I want a cigarette so fuckin’ bad, I can taste it.
In the coffee shop, I stand at my post in the window, watching passers-by stroll down the avenue, little breaths of smoke trailing behind them. Their mouths, happy, little chimneys.
Camel. American Spirit. Marlboro. Kool. Newport. And, my old brand, Parliament. — The bodega across the street, with bright signs flashing, taunts me in the morning darkness.
But, I allow myself to be distracted by holiday joy. Inside our coffee-fueled-snow-palace-workshop, the scent of java wafts magically about as my coworkers pour the new, limited-time-lattés — Peppermint Mocha, Gingerbread, and Maple Spice — into tall, white paper cups. We stand at attention, turbo-caffeinated elves, under a cascade of twinkling lights and dangling crochet snowflakes.
From open to close, our soundtrack is Michael Bublé’s Holiday Pandora Station. “Let it snow, let it snow, let it snow!” he croons, as a man jogs by wearing shorts and hoodie. Yes, it’s 60 fucking degrees outside, and — if we’re being honest — it doesn’t really feel like Christmas. But, I’m trying here.
During my break, I want nothing more than to stand at the back door, sipping a plain-old-soy-latte, sucking down three glorious Parliaments in quick succession.
‘Tis the season! — And really, that’s the thing I try to remember. — It’s just seasonal stress. Holidays make hard things harder. And, I remind myself when I can think of nothing but nicotine’s sweet kiss — cravings are just a chemical warning. — Ease up. Relax. Breathe.
Some days, I think I may as well have a cigarette — because breathing isn’t easy either way. It’s hard to be patient, waiting on change. Placing one foot in front of the other. It’s slow. And, the holidays are a pine-scented reminder that time is passing far more quickly than I’d like. — I’m not sure I’m ready for 2016 just yet. Not sure that I want to concede to another disappointing year. — “Come on Sarah, it’s nothing a latté can’t fix,” my favorite coworker tells me, steaming soy milk with an elfish grin painted across her face.
As Michael Bublé, fondly known in the coffee shop as “The Bubés,” really leans in to the chorus of “Santa Clause Is Coming To Town”, I am reminded that — other than a nice, long smoke break — there’s not much I need this Christmas. I got my wish — I’m back home. And, I’ve got it pretty good here. Depressed, sure, a bit. But, I’m lucky. — And, I know it.
Things will fall into place. Somehow. Eventually. Hopefully.
In the meantime, I remind myself to be grateful. — To be a good girl.
This year, my list is short. All I want is my spark back.
My head is uncomfortably quiet. In the gold plated fixture on the ceiling where a lamp used to be, I see my own reflection. I’m wearing black, and, I stare at my corpse. Palms open. Hands signalling to myself — the crow above.
Since returning to New York, I’ve revisited many things. Most of which, are very different than the way I left them. People. Places. Feelings. While I was gone, I wasn’t the only one reinventing myself. Losing myself. Rebuilding myself. It was all happening here, without me.
The world spins madly on. But, this evening, after returning home from a 12-Step meeting, the only thing spinning inside me is an immense gratitude. — A gratitude so big that it quiets everything else.
In Portland, I’d all but lost my 12-Step program. I crumbled after meeting an unstable and dangerous person, and, it almost took me out of the game that made me. I forgot who I was and how I had arrived at my own sobriety. I connected confused feelings to 12-Step that were better left isolated, and, as a result, I returned to the angry and bitter woman I had worked so hard to leave behind. But, here, back home, I’m peeking through the crack in the door. I am revisiting the program that once saved me — with a childlike caution. There is comfort returning to this thing that never truly left me, though, I tried to tell myself it was gone. Things I once let frighten me, return and become my beacons. My reminders. — We are here. — And, none of us is safe, but, unified, we are all alive and trying.
Change, so incredibly painful, — ushers us forward.
In a church basement, things I had forgotten return to me. My ears, once again, are opened and humbled by someone else’s pain. And, in a strange moment where I feel loss and gain simultaneously, I remember how it feels to have a profound understanding of someone else without knowing them at all — the power just one voice can wield.
In quiet stillness, our hands reach out for each other. I am truly home again.
Nothing is the same. No one is the same.
Visibly shaken, our hands make quick work of signaling our stories. Dark shadows on a bright wall. And, in our shared state of despondent confusion, we are united in possibility.
And gratitude. — Immense and compelling gratitude. — The kind that quiets you for days. — Until you hear your own words leave another man’s mouth.
And, without making a sound, you have returned. To this beautiful, and changed, universe. — Brooklyn.
Every time the conductor cries out “Stand clear of the closing doors!” and the bell chimes, I have a sort of epiphany.
It’s been awhile. But, I’m back on the train — literally and figuratively.
These moments. These people. These — STOPS. I think about them. With every little movement, something huge shifts. Someone changes. A woman turns the page of her book. A kid shoves his scooter under the orange and yellow seats. A guy stuffs a bagel with cream cheese into his face and the white glop oozes out the sides of his Everything and over the wax paper and down his fat, pink fingers. — It’s a show. A glorious fucking show.
I sit on the 2 train, awed. I wonder — Have I been gone so long that these vignettes of mundane existence, these glimpses into the drudgery of everyone’s daily, city commute, have suddenly become the most romantic thing in the world? Maybe it’s because I’ve only been home for a month. And, sure, everything is still shiny and new. But, no, the more I think about it — it’s so much more than that.
I boil it down to get to what’s different and, — I think it’s sobriety. And no — not just the fact that I’m clean and sober — whomp, whomp, patontheback, patontheback — it’s more. It’s one of the side effects of sobriety that have slowly begun to crop up. A kind of gift. It’s something I was denied while I was living here years ago, but now, I suddenly have access. And that, that thing I’ve finally tapped into — is the ability to admire the machine of which I am part.
Here, in New York City, sober, I have allowed myself to become small again. Something I never could have permitted myself to do before. Back then, I wanted to be a big fish. The biggest fucking fish in the biggest fucking sea. And, blazing forward in my self-obsessed fury — to become and to have and to live and to consume — I missed it. I missed the incredible beauty of living a small life. I never saw these little pieces. The city under a microscope. I never appreciated the infinite and tiny parts of this incredible and unique place that, without asking anