Category: Being Present

A Temperature I Can Live With

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The last time I felt like I was on fire — I was bonafide crazy.

Holy. Hotness. Boiling over. And, that’s how I know things have gotten bad. — The heat.

It’s been building. Pressure. But, I’ve been preparing for this moment. — The moment where I miss Portland. The moment where I wonder if I made the right choice. The moment where I have my doubts. And, I knew, I knew this moment was on it’s way — so, I readied myself. And, when it arrived, as planned, I embraced it like a lost child, dropping everything to find a place to go cool down with it.

When the hot iron of crazy strikes, and, it’s happened to me several times since getting sober — I know that I have to stop everything. Completely cease. Mentally rest. I tend to run on fumes. In this state, my mind will go ape-shit and find itself creating the worst possible outcome — every time. I let small obsessions take over. I’m curt and angry. And, I show it. I hate showing it. I feel like I might lose my mind. So, this time — I was ready. And, when the moment hit, I made a beeline to the nearest place I could be alone. To sit in it undisturbed. — Silent. Silent. Silence.

The church was empty. Marble echoed the squeaky sound of my black Vans. I looked up at the alter. And I let Jesus know — “I’m back.” But, I’m not really here to pray. So, I tell Jesus that too.

“I’m not here to pray, Jesus. — I’m just crazy.” And, I’m pretty sure, he’s heard that line before.

The last time I sat still, with intention, was back when my ex was kicking heroin then using heroin then kicking heroin then using heroin then kicking heroin. I felt like I was hanging on for dear life. So, every night, I lay in my Portland bathtub and I waited while the water turned from scalding to tepid. My mind, still. I’d be hot and then I’d be cold. And, so, so still. I’d move the water back and forth slowly with my shriveled fingers — but everything else would remain — calm. I let all my thoughts go. I allowed my sadness and my confusion and my pain and my fury and my forgiveness and my hope to coexist in that white, rectangular pot — all of  it, just steeping in the water. I let it come to a boil, and then, I let it cool. I let it cool down until it was just so. Just bearable. A temperature that I could live with.

I sit in an empty church pew because I don’t have a bathtub anymore. I explain this to Jesus. And I apologize for using his space. I tell him how I just need to let the water cool. And, then I let him know that I might need help with that, “you know — if you have some time.” And then, I feel like I need to explain that it’s not about my junkie ex-boyfriend, or anything super serious like that. It’s just me. Me and my shit. I had to clear all that up for Jesus. So, I told him about being homesick. And, — “I know, Jesus, I know — that sounds funny, because I was just homesick for home and then I moved home and now I’m homesick for Portland — which was home — but wasn’t.” And then, I apologize again, because, — “I know, Jesus — it’s fucking confusing.”

After about a half hour, I realize that I’ve asked Jesus to assist me with quite a few things. I wonder — were those prayers? Did I just pray to Jesus? Nah. I turn my head around and, behind me, I see there’s another man praying now. He’s on his knees about ten pews back. I whisper to Jesus — “Help that guy first.” After all, I’m just here to cool off. “Really. Don’t worry about me. I’m good.” — It’s quiet here. That’s all I need.

Cool air blows in from the side door when a little, Latina woman shuffles in with a black and white shawl wrapped around her shoulders. I watch her shove a few dollars in the copper collection box and she lights two red candles. A chill creeps up the sleeves of my hoodie. Cools me down. I feel my blood go from boiling to tepid.

On my way out, I genuflect and, then, I stand in the aisle and tip my black-knit-beanie up to Jesus. “Yeah. So. Thank you, for the space and the air, I mean, for everything. Amen.”

And then, I try to begin again. — With a brisk walk back home.

 


 

Artwork: “Just Ducky”; Beth Carrington Brown;

Just Ducky: A bathtub painting

 

 

 

The Coffee Shop

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Photo Oct 04, 10 47 31 AM

I watch the sun come up in the window of the coffee shop where I work.

I got the job a few weeks ago. — A barista.

I arrive at 6:25AM, five days a week. I brew big carafes of coffee, set out pastries in a glass case, and watch as the Avenue begins to open its eyes and welcome the day. The coffee is the best part. It smells warm and sweet and I breathe it in as deeply as I can throughout the day. And — I know — that when this time in my life is over, I will walk into some cafe, any cafe, and the smell of coffee will remind me of how the light splashed down Third Avenue in the Autumn of 2015.

After the morning rush — a parade of school teachers, mothers and fathers with sons and daughters keen on a breakfast of doughnuts, chocolate croissants and macaroons, crabby little-old-ladies, suited business men, and a suave Italian who always orders a cortado with “just-a little extra milk” — things slow down. It’s still. One regular sits at his computer quietly, for hours, eating his giant, cinnamon-sugar doughnut. I stock white paper cups and stamp white paper bags with our shop’s logo. I look out the window and I ignore the elephant in the room.

I’m just taking cover here, in Bay Ridge. Other parts of Brooklyn still lay in ruins.

I avoid the subway lines in certain neighborhoods. I decline invitations from friends who are headed into different parts of the borough. I’m still walking around in a mine field without Kevlar.

It’s not just that Brooklyn has changed. Change — I expected. It’s what hasn’t changed. The places that still remain — as if I’d never left  — a skeleton of a city that I once shared with someone else. When I left Brooklyn in November of 2009, I wasn’t an “I.” “I” was a “We.” We left this place. It had been ours. Everything. Parks and street corners. Restaurants and bars. Cafes and clothing stores. And Avenues. So many Avenues. I cannot escape how the light falls here. It’s like a time machine. Brooklyn, B.P. (Before Portland) and Brooklyn, A.D. — the two blur, in some strange warp.

Seven years later, I pass the same places and I want to melt into the cement. — To disappear. — All these little things I once loved, still living in the same space. Some are gone, too. My heart aches — for all of it.

But, here, in the coffee shop, I’m safe. The faces are, for the most part, kind. The Brooklyn accents, comforting. And, the smell. Oh, the smell. I grind the beans and I lean in as I pull the cleaning lever, watching, as a little cloud of fine, ground coffee puffs out into the air — flakes of fragrant, roasted perfume. I pour creamy espresso shots into little, ceramic cups and its aroma wafts up and into my nose. The little metal spoon clinks. The machine drips. drips. drips. the drip coffee into a steel carafe. A woman tears the top off a pack of Domino sugar. Everything feels calm and manageable.

I hand a little boy a clear bag that displays his little, coconut macaroon. His father buys one for him every morning. He tilts his head and smiles at the cellophane bag and the gold sticker that secures it. “What do you say to the lady?,” his father asks him. The little boy teeters back shyly into the wall opposite the counter and mumbles, “Thank you.” His father smiles at me when I hand him his cup of coffee. “Come on bud, let’s go.” He ushers the small boy out the door, but, the boy always looks back in. First, to me, then, to the case filled with macaroons.

I know that feeling. Looking back into a place that’s so hard to leave — so inviting. I feel his melancholy — forced to leave his dreams on the wrong side of a glass pastry case. But, it’s all just a part of growing up. He will learn. The necessity of leaving things behind. Too much sugar. He’ll know better. He’ll know what he can return to, and, he’ll know what he has to abandon. Yes, he’ll know. — Gold stickers will not always hold things in place.

I wipe down the counter where a few drops of coffee have spilled.

When I remember this time in my life — I know — I will remember the smell of this place.

I breathe it in deeply. Warm and sweet.

Coffee.

 

 

Jesus and Our Marbles

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Sunday. — I’m on my knees in a church pew, and — I’m waiting.

Sometimes church seems like the only appropriate place to go when my head feels like the inside of pinball machine. Voices are echoing and the organ is humming. And I’m not sure that anyone’s really listening, but, truth be told — I may not really be praying.

At St. Patrick’s, in Bay Ridge, the crucifix is painted on the wall. It’s a weird sorta mosaic. In most churches, it’s a statue or pillar — something three dimensional — just so you know that Christ is hanging right there in front of you. He’s solid. His limbs are smooth and round and the nails in his hands and feet are these tiny raised bumps that you can reach out and touch if you’re so inclined. But, not here. Not in this church.

I think about that — the dimensions of Christ — while I try to pray. I attempt to slow the thoughts that race around my brain. Today, there’s a lot going on. There are too many prayers. I can’t pick out just one. There isn’t enough time. I try to pray for everyone else and find some way to ignore all my crap. I mean, that’s what I should be doing. But then, where will I put it all? — All this stuff I brought here to iron out?

After the priest reads the gospel, our hearts spill all of their contents onto the floor like giant bags of marbles. Rolling wildly under the pews and across the aisle. No one else hears or sees them. — Well, maybe, mosaic Jesus does — but, if he does, he doesn’t move or change his expression. He’s still just casting his eyes down at Mary with that sad-face that all church Jesus’ have — I mean — he’s dying. And us, we’ve only lost our marbles.

At the end of the homily, my friend, who joined me for mass, grabs my knee. It was like everything that the priest said was tailored to us. With a sideways look, we silently acknowledge this. The strange thing is, we’d only walked down to St. Pat’s because Our Lady of Angels, twenty blocks away, had the wrong fucking mass times posted on the their website. So, when my buddy and I arrived at 11:30AM — missals blazing like spiritual gangsters — the priest was already sending parishioners off, in peace, to love and serve the Lord.

So, here we are, at St. Pat’s 12:30PM mass. Praying and not praying. Spilling our marbles. Waiting for JC to give us a sign that something good is headed our way. But, neither of us gets one. — JC is still motionless up there on the wall.

The mass ends, and after the priest and his posse file out, we follow suit. We leave our marbles scattered across the church floor. Because — it’s better that way. We know they’ll get sorted out here, even without us.

We walk down Third Avenue, where there’s a street fair in progress. There are bagpipers playing and little kids with painted faces and it smells like funnel cake and Italian sausages and my buddy keeps stopping in the middle of the street to adjust his shoe.

For some reason, around Eighty-Third Street, he and I both start to laugh. I’m not sure what came over us. I’m not sure what happened in that church. What we took. What we left behind. But, I will say this — even though I couldn’t say a prayer to save my life — I’m almost certain that one was answered.

 

 

Artwork Photo Credit: Jesus Christ, Painting in a Catholic Church in Maseok; http://d-roamingcat.blogspot.com/2013_02_01_archive.html?m=1

 

The Hunker Bunker

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There is nothing worse than being stuck.

I’ve heard it said, the definition of hell is standing in one place while wishing you were standing in another.

Unfortunately for us, it would appear that the human experience itself is an ongoing parade from one plane of our stuck-ness to the next. We stop. We assess. We look for new places to stand. And, me, I know — I’ve been in this spot before. I’ve felt it. — Change is imminent. I’m on the brink, but, I still find myself looking too far down the path ahead. I get caught up in distances that are too mysterious to gauge.

And, when I become overwhelmed by my own sense of place — or lack thereof — I do it. — I hunker.

My best friend can predict my hunkering — episodes of withdrawal and isolation — with laser-like precision. It’s no secret when I am tired of fighting the good fight. I become exhausted searching for the next, best place. So, I resign myself to my bed where I binge-watch television shows on Hulu and Netflix and tell myself that nothing will ever change. Ever. Ever. Ever.

It sounds terrible. But, in truth, it’s pretty fantastic. Not only is hunkering incredibly relaxing, non-invasive, and cheap — it’s the pre-cursor to breakthrough.

I wrote recently about the advantages of identifying patterns. — How labeling my predictable routines has helped me to see where I was wrong, or where I needed to change, or where I kept putting myself in harm’s way. And, yet another advantage of this self-awareness is — you know when things are about to shift.

Hunkering is a sign. And while I’ll admit that it’s a behavior that sends up some red flags, — mainly a house-ridden, quiet, and antisocial alcoholic — it’s not all bad, I assure you. I’ve camped out in the hunker bunker many times before. I know the drill. And, I know that what follows is the sincere desire, drive, and momentum — to evacuate.

An experienced hunker-er knows that change is inevitable. There are only so many hours we can stay in the good graces of our beds. There are only so many days we can devote to celebrating our own misery. And — there are only so many episodes of The Mindy Project available on Hulu Plus.

The truth is, if we stand in one place long enough, wishing we were standing somewhere else — we will eventually move toward that other place. We move because it is unbearable if we don’t. Sometimes, we don’t even know that we’ve taken the step.

To hunker is to catalyze.

So, I tell my best friend, lovingly — I’m going. Don’t call. Don’t write. Don’t text. I’m headed into the bunker. I know the drill. I celebrate my stuck-ness. I know where I’m disappearing to, and I know what’s coming. And, soon — I’ll emerge.

Because, after standing in the same place for far too long there is nothing else to do — but move.

 

Artwork: Andrew Wyeth; Daydream, Tempera on panel.

Hand Signals

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I’m laying in Shavasana on the living room floor.

My head is uncomfortably quiet. In the gold plated fixture on the ceiling where a lamp used to be, I see my own reflection. I’m wearing black, and, I stare at my corpse. Palms open. Hands signalling to myself — the crow above.

Since returning to New York, I’ve revisited many things. Most of which, are very different than the way I left them. People. Places. Feelings. While I was gone, I wasn’t the only one reinventing myself. Losing myself. Rebuilding myself. It was all happening here, without me.

The world spins madly on. But, this evening, after returning home from a 12-Step meeting, the only thing spinning inside me is an immense gratitude. — A gratitude so big that it quiets everything else.

In Portland, I’d all but lost my 12-Step program. I crumbled after meeting an unstable and dangerous person, and, it almost took me out of the game that made me. I forgot who I was and how I had arrived at my own sobriety. I connected confused feelings to 12-Step that were better left isolated, and, as a result, I returned to the angry and bitter woman I had worked so hard to leave behind. But, here, back home, I’m peeking through the crack in the door. I am revisiting the program that once saved me — with a childlike caution. There is comfort returning to this thing that never truly left me, though, I tried to tell myself it was gone. Things I once let frighten me, return and become my beacons. My reminders. — We are here. — And, none of us is safe, but, unified, we are all alive and trying.

Change, so incredibly painful, — ushers us forward.

In a church basement, things I had forgotten return to me. My ears, once again, are opened and humbled by someone else’s pain. And, in a strange moment where I feel loss and gain simultaneously, I remember how it feels to have a profound understanding of someone else without knowing them at all — the power just one voice can wield.

In quiet stillness, our hands reach out for each other. I am truly home again.

Nothing is the same. No one is the same.

Visibly shaken, our hands make quick work of signaling our stories. Dark shadows on a bright wall. And, in our shared state of despondent confusion, we are united in possibility.

And gratitude. — Immense and compelling gratitude. — The kind that quiets you for days. — Until you hear your own words leave another man’s mouth.

And, without making a sound, you have returned. To this beautiful, and changed, universe. — Brooklyn.

 

 

Little Fish, Big Sea

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The subway. It’s revelatory. I’d forgotten.

Every time the conductor cries out “Stand clear of the closing doors!” and the bell chimes, I have a sort of epiphany.

It’s been awhile. But, I’m back on the train — literally and figuratively.

These moments. These people. These — STOPS. I think about them. With every little movement, something huge shifts. Someone changes. A woman turns the page of her book. A kid shoves his scooter under the orange and yellow seats. A guy stuffs a bagel with cream cheese into his face and the white glop oozes out the sides of his Everything and over the wax paper and down his fat, pink fingers. — It’s a show. A glorious fucking show.

I sit on the 2 train, awed. I wonder — Have I been gone so long that these vignettes of mundane existence, these glimpses into the drudgery of everyone’s daily, city commute, have suddenly become the most romantic thing in the world? Maybe it’s because I’ve only been home for a month. And, sure, everything is still shiny and new. But, no, the more I think about it — it’s so much more than that.

