Oregon. As I return to the East Coast, I am able to take these images with me. Images that, for me, represent so much of what and who I have become as a result of being part of this magical place. I encourage you all to enjoy Allison’s work at her aforementioned website.)

If I Could Talk Drunk To You

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Photo Jul 14, 9 32 20 PM

Oregon, if I could talk drunk to you — I’d say too much.

But, in between botched and blurred sentences, I’d speak those gems. I’d say things that my heart kept pad-locked-up until we went ahead and blasted the doors off with a fifth of Jim Beam and a couple of cold, tall pints.

It’s been a long time since we’ve opened those doors. And it’s been even longer since my heart allowed me to hear the things you’ve been trying to say. But baby, if I could talk drunk to you, I’d ask you — Do you remember being young? Not that you’re some old man, but — we’re old enough now that when we’re asked if we remember being young — we know the answer.

Do you remember loving her? Some girl. Any girl. This girl. Maybe she was quiet and lost. Maybe she walked up and down your coast. Maybe she stood in the arch of The Vista House, her hair flying wildly over The Gorge as she screamed out your name across the Columbia River and cursed you. But, do you remember loving her? Do you remember how you’d give anything for her to just call, or show up at your door? She’d look at you in a way that made you feel. Like you were really there — like you existed. Not only existed, but, existed just for her. Do you remember — feeling that way?

Love made you feel. Can you remember when love was humbling? When you’d bow down before it, sovereign, wanting nothing more than for it to look upon you? Just. One. Brief. Moment. — To crown you? We all felt it when we were young. Sometimes, because we didn’t know any better. But, more often than not — we did. Know better.

It’s not something you can escape. It captures you. And baby, I may feel old, but when I love you — when I let you go — I’m young. And my heart was once your happy captive. Those ideals that you thought I’d soon abandon, well, — maybe I will someday — but not today. Not today. Today this love rules me. It runs laps around my heart. It crushes me with its casual distance. And maybe, after our most recent repairs — your heart looks pretty shabby too, baby.  But, if I could talk drunk to you, I’d tell you — It’s worth piecing together.

If I could talk drunk to you, I’d ask you to love me with that same, reckless abandon. I’d ask you to forget your old man heart and dive into mine, where things aren’t nearly as broken and battered as they were when I found you. I’d ask you why people give up on love when they’re finally old enough to feel it. I’d tell you, I may be young and stupid — but there are parts of me that are old — and I know more now than your green heart could handle. I’d tell you — I’m worth it. All of it. I’m that girl you couldn’t have back when you were seventeen. I’m the comfort that you never got from the women who held out their hands to light your cigarettes. I’m all that passion you beat down into your guts because you never thought you’d find someone who could match it.

Here I am.

If I could talk drunk to you, I’d tell you that — back then — before I met you, my love was like a paper cut. But now, your love fuels some massive inferno that turns my insides red-hot, and if it ever goes out, all that will remain is a burnt up cross where my heart used to be.

Oregon, you taught me to love. And, some days, I fear the love I have for you. You’ve broken me before. But, when you touch me, you spin that golden thread that pumps through my veins, straight to my heart. A drug that I’ll choose to give up, but, somewhere, I’ll always seek.

I should tell you — I’ve watched the sun rise over your head. And, that first time I told you I loved you, your sky said, “Oh baby, I love you too,” like I already knew, but, — I didn’t know. I never knew.

If I could talk drunk to you, I’d say that my love is crazy, and if you could see it, if it were an actual thing you could touch or hold — I know you’d want it. You’d want to keep it. You wouldn’t leave it on a shelf or stash it in some drawer. You’d wear it. You’d protect it. You’d carry it until whatever made you, made you no more.

If I could talk drunk to you, I’d tell you that — I know — I think too much. I wish it were that simple.

But, it’s not. Simple.

It’s time for me to go. But, you knew that already.

And, what good is talking drunk to you if I’m just telling you the things that you already know?

 

Photo: Allison Webber; http://www.allisonwebber.photography/

Preamble Ramble

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Photo Jun 23, 8 55 58 PM

Sobriety is varying states of unrest.

