Category: Acceptance

The Party’s Over

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Photo Mar 28, 4 04 31 PM

It feels like I’ve been tripping on some terrific hallucinogens y’all.

Honestly. I have no idea what’s changed — why I’m reeling, but, I’ve jumped off and hit the deep end of my depression. And, let me tell you, someone strange has bounced back.

Birthdays have been known to do funky things to me. And, with my birthday arriving at the end of the week, I wonder if maybe that’s it. A sort of 30-something reckoning. But, whatever tipped the scales, I’m feeling it. And, it’s tugging at me like a million invisible strings, all pulling me toward something big.

Happiness. — I used to believe that it was a place and that we’d magically find ourselves.

It’s been an elusive destination. And, for a time, I was sure, feeling good was something we arrived at by chance. Our lives, like some fantastic cocktail party, when in struts Happiness making a grand entrance. She’s everything you’d want her to be, waving a tumbler of aged whiskey high above her head, rocking her skin-tight black dress, sporting ungodly-high-heels, flipping you off with her fire-engine-red nail polish. She was the perfect party girl — who lived only to disappear into the crowd, lost again, to the dance floor.

The truth is — that was me at my 25th birthday party. And, the party’s over.

Joy and happiness have never been the result of some effort on my part. It always found me. Unplanned and unreliable. Like a dog, three states away, finding it’s owner by some untold mystery of the universe. But, kids, I’m getting older. And, every time that dog gets away, it takes him longer and longer to find his way back to me again.

Maybe it’s my age. Maybe it isn’t. But, something’s flipped like a railroad switch. And, this time, I’m not leaving my happiness in the hands of chance.

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This blog has served me in a host of ways. It’s forced me to sit down and take stock of myself — every week. To write — regardless of who or where I am. It’s been an outlet for whatever I’ve bottled up to explode. It’s been a conduit for consistency over days, weeks, and years. And, it’s provided a vehicle for me to reach others in ways I never could have predicted.

I’ve connected with close friends, strangers, and mere acquaintances. I’ve heard countless stories and received unending love and support. I get emails that touch my soul, bring me to tears, and help me to hope and dream in a way I didn’t know I could. For these past 2 years, this window where I type 350-1000 words every week, without fail, has allowed me to reconnect with myself. And, this whole time, I think I was secretly waiting for the day when I would be moved to write this very post.

This blog is about to change, big-time, to reflect a new me. — Going forward, we’re letting a lot go.

I used to think if I let go of all the things, places, people, incidents, pain, and progress that I’ve lived through and with, in and before sobriety, I’d lose everything. — I’d be blank. But, in truth, no matter what place I write from, I’ll never have everything that I started with. I’m called to create something new, and in this place, I find myself with a different kind of power.

A proprietor of my own happiness, I have decided to put creation before chance. My goal in the coming year is to go beyond hoping. I have decided to facilitate the life that surrounds me. To change how I feel, because we, as humans, have that power. I aim to build a life where growth is no longer the side effect, but instead, the intention.

This year will be a year of happiness. And, for the next 365 days, that will be my only focus. This blog will, of course, continue to document my time. As readers, you can expect a change in tone. And, while I may lose a few of you, I know that in order for Saucy Sobriety to move forward, it must move with me — even if that means experimenting with something new. We’re moving away from the things that kept us stuck.

Signing off this week feels bittersweet. I’m leaving this comfortable space I’ve created, knowing that when I return next week, things will be different. But I am moved to change. I hope that you’ll change with me. — Sign on for it. Be a part of this — A year of happiness. 365 days. 52 weeks. Be inspired to ignite something new and different within yourself, too.

But, in whatever capacity, wherever I may find myself headed in hot pursuit of joy — I hope you will join me.

 

 

Photo: My 25th Birthday, Greenpoint, Brooklyn

The Promise of Color

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Spring draws us out.

Cynical, tired, hopeless, and angry as I find myself — there’s something that soothes every state of unrest in the way the sun rises this time of year. It’s a different shade of yellow. Creamy and light, never sallow. Spring has a grace the other seasons lack. The promise of color. Time moves us forward and we are given permission to let our dead things feed a new Earth.

The tree in my parent’s back yard litters the ground with little, red buds. The pointed tips of green leaves push their way up through thawing dirt, packed tight by feral cat’s paws. And the local squirrels make plans to execute their annual vendetta against my mother’s stoop-garden bulbs.

This time last year everything was soooooo nice. Nice city. Nice boyfriend. Nice apartment. Nice new job. Nice. Nice. Nice. — Oh, and stagnant. Stagnant and boring. I’d always imagined “Nice” as a place I’d want to stay. I thought I’d enjoy stability. But, forever restless, “Nice” needed moving forward. Growth. I began to feel the momentum of Spring pulling me toward the ring. Though, I hadn’t agreed to fight yet. I first spent a few months trying to make “Nice” work.

In Brooklyn, things move, begrudgingly. Uncomfortable and awkward. But, movement is movement. Time passes. And while I keep pushing up against locked doors, part of me feels assured a key is bound to show up. So, I dig in and wait.

When you abandon “Nice,” life picks up speed. The seasons bleed into one another and little things morph into bigger ones. A seemingly harmless unrest can turn into a move across the country. The arc of change is never what we anticipate. And I think, maybe, I did fuck up. Royally at that. It wouldn’t be the first time I made a huge life decision in haste.

I allow room for the possibility. And I’m finding the more I revel in my missteps, the more I like myself. I become increasingly amused by my uncanny ability to be me. I used to be so scared of making mistakes. I was a fearful kid. A fearful young woman. But, the worst of my wounds have scabbed over, I am no longer scared. I know now, with certainty — it absolutely will get worse. And, I know that even after shit hits the fan, it’s possible to get back to “Nice” and still find yourself unsatisfied. I devoted all that time to the pursuit of perfection, and wouldn’t you know — I ended up becoming the fuck-up girl anyway.

Each mistake gives me a new kind of freedom. And, I’ve started letting myself off the hook for losing track of the woman I thought I was supposed to be. Because now, I’m so far off course, it hardly matters.

“Nice” is a temporary thing. It’s better that way.

Eventually, a yellow sun rises and the dark season yields to new color.

 

 

A Sinking City

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I took a long walk along the promenade in Brooklyn Heights.

I stood against the black iron fence, leaning into New York City’s skyline. I am still waiting for it to embrace me again. But, it only feels tired. Tall cranes and buildings rise, holding themselves up, heavy, against big, grey clouds. Jogger’s treads fall hard against the pavement. Couples in black coats on benches, pressed hard into one another, stiff, like magnets. And I walk, leaden, moving slowly toward Cadman Plaza.

I remind myself that the weight, the heaviness, isn’t forever.

I try to be patient and allow this time in my life to pass without argument or complaint. I let the city rise before me, flooded in darkness. I feel tired. The weight of too many narratives threatening to sink me and this island.

Stories will wait until I have words enough to write new ones.

Meanwhile, I listen for Guru and wait on the sun.

This Stretch Of Road

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Photo Feb 28, 5 49 40 PM

Meeker Street/Morgan Avenue Exit — It wrecks me.

I’m driving home from an amazing weekend when, suddenly, I see it coming. I pump the brakes. — But, it’s too late. — The horizon hits me hard. Breath knocked from my chest, I gulp for air. The thick, orange sky cracks me open, impales me, my guts spill out across the console, soaking the floor mats, seeping into the metal frame, and drip out onto the highway.

Our old Lombardy Street apartment, still remains, unimpressive and industrial, a concrete ghost hiding behind McDonald’s golden arches, staring at me, the highway level with its window eyes.

This darkening sky is a memory I’d long forgotten. Sitting in traffic on the expressway, the smell of gasoline and rubber — the smell of the city. I remember this. We were always returning. From weddings and weekends and snowboarding trips, tired and achy, with blisters and bruised knees, longing for the comfort of our big, red couch. — Drinks in front of the television set in my baggy, black sweatpants. Meeker and Morgan was the exit I waited for, my socked feet propped up on the dash. Meeker and Morgan announced us — we are home. We were home.

The sign is the same. Green, with peeling white letters. The sky too. A color that mixes the blues and whites of winter, but where its line meets the Earth, warm reds and yellows pool beside the sun, warning me that in just a few weeks, days, moments — Spring will arrive. Too soon. All this time. Gone. All this pain. For naught. And you, erased.

I think about the past too much. I know that. I probably talk about it too much too. How things looked and felt. How the air smelled. How, back then, home was a place — not a feeling. I beat myself up for doing so much wrong. Wrong jobs. Wrong people. Wrong comforts in the the wrong places. But, this highway can’t be blamed for any of that. There is nothing to change in this place. Nothing that makes it better. Nothing that can make it disappear. Nothing that can make it right. It is its own place, free of my assignments. I cannot erase these miles. It will always be here, this stretch of road. The sign is just the sign. The sky is just the sky. And, neither of these things will bring him back. Nor I.

I tell myself  — This is it Sarah. The moment that, for better or worse, you need to just let go. I pick up my phone off the passenger’s seat and snap a photo. Capturing it in my hands so I can try to release it. The light. The traffic. A deep breath. The exhale. — He’s gone. — Let go. Please. Sarah. Please. Just let him go.

The sun sinks lower. And, I have passed the worst of it now. — Metropolitan Avenue. Wythe Avenue/Kent Avenue. Tillary Street. Cadman Plaza. Atlantic Avenue.

Now, it’s just me and the BQE. Gasoline and rubber. My blood dripping thick drops onto the dividing line. Driving away from the feeling I called home.

Without him, the sign is just the sign. The sky, just the sky.

 

 

Outline Outlaws

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The only child of two juris doctors, some will say, I was born to be edited.

And, while my lineage might suggest otherwise — I, certainly, am no juris doctor.

I talk food over politics. In the course of our discourse, I am more likely to contribute a word of the four-letter variety than that of the SAT. I have more use for essential oils than I do for supreme court justices. And, I’ll take a trashy beach novel over legalese any day of the week.

For better or for worse — this is who I am.

But, how this came to be, I’ll never know. I remember spending long nights at my mother’s side, as she relentlessly scoured over my high school papers. Her red pen marked small notes in the margin. Misshapen circles ensconced periods at the ends of my sentences. She never provided answers — the circles were left there for me to ponder. And, it would eventually dawn on me, hours later, that semicolons were her preferred punctuation. I would return my pages to her bedside, having made the necessary changes, and a smile of approval would creep up the sides of her jaw.

My mother touted the merits of a well assembled outline. “If it’s any good, it’s harder to write than the actual paper,” she told me. “You have to decide what you want to say. Tell your reader, point by point, what you are going to do. And, then, you have to go about doing just that — with the proper citation!”

I sat at the dining room table, hovering over my stark canvas — an expository Alcatraz — a blank sheet of loose leaf paper. In those fruitless hours, I hated my mother for every moment that she had committed to my education.

An outline? What a fucking drag.

I was far too distracted for that kind of thing. I was meant to ramble. Free writing journals like W.B. Yeats and Maud Gonne. Run on sentences like Hubert Selby, Jr. Did J.D. Salinger make outlines? Kurt Vonnegut? John Updike? No. No, of course not. Writing was too much an act of the heart for such things.

Back then, I thought that being a good writer meant, without exception, you were an outline outlaw. — But, I wrote them anyway. For my mother. — And, as a result, every paper I turned in was a well comprised, point oriented, thoroughly convincing manifesto. To this day, I have never written for an editor that has surpassed her level of bad-assery.

While I set plans into motion, for whatever-the-hell-it-is I’m doing with my life, I keep returning to my mother’s advice. — Assemble a proper outline. — Even now, it seems a heartless chore. But, something urges me on. I still struggle to find some kind of framework.  The thing that tells me, point by point, what I am going to do. Placing me firmly in the reality I so often find myself skirting.

Back here, in this place I thought I’d left, I stand side by side with the thoughtful child I once was — outlaws seeking structure. Back in this writer’s house. My mother’s manila folders stacked on the dining room table, pregnant with white paper. My father’s den, a museum of dusty books stacked from the floor to the ceiling. If ever there were a place to make edits — to begin to write myself again — this is it.

With some effort, pieces slowly come together. Points and arguments. Opinions and footnotes. I learn how to write what’s coming next.

And, when I’m not sure how to punctuate my sentences, I just walk down the hall and run the pages by my live-in editor, clad in her full-length nightgown, red pen at-the-ready.

 

 

 

Drawing: Pete Scully; Materials: “Pens”; http://petescully.com/materials/

 

A Daughter Of The East

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Since leaving Portland, I find little comfort in my place.

I’ve been a New Yorker. I’ve felt its pulse. How the city surges and creativity bleeds up through the asphalt in the heat of summer. How the Winter wind gets in your bones and teaches you, that parts of you — were always cold. How Spring emerges in Washington Square Park from tulip bulbs that have ached, for long months, to paint the city with their color.

But, now, my New York moments have become frequent realizations that the place I once belonged — the home that once called out loudly for me — has quieted, and only loops the hushed whispers of my past — dreams for another life.

So, on a random Friday, without a plan, I find myself driving.

I end up in Kingston, New York. — Not on a total whim. — My cousin, more like a sister, who knows me better than most people care to, told me ages ago, that she thought I’d like it here. I pay a quarter to park the car next to the U.S. Post Office and step out into this cold winter day. — She was right.

In upstate New York, I can move with ease. Trees are a more common sight than people and every few miles, the scent of a wood-burning stove fills my nostrils and I am reminded that life can be simpler than subway maps and overpriced high-rises.

Kingston, on the Westerly side of the Hudson, is colorful. Narrow streets lined with bright buildings that are old, but not tired. Kingston breathes.

And so, I breathe with it as I walk around the Old Dutch Church, clutching a cup of hot Earl Grey, out onto a series of little streets which meet one another at curbs that are adorably uneven. The town feels tiny and boasts wood framed, two-story buildings proudly. Each one a New England-y version of the saloons out in the Old West, adorned with decorative, quartered-wagon-wheel fixtures at the corners of each squared-off porch.

Every street corner is regulated by four-way-stop-signs and a flashing red light. Though, I patiently wait at John Street for the Volvo that has the right of way, the woman behind its wheel still waves me on with her puffy grey mitten. And I shuffle, hurriedly, to the uneven curb across the street, waving my thanks with my free hand and gripping my paper tea cup with the other.

This place feels new and old and it floods my heart with it’s charm. I have a moment where I feel like my life is possible again. Real life. — A new apartment building. A new job. A new route to the grocery store. — I could have those things here. I could be OK here. I could be OK. Here. — And, I feel something that I haven’t felt in a long while.

Placed.

I drive through the Hudson Valley and afternoon light hits the mountains, just so, turning them a Holy blue-purple hue that I will not attempt to describe. It reminds me of Sauvie Island, back in Portland. I pull into a gas station and allow my eyes to well up with tears. I let myself pine for Portland. I feel it surge. — All the love I left there. Lost there. Burned there. And, in the parking lot of the Sunoco gas station just five miles out of Kingston, I let it all go and decide –as long as I’m here — it’s time to refuel.

There are reasons to leave the places we love. There is a time to come home and wake your mother in the middle of the night so that she can hold you while you weep. Ruin will sometimes find us, even when we thought we’d escaped it. There are seasons we will lose to depression and bad weather. And, Baba Ram Dass would tell me — Baby, this is all just grist for the mill.

Every now and then, we should take the roads that lead to the places our sisters say we should go. And, perhaps, those are the places we should stay. Rewrite our maps. Discover rivers that will lead us around new curves, spilling out into different oceans. New bodies of water where we can empty out our hearts and make room. Room for bright colors and uneven curbs. Room for new routes and routines. Where strangers with grey mittens will wave us on to what’s next.

Kingston. — On the highway that takes you, in just an hour, to the sister who would have you be happy above all things. A daughter of the East, returns. To this — The Empire State.

Back again, and in the same state as my mother, who once thought she lost me to the wild, wild West.

 

Image Courtesy of:  http://kingston-ny.gov/

 

In Stitches

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Braided_Crochet-1

My world seems so small.

Maybe it’s because there isn’t much happening. But, when I sit down and try to examine why that is, I keep returning to the same thing — in reality — a lot of things are happening.

I’m not a big-picture person. I have trouble backing up. I always find myself too close to the situation. I look at the fragments. And, that’s why, much of the time, I’m disappointed with myself. Disappointed with how things are going. I look at all the little failures and don’t manage to see how they play into everything else. I overlook how all those little missteps have led me to wonderful places that I wouldn’t have otherwise arrived.

Have you ever crocheted a blanket? If you look at one little crochet stitch — it isn’t much. But, after several thousand stitches, you end up with an afghan. Sure, it takes awhile. Yeah, you’ll likely end up pulling out three rows because you’ll notice that you fucked up with your counting a little too late. And, yes, by the time that blanket is done — you’ll be sick as fuck of looking at that same color. But, — you have something. Something big. Something tangible. Something to show for all your time and labor.

I run into problems when it comes to appreciating life’s afghans. I live in the process. The reward, for me, is in the making. Taking the little steps. And, once it’s all said and done, well — it’s all said and done.

Most of the time, I feel like I’ve got nothing to show for myself — no blanket. No payoff.

It feels like the work ahead of me couldn’t be in these little steps. These single stitches. I think that’s why the future feels so daunting. The work I’ve always assigned myself has been in stepping back and seeing the whole, big thing. Making grand decisions for some grand life. And, that’s got me in stitches. I don’t feel equipped. There’s no blanket. And, I want to know — when’s it all going to come together?

I’ve always felt that getting older meant that we had to let go of these small things. I thought we had to follow our little patterns — precisely — so that each row leads seamlessly to the next. And, we have to be very careful — because ripping out rows wastes precious time. But, the truth is, it’s in ripping out the rows that we learn to make the best blankets. Growth is in the repetition. Fuck-ups will happen. I try to remember — It wouldn’t be a genuine, handmade gift without a few little errors hidden somewhere in the chevron.

We eventually find ourselves in our different places — in our different ways. We must remember to occasionally step back, we must look at our work. But, we must also remember to do the work that’s right in front of us. The single stitch becomes the blanket.

It’s all about these little pieces.

I know. — I crochet.

 

 

Freight Hopping

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A self-proclaimed-self-help junkie, I find myself in a predicament.

I know too much. The trouble with all this starting over crap is — whether you’ve moved coast-to-coast, left a relationship, or are totally revamping your outlook on life — at some point you have to stop starting over and, well, — just keep fucking going.

Self-helpers, like myself, will often spend much of their time building themselves up, hoping to arrive at some very specific end result and — they never quite get there. We can’t finish what we start. We give up. Or, worse — we settle. And, we find ourselves starting over. Again.

It’s an existential hamster wheel. And it’s especially cruel when you’ve read something like 80 books on the subject: Starting over. Creating yourself. Recreating yourself. Healing yourself. Losing yourself. Finding yourself. Finding happiness. Creating happiness. Losing happiness. Keeping happiness. — I know my fellow Seekers will understand. Because, we know. We’ve read the book on that — 80 times. We can watch ourselves fucking it up — in slow motion. We know exactly where we’re missing the mark. But, there’s no stopping that train once we’ve boarded. We’re freight hoppers. It’s this: A one-way track. Stay or jump. — But know, jumping off now will hurt.