I boil it down to get to what’s different and, — I think it’s sobriety. And no — not just the fact that I’m clean and sober — whomp, whomp, patontheback, patontheback — it’s more. It’s one of the side effects of sobriety that have slowly begun to crop up. A kind of gift. It’s something I was denied while I was living here years ago, but now, I suddenly have access. And that, that thing I’ve finally tapped into — is the ability to admire the machine of which I am part.

Here, in  New York City, sober, I have allowed myself to become small again. Something I never could have permitted myself to do before. Back then, I wanted to be a big fish. The biggest fucking fish in the biggest fucking sea. And, blazing forward in my self-obsessed fury — to become and to have and to live and to consume — I missed it. I missed the incredible beauty of living a small life. I never saw these little pieces. The city under a microscope.  I never appreciated the infinite and tiny parts of this incredible and unique place that, without asking anything in return, surrounds and envelops me with beauty and intrigue.

All this. Right here. A big sea. A HUGE FUCKING SEA. And me, somehow, no longer terrified of being a guppy. To the contrary — I wish I were smaller. I want to see it all come up around me. My eyes well up as we clatter through the dark tunnels of the NYC underworld. I keep thinking of all the things I missed while I fought so hard trying to get upstream. — All the pages that were turned, all the scooters that were shoved, and all the cream cheese that was oozing. — And, I missed it.

But, I catch myself and I smile when I hear it again. — “Stand clear of the closing doors!”

And, one last straggler — a man in a suit with a missing button — squeezes through the metal doors and joins our little school of fish and, together, we all dive beneath the waves of the East River.

 

 

Photo: “Portraits, 2-3 Train” By: James Maher; http://www.jamesmaherphotography.com/photoblog_view_post/637-portraits-2-3-train

 

Three Years On The See-Saw

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We wake up. Really slowly.

Maybe it takes a year or two to move one, rotten inch. And, it’s sneaky, the business of waking up. Fucking subtle. So, don’t expect it to hit you hard or for it to happen all at once. It’s not some invincible force that saves and redeems you. But, it happens. There is an awakening.

Today marks three years sober. And, like every year, for the past three years, I’ve spent the week, leading up to today, trying to figure out where, exactly, I fit into all of this. Sobriety. — A word I throw around somewhat haphazardly. — I often forget the weight of things. Honestly, I’d being lying if I told you I felt one way or the other about it. In truth, it feels like I’m standing right in the middle of an enormous see-saw.

I wasn’t always up for the balancing act. Three years ago today, I wouldn’t have been able to stand in the middle of anything. Everything was an extreme. — Loss or gain. In or out. Good or evil. God or none. — One side or the other.

Today, I’m not so sure. I find that I’m often open to things that I’m not privy to. Miracles. Fate. Divine intervention. Maybe even some chaos and anarchy. — But, I’m open. That’s for sure.

The night before I got sober, I got cut off at my favorite pub. The owner told me, “Happy Birthday,” as I walked out of his bar, shitfaced. He knew all about sober anniversaries. He was a good guy who was happy to see me go. I, on the other hand, wasn’t so happy. I knew my drinking was bad news, but, I wasn’t so sure that the alternative was better. I think about her — Good ol’ shitfaced me. The girl who was so uncertain about the possibility of something genuinely good coming her way. And, three years later, I look back on that time, wide awake. I didn’t know how to comfort myself back then, because — I wasn’t there. But, now, I’m here every day. And all my voices speak.

The voice that reminds me to cry. The voice that tells me to step up. The voice that ushers me, with care, away from the people and places that no longer serve me. And, the voice that honors all that I’ve lost in these three years. — Together, we kneel at the graves of the many versions of myself that I’ve buried because they didn’t learn the right lessons.

I stand in the middle now, with confidence. Because I know, sooner or later, like it or not — this see-saw’s gonna flip and I’ll see what each end has to offer. I’ll stand high and I’ll sink low. Tides turn. And, I’m not afraid of the change anymore.

It’s nothing I can mark on paper. It’s not even a feeling. Three years is nothing but a notch I use to keep my place in the mess of cogs — a system in flux. Something that, next year, will be even more expansive. Awake and limitless, without warnings or boundaries. I count the years even though I know now — they mean nothing.

Just more room. Room for losses and gains. Ins and outs. Gods and none.

And me. There’s finally room for me.

And, I’m standing, three years deep — in the middle of it all.

 

 

Artwork: Life’s See-saw By: Brad Stroman; http://convergencegallery.com/stroman/stroman.html

 

The Break-Up

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letting-go

Breaking up is hard to do.

When I was a kid, I used to love it when the oldies station would play Neil Sedaka and it would spill out of the car-radio speakers. Back then, I had no idea what the lyrics meant, but, I gathered that holding onto love was important. And now, I know, much of our love is the kind that we hold on to, desperately. Not the adult kind where — you know — you let it go and it returns to you.

I’ve tried that tactic. Love seldom finds it’s way back to me. The letting go part is too hard.

I think that’s the beauty of getting older — beginning to see your own patterns. Internalizing them. Recognizing them as they’re happening. Developing a keen awareness of what our bodies and brains would have us do, even if we ourselves are totally checked out. It’s pretty amazing how we all have our own modus operandi. From folding laundry to getting our hearts broken, it’s a cycle — on repeat.

Now that I’m back in New York City, I’m starting to see them. — My old, Portland patterns beginning to emerge. Some good, and some that I was hoping to leave behind. I try not to overthink it. But, of course — I do.

New York. — It’s an old pattern, but, I have to see it in a new way. Because, it is new. I’m new.

I decide I have to break-up with myself. Because, my two selves — we’re in two different places. We’re at the pivotol moment when you realize that there’s this one thing — and it’s just not what you want. It’s a deal breaker. So, you have to let go. And, letting go is hard.

If it were the old me, the Portland-me, — I’d stay. I’d try to make it work. Tip-toe around it. Insert myself in little ways only to have my own current pull me back out to sea. I know the pattern.

I have to break-up with the girl who’s always just skirting the heart of the problem. I’ve decided to be straight forward with everyone now that I’m back home. — And, I’m realizing that I need to have that same candor with myself.

I’m breaking up with the girl who worries about what other people think of her. — Where she is in her life. — Her marital status, her veganism, her body, her life’s plan. I may be sleeping in the same room I was when I was 18, but, I am decidedly not that girl anymore. I’m a grown-ass woman. — I’m weathered and wise. Independent and inspired. I have my Portland-hippie roots grounding me, and, I’m not scared to set them down.

Breaking up with this part of myself is hard. But, it frees me up. It makes room for new love. — The adult kind. The kind that I was once so busy holding on to, I never had time to feel. — So, I say my goodbyes and I let her go…

And now, I stand here — ready to welcome whoever comes back for me.

 

Artwork: “Letting Go” By: Annalee Davis; http://www.annaleedavis.com/

 

Rest, For The Weary

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Weary is a really good word.

Until this past week, I’ve never been truly weary before. I’ve been exhausted, tired, drained, tapped out, and spent. Not weary.

Goodbyes are tiring. Traveling is tiring. Road trips, while they are the experience of a lifetime, are tiring. Sitting in a car at a ninety degree angle for sixteen hours at pop is tiring. Yes — even trail mix — is tiring. And, some combination of these things, at random or in succession, leads to extreme weariness.

So, I sit here in a fog. Waiting. Waiting for the moment to hit. The moment when I’ll begin processing all this change and movement I’ve been barreling through at warp speed. But, now, I allow myself the time to rest.

I try to write about home and place. The two things that have always fascinated me the most. They are synonyms and antonyms simultaneously. And, my search for home never started by going to a place, but, instead, by searching within. You must use caution. Home and place will deceive you. I’ve learned too well how familiar things can, very quickly, become foreign.