Some weeks, I’m bubbling over, some weeks — I’m tapped.

I pull up the chair to sit at this table. I open my computer. And, I stare at the screen — into all your faces.

I’m processing this story. Always.

Every week I feel like I’m in a dark room where the photos just soak forever. Nothing develops. But, still, I want to tell you everything.

There are a lot of these Goddamned pictures. So many stories. And, the plot can go a lot of ways while you’re waiting for things to come into focus. Stories get restless and start to write themselves. There are an estimated five billion hopeful story lines going full tilt right now. Some intersect, and some, escape, wild, out on their own. And, many of them, I can tell you with absolute certainty — hopeful or not — won’t end well. It’s funny, my best moments, my best stories in sobriety are the ones where I don’t feel sober at all. Right now — I’m running on fumes.

We all get high on stuff. Sometimes it’s legal, sometimes it not. I’m not sure what I’m high on this week. Fear. Excitement. Sadness. Loss. Epic confusion. I’m riding the wave and there aren’t too many cohesive thoughts. But, I’m enjoying being lost in this emotional blur which is decidedly better than just — being lost.

I stop here, every week, and disclose the state of my union, or, should I say, the non-state of my disarray. I like to stare into your computer eyes and let you know things. Like — I’m coming up on some cord cutting, and, I need to test the waters before I start hacking. There are still secrets that I have to keep from you. Maybe I’m high on that.

But, I can tell you this — I have plans for a little summer series. Stories. True stories. Portland stories. Expect those in the coming weeks.

Cord-cutting-cathartic-cross-bearing-down-on-this-12-bridge-city stories. Love. Love stories. Love that lived and died. In a bottle. In a pipe. In a needle. In a heart. In a city. — This city.

So, tune in next week.

Summer’s heating up.

(Photo: Allison Webber; http://www.allisonwebber.photography/ )

The Insignificant Thing

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Photo Jun 16, 8 24 08 PM

The thing that breaks us, is never the thing that really broke us.

It sounds nonsensical. But — it’s the truth.

Our minds and bodies are magical things. — Beautiful and complicated mechanisms of celestial science and engineering, built to withstand incredible stress. INCREDIBLE stress. Though, I’ll say in earnest, for me, it doesn’t often feel that way. — Especially having been broken recently by an insignificant thing.

I’ve been here — a big-mouthed Brooklyn-girl — in Portland, Oregon. I’ve made my own way for quite some time. I’m not scared. I’m not in any trouble. I’m not facing imminent danger. At least, I’m not anymore. I’m just fine. Though, I hate the word. — Fine.

But, last night, after dropping my mother off at PDX, sending her homeward toward NYC, I swerved in my lane driving back home on I-205, sobbing hysterically. Minutes earlier, back at the terminal, when my mother’s arms broke their lock from around my sunburned shoulders, I felt it. — A sincere desire to be vulnerable again.

It only takes one insignificant thing.

In recent weeks it’s all flooded back. My time. Here. In Oregon. I’ve watched a lover and partner of almost 7 years walk out on me, never returning to say goodbye. I didn’t break. I’ve been arrested. Battled addictions. Marched myself through rehab like a soldier. I never broke. I watched my new lover and partner of almost 2 years get strung out on heroin — again and again and again. Not a crack. I stood, through all this, strong, like an Oregon pine. Dropping my dead needles. Picking up my pieces. Picking up their pieces. I pulled it all back together, my sap, like emotional super glue. — But, leaving my mother at the airport. — That’s what did me in.

The insignificant thing. The moment where you realize that you’ve held your own world together for far too long. Somehow, even after standing in the eye of the storm, it’s in the push and pull of the insignificant things where we find we’re — Tired. Broken. Lost. And still, we find it difficult to let go. The body, in all it’s magical resilience, resists giving way. Finally straining and, eventually, snapping under the weight of this thing that reminds us — We must respect the nature of things.

A friend of mine, who got divorced a few years ago, bravely escaping an abusive relationship, recently told me that she’s tired of being the “strong one.” I know what she means. We send each other notes. We tell each other that we’re better for it. But, in truth, we’d both take happiness over fortitude any day.

Blinking back more tears, I struggle to see this place. — Oregon. — These trees. The Gorge. The Wild West. Open air and unspoiled land. This place, by nature, has made me an adventurer.

It’s not insignificant that, here, I have learned how to be shipwrecked and to wash ashore — wet — but still breathing. What’s more, I’ve learned that I can fall in love again. I can heal myself. And, I can skillfully duct tape my 2001 Honda Civic back together — with expert craftsmanship — and not care what my father has to say about it.

But, the insignificant thing I can’t ignore is this — an unshakeable feeling that, it’s possible, I don’t belong here.

There are only so many storms I want to weather. Only so many loves I will stand to lose. Only so many places where I’m no longer haunted by the person I once was.

A long time ago, in a one-bedroom, railroad apartment in Greenpoint, Brooklyn, I held a love bigger than my heart was meant to carry, and I told myself — Dream big. I freed myself up and, for a time, I loved fearlessly.

Those things I told myself back then — they weren’t insignificant. They were my system of road maps. Maps for letting go. Holding on. Surviving. Breaking. Rebuilding. Reviving. Re-starting.

On I-205, a man in a Toyota Tundra watches me sob at the merge. I allow it. I allow my mother’s departure to break me. Suddenly — I care not for strength. I give up on mourning the things I lost. I decide to abandon the dream I was hell bent on living so long ago. I allow myself  to want again.

Something else. Someone else. Somewhere else.

And, before I reach the exit for Powell Blvd., I watch the course of my life change in my side-view-mirror — the one that’s duct taped, securely, to the driver’s side door.

And, without anyone else’s permission, I vow to follow it closely — wherever it goes — my insignificant thing.

 

 

 

The Red Room

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change

I spent my lunch break in the self-help section at Powell’s City of Books.

And, I know. It’s bad. But, it’s how I roll when I’m in a rut.

In sobriety, I’ve learned pain is predictable. I know when it’s coming. And, I know what to expect. There are levels of rut. In 12-Step, when you’re still sweating alcohol and amphetamines, they tell you, “It will always be peaks and valleys, peaks and valleys.” — It’s mostly valleys.

So, back to the self-help section. I’m not entirely sure how I ended up there. I know I started in the Red Room — the travel writing section. I was reading David W. McFadden’s An Innocent In Ireland. It was really good, too. I was totally planning on buying it.

But, I was standing there next to this intellectual-type-guy with horn-rimmed glasses. He was paging through some book on Greece, and I found myself getting pissed off. Like, really pissed off. And, I had no reason to hate this guy. Absolutely. None. But, I absolutely did. He was breathing too loudly and he was turning the pages too recklessly. One moment, I’m in this pub in Ireland, and the next, I’m about to lose my shit — thinking, “Screw this fuckin’ guy, and, screw Mykonos!” At that point, I just couldn’t take it any longer. McFadden went back on the shelf. I’d come back for him later.

Next thing I knew, I was two rooms over — in the thick of it — Self-Help: General. I’m standing there reading Louise Hay’s You Can Heal Your Life. And, fuuuuuuuucccckkk. It’s good. It’s Mykonos beaches good.

I’m on page twenty. And, I seriously I have to get back to work. But, with those twenty pages under my belt, I’m walking out of the store, then onto Eleventh Avenue, then up Flanders Street and — I’ve totally bought into it — Goddammit! — I CAN heal my life!

I can see it. This hysteria. It’s just the rut. A big, long valley. It’s the same place where I always get stuck. Post-break-up and pre-break-through. And, when I’m here — I read a self-help book. And, it’s bad. It’s awful. It’s a waste of ink and trees. And, as I’m reading it, I’m thinking, “God, I hate myself.” Because, I kinda do. — That’s how you end up in the self-help section.

But, then, it happens. — I help myself.

The thing is, there comes a point where we completely detach. Someone has to talk us into changing. And yes, sometimes it ends up being a hack who’s spiritual abundance is superseded by monetary gain. But, sometimes, hacks can make good points. I should know.

So, I do the rut-thing. I’m in bed, with the blinds closed, for days. I watch terrible rom-coms until I start to smell and the cat begins to pity me. Eventually, I convince myself to shower and take a walk. And, that’s when it happens.

I get back to dreaming. The sun kisses my vampire skin. I see the hot-pink flowers that don’t exist on the East Coast. There’s a calico cat rolling in a patch of long grass by the hippie-guy’s house. And — I’m here and I’m alive and I can change.

And, that’s how it happens.

Go to the Red Room. Meet McFadden for a pint. Escape the horn-rimmed-glasses-wearing- Grecian-jerk. Lose your place in time and space. And, return to consciousness with Louise Hay.

Twenty pages later. — No, I haven’t healed my life. But, I’ve helped myself.

And, that’s the hardest part. Helping your heart. Convincing yourself that you’re close.

That it’s coming. — A peak. — Change.

 

Bitter(s).

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I sit at a bar shaped like a horseshoe and I order soda with Angostura bitters.

My 12-Step friends will hold the bitters against me — the same way they do when I lick the side of the vanilla extract bottle while I’m baking. I decide I don’t care.

I’ve been waiting for this.

I sit across from a hipster-geek in a wool, skull cap. The weather’s too warm for that, but, in Portland, no one cares. The bartender showcases a tequila bottle I don’t recognize for two drunk women at the end of the bar. They snack on fried food and chew with their mouths open and they don’t realize how old they look, bat-bat-batting their eyelashes and laugh-laugh-laughing at something the bartender says, but, everyone knows without hearing — it isn’t funny. Their husbands are outside smirking and smoking cigarettes. They turn to gawk at a group of three, tall twenty-somethings who walk by in patterned leggings that hug their perky, little asses.

I hammer my straw down into the ice, like I’m breaking something up. I stir — like there’s whiskey at the bottom of my glass. There isn’t. But, I continue eyeballing the good shit on the shelf.

I pass this bar every day. I look in its big, rectangular windows. Behind my own reflection, I see smiling lips that leave blots of red lipstick on the edges of tumblers and the tips of little, black straws. I wanted this — to sit here. To feel it. Soft leather. My purse dangling from a hook at my knees. I wanted to breathe out. — A release. A homecoming. My heels drawn up against the sides of a bar stool. — I’ve waited.

The perfect conditions. The right amount of cloud cover. The slice of evening right before the Saturday crowds filter in through the angled, double doors. A hum, a quiet energy — like something might happen. But it doesn’t.

I can’t explain it. — It’s not what I wanted.

The hipster-geek doesn’t look up from his smart phone, even when his hand searches along the bar for his drink, which, I am certain, is an old fashioned. The older women, who think they’re young, wave their hands back and forth. Pinot gris sloshing at the sides of their glasses, just barely contained. The bartender reaches for his bar rag, but, in the end — doesn’t need it.

I ask for my bill.

“All you had was soda. Right? We don’t charge for soda.” The bartender walks away from me. So, I thank his back. This is what being castrated feels like — I imagine. Suddenly, I’m worth even less than the dollar it cost for me to keep the seat warm.

Whatever it was I was hoping I’d feel — I know now — I can’t anymore.

The chewing, cackling hags. The lechers with cigarettes that dangle from their lips. The bartender’s display of insincerity and faded tattoos. The smell of spilled beer and dirty mop water. It’s hardly a return to the days I used to live for. — His hand grabbing for mine, while we poured over menus, the sun sinking into another river. Here, I’m lonely. And, the wood of this bar is scratched.

At home, I crawl into bed and I lay very still. I bury a feeling I didn’t know I still had.

I just wanted a moment in the bar. But, the moment’s gone.

Rain taps the window and the cat swats the venetian blind and I miss things I haven’t missed in a long time. Adam. And New York. And our railroad apartment. And they way the sun spilled over Nassau Avenue in the summer when I was twenty-five.

A Mother of Felines

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Mother’s Day. My cat paws me awake at 7:23AM. She didn’t buy me flowers.