Since moving back East, I’ve been trying, relentlessly, to deconstruct this goddamn train. I’ve exhausted myself. And so, I’ve had no choice but to give myself a little leeway. And, after watching the same landscape speed past my train-car window — it dawns on me that, this time, starting over won’t require that I design some grand master plan. I just have to ride this runaway train — and try to enjoy it.

The truth is — I’m in love with all these unfulfilled parts of myself. I admire my own willingness to trudge through mistakes and misery to get what I want. It makes me proud that I haven’t settled for someone else’s version of me. I revel in my highs and lows — I would hate for my own story to be linear. While I may be sad, I will never be stagnant. I’m still a kind of mystery, even to myself. And, sometimes, I find some real joy in my own elusiveness.

On my good days I seek patience, forgiveness, and — when I can muster it — a little tenderness. When I get even just a taste of these things, I’m able to locate some hidden part of myself.

There are moments, however fleeting, where I remember who I really am, without making apologies for her. And, when I find myself in those places — starting over doesn’t seem so pressing. I’m reminded that it is in the pursuit of my happiness that I have been most happy.

Keep fucking going. The train will roll on. Without brakes. Seekers, we don’t need them.

We trust the track — and we ride.

 

Photo Credit: Mike Brodie, From “A Period of Juvenile Prosperity”; http://mikebrodie.net/

Doing Things Badly

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This week, my people, has been tough.

A dry, dusty, depression wasteland.

But, rather than abandon you, my faithful, with nothing — I leave you with a morsel from one the zaniest and the most human of my favorite writers — Anne Lamott.

Her book, Grace, Eventually  started me down the road that led me to Baba Ram Dass, and shortly thereafter — to my own sobriety. She is a writer who had little trouble wiggling her way into my heart, and, I hope that this week you’ll devote the five minutes you might have spent reading my words to watching this short piece, and perhaps, you’ll allow her to wiggle her way into yours.

 

Artwork: Nicholas Roerich, “Issa and Giant’s Head”

 

 

 

 

 

 

With Our Bones

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Photo Jan 06, 4 37 51 AM

My coworker tells a red-faced customer that the New Year starts with our bones.

He is referencing the seasonable cold front that, only just now, has arrived in New York City. But, as I stare from the coffee shop window out onto the still-dark avenue, I think it’s possible his theory has nothing at all to do with the weather.

He’s right though, the New Year does start with our bones. And, after letting some heavy weight drop, I am left again — feeling empty. Just a feeble frame.

This feeling is a familiar one.

September 9, 2012. I stood in the center of my Portland living room. I remember staring with empty eyes at my black, cubed, IKEA bookshelf. I read the title off the spine of every book I owned.

It was my first day sober, and, I didn’t know what else to do. I could not sit or walk or make calls or cook or watch TV. Most importantly — I could not drink. I could only do this one thing — stare at my shelf full of books. And then, I sat on the stoop outside my tiny kitchen, my elbows pressed into my knees, and I smoked an entire pack of Parliaments. A lonely skeleton.

Days and weeks past. Then, months. Now, years. And, where substance is concerned — I am human again. I can see myself in the mirror without having a drink. I have created something. That old skeleton — a spine, made up once from those of my books and my rib cage, made up once from twenty premium cigarettes — is now covered with flesh. I made matter with which to cloak myself. And, with practice, I learned how to uncover meaning in my own assembly.

Meaning will come and go. But, one thing is sure — Time will always create new bodies for us to build. And I have come to believe, despite the hardship, it is important we continue the difficult work. Unending. Tedious. Painful. Slow. Rewarding. Beautiful. Unexpected. — Grace.

We sew our veins, organs, and muscles into place. We cover ourselves in this — our skin. Unique. Never again to be duplicated. We all start out with these bones. And, at the end, which is never really the end, we are something we weren’t before. Original in our effort. We are our own life’s work. — We become our willingness to begin.

In the New Year, cold descends. We feel it. The work commences.

It starts with our bones.