On the last leg of our trip, as my mother and I crossed over the Pennsylvania border, she said, “This is the East coast landscape I’m used to. It’s so green and lush. It’s beautiful. And, maybe it’s not as dramatic as the West coast, but, this is my home.” Those few, short sentences, summed up everything. My hopes and expectations for this move, the place I hold and have always held for myself in NYC, the sense of myself that I’ve left behind and — the one I’m returning to.

Sometimes, in those TV shows where famous actors or athletes return to their childhood hometowns the host will say, “Stay tuned, and watch as So-and-So returns to the place that made him!” I keep thinking about that. Because, I returned to my childhood home, and, in doing so, I left the place that made me behind. But, having been re-made somewhere else, and returning back home, has its advantages. — It makes everything here look new. Better. Or, at the very least, different.

It’s an unknown feeling. An exciting one. And, when I’m less weary, it’s one I look forward to exploring.

It’s like crossing a state line into something unexpected, but, still familiar. A life that’s green and lush. And, maybe not as dramatic as the one I left behind out on the West coast. But, here I am. And I won’t look back.

Because this — this is my home. And, weary or not, I’ve arrived.

 

As-Is, Oregonian

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Oregonian

We don’t have to say goodbye. To the people. The places. The things.

We can just let them be. — Who they are. Where they are. As they are.

This is my big lesson in letting go. The one I needed to learn. My unavoidable and inevitable truth.

My mother and I pack up my apartment, and, I wish it were different. I wish that my last moments here, in this place, weren’t tip-toeing around my life’s possessions, all of which are strewn haphazardly across the floor. I wish that the big, black garbage bags — one for Goodwill and one for the dumpster — didn’t sit in the middle of my living room, slinking, dark portals to the sad and hopeless lost worlds that await my unwanted past. But we continue — dismantling this world as I know it, piece by piece.

It helps to remember that — I can come back. Maybe in 5 years. Maybe 10. On a plane, or, in a car. On another road trip — maybe with some new beau, or on business, or I don’t know — with a baby. I can’t know how I’ll return to this place. And, I think that’s the thing that scares and excites me the most. Who will I become without this place? Will I like her? Will I miss this woman I am now? Revile her?

Who can say what I’ll be when I return to Portland? I don’t know. — I can’t know. — What I’ll be wearing. What job I’ll have taken time off from to make the trip back. Until that moment, I will not know whether or not I’ve found the illusive thing I’ve always been seeking.

So, instead, I do it. I let go. — I make peace with what’s here. Now. — Who I am. Now.

The most difficult thing, is this: Letting go of everything. Allowing it all to just be — as is. Not knowing how my dreams will return to me, or, how I’ll return to them. In 12-Step, this is called — turning it over. And, it’s the thing that I have always wanted to do, but, never actually did. And, here I am, — allowing it. Placing it all into someone else’s hands, because I am tired of wringing my own.

No promises or commitments. Just time and space. A strange, uncertain portal to my destination — like the garbage bags, sitting in the middle of the living room floor.

But, that’s the way I want to tie it all up. My sobriety. My love. My city. — My letting go. Memorizing all the people, places, and things that held me together. Keeping them somewhere safe, as I turn, and walk the other way.

I will place all these moments into a cranial time capsule. I don’t know that it’s something that I want to write. It’s something I prefer to feel. And, feeling, that’s something I learned to do here — in Portland.

I tape up boxes. I clank through kitchen drawers and cupboards. I clear my cache. I pack up what I need and I throw the rest into the black-hole-garbage-bags in the middle of the living room floor. — I make room for new things. I convince myself to forget about the ways in which I’ll leave, and return, to this place.

In just hours, I will no longer be an Oregonian. And, maybe, I never was one. But, in order for me to leave — I have to believe: I was. I have to believe that in the same way this place made me who I am, it also allowed me to become what it is. Oregon is inside me now. An integral part. Maybe even the central part.

So, I don’t have to say goodbye. — Not even to myself. I can allow it all to just be. As is.

Me. My Oregon. My Portland.

The people. The places. The things. — Who they are. Where they are. As they are.

 

Photo: Allison Webber; http://www.allisonwebber.photography/