I call my mother, who’s shuttling my father’s mother to church. I open Facebook and find it inundated with pictures of mothers, memorials for mothers, and sentimental notes to mothers — my own included. I walk into the kitchen and I make myself banana-oat pancakes. I, am mother to nothing.

It appears that everyone, especially my peer group, has begun to populate the Earth at an alarming rate. They all wax poetic on the joys and challenges of parenthood. — Yet another club for which I am currently ineligible. It’s middle school all over again, except this time the popular girls have even bigger tits and haute-couture vomit-shammies.

The thought alone makes me want to get drunk.

For a moment, I panic. — What does it mean if I never become a mother?

I imagine myself alone in a dusty room filled with piles of hoarded vegan cookbooks, old mail, and unswept cat litter. My hair is silver. And the most color I’ve seen in years in the purple rhododendron that’s blooming outside my living room window. I think to myself — I don’t want to die alone.

Sometimes, it feels like that’s the only reason I feel drawn to motherhood at all. I can’t be alone at the end of days. But, as I sit on the couch sopping up the last of the maple syrup with my final bite of pancake, I realize, mother or not, I might end up alone anyway.

In the best of relationships — I’ve always felt alone. There is always an immeasurable space that remains vacant, lost, unfulfilled. It’s why I drank. It’s why I still want to drink. It’s why yesterday, as I walked home from work in the warmth and the sun, I slowed at the entrance of every bar I passed and made an excellent argument for just. one. drink.

Fill it up. Allow yourself. Imbibe on this — motherhood. Uisce Beatha.

Life is about filling spaces. I’m not sure what it is, but, there must be something that can fill us all. Maybe it is drinks. Maybe it’s motherhood.  Maybe it’s a kind of love I just don’t know yet. Or, maybe, it’s waking up at 7:23AM to set out salmon treats for the one creature that has tolerated my various states of existence for as long as I’ve known her.

When I give the cat one treat too many, she vomits on the floor. I wipe it up with paper towels. — I have no fancy shammies.

She looks up at me, guilty, with her big, sad eyes before moving to the couch where she continues her ongoing project — pulling foam from the armrest.

“Please,” I say, “don’t do that.” With that, she pulls her needle-sharp claw from the shredded red fabric and glares up at me with disdain before sauntering, nonchalantly, back to her post in the bedroom.

In the end, for better — for worse, we are all mothers to something.

 

 

[Image taken from I Am Lil’ Bub]

Feeling In A New Era

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Photo Apr 27, 3 47 56 PM

I wait for the blow. — But I’m older now. — It takes its time.

I keep thinking about my old roommate. We’d blast Tori Amos and fucking emote. We’d lay all our shit out there. 20-Somethings with nothing to prove. Back in NYC, we’d suck down fat joints and take swigs out of cheap bottles of red wine in our Alphabet City apartment. We fucking felt it. I’d play my guitar and she’d play her keyboard and we sang in a language we both understood. We’d look at each other and we just knew: It was all out there. — We made something.

My emotion hasn’t made anything in years. I’ve poured all my pain into cleaning kitchens — scrubbing out sinks. In my apartment of 3 1/2  years, I have nothing on the walls, save for the dried roses that hang from a smoke alarm, given to me by an ex on Valentine’s Day, years ago. — And, yes, I know. — Bad Feng Shui.

While I’m sure no one wants to hear it from a spry, 31-year-old — I feel fucking old. And, even though I’ve been diffusing citrus oils in my apartment to keep myself from having a psychotic break, I still expect the living room to stink like moth balls and old soup. If I didn’t work until 6PM, I’m certain I’d be eating dinner at 4:45PM every night.

Monday, I sat on my stoop crying. I dyed my hair red and, in the sun, it looks like my head is on fire. It feels that way too. I planted some seeds. I don’t care if they live through the summer or not. I just need something to set down roots. I need something that’s alive to break the surface. I’m tired of waiting for things to grow. And now, I have all this dirt on my hands.

I got an unexpected call from someone struggling with their sobriety. For a minute, I felt like a fraud. Hours before, I was thinking about picking up a bottle of bourbon, and, suddenly, I found myself describing all the things I do to keep myself sober — to someone else — like it’s nothing. Like it’s easy. I’m convincing. I told him — it’s worth it. That, I’m better for it. And, for a minute, I am. Better.

When I hang up the phone, the evening sun’s crept in through the window like my stalker. I’m still sitting in the same place. I haven’t run from the hurt yet. But, my mascara has, and I look like the poster for American Horror Story: Asylum. Sure enough, it’s 4:45PM, but, I won’t be hungry for dinner tonight. — The break-up diet is the world’s best kept secret. — You heard it here first.

I decide to snuggle up to the cat and play Tori Amos through the speaker. I channel a younger version of myself. I mourn her and all the feelings that, once, came to her so easily. I emote — sans my friend and the fat joint and the wine. I try to feel. And, this time, I don’t do it over a sink. But, I end up just talking myself in circles, trying to convince myself of something that isn’t true. I have never been a good liar.

So, to keep myself straight, I re-read my checklist:

  1. Drop off the key to his place.
  2. Drive directly home.
  3. Get on your knees.
  4. Pray for Jackie’s Strength.

 

 

 

 

The Suit Comes Off

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I dreamt about John Hamm last night. And, it’s not because I’m hot for Don Draper.

Well, not entirely.

I may be sober, but I’m still addicted to Netflix. Hardcore. And, no matter what program I watch, I am constantly being reminded of the things I can’t have.

But, despite being toyed with, I continue watching. I couldn’t possibly blame the media for giving me everything I want. I love it. I need it. I crave it. I watch the smoke rise off the tip of every cigarette. I wait for the camera to pan across each patterned, crystal tumbler, elegantly displaying its smooth, golden whiskey. I watch it, spellbound. And, why shouldn’t I enjoy it? — It’s all the fun that I’m not having.

It’s sexy. It’s social. It’s provocative. And, at the same time, it’s demure and totally natural. It’s masculine and feminine, simultaneously. It’s ageless. It’s casual. And, the pleasure — it’s implied. Addiction — It’s everything we want it to be and it’s everywhere. It’s part of our cultural discussion without ever having to open our mouths.

And, even when it isn’t what we want it to be, addiction is it’s own form of entertainment. There’s Mad Men‘s Don Draper, the whiskey-sipping man of mystery, and, then, there’s the real man, John Hamm — completing his first 30-day stint in a Connecticut rehab facility. TMZ harps on about it. PEOPLE Magazine picks up the story too, and not because they’re interested in addiction itself — they’re interested in marrying it to Don Draper. We want one addiction to look like all the others. It’s easier to manage that way.

The media talks about John Hamm’s substance abuse problem in the same sentence that recaps the latest Mad Men episode. I wonder: Do we really make the connection?

Media and celebrity create this culture. It’s inviting. I mean, fuck, I salivate for the duration of every Mad Men episode. I breathe the smoke. I taste the whiskey. I feel the relief and the ritual. The substance abuse is its own sexual tension.

But, as I hunker down to catch up on old episodes, I find myself asking — why am I doing this? What am I putting myself through and what is the payoff? I mull it over for a few days. And then, while curled up in blankets on the couch, watching a marathon of Intervention, it hits me: It’s not the media. It’s just me — still wanting something I can never have.

It’s what all us addicts do. We get lost in the romance. The look of it, the feel of it, the ease of it. We become so entrenched in the peripheral relief of the substance, we lose the meaning — the storyline.

I love the idea of Don Draper. But, eventually, the suit comes off. The glamor loses its appeal, and the story is just the same as it ever was — a marathon of broken people — all seeking to fill the empty spaces.

So, as my cat and I ready ourselves to binge-watch the Mad Men episodes we’ve fallen behind on, I take a moment to be grateful for the all new ways I have learned to lose myself. I remind myself that binge-watching how things aren’t — on the screen, will sometimes remind me of how things are — in my real life.

So, I turn on the TV. I make the connection.

And, for every drink Don Draper pours, I make a secret wish that John Hamm has poured his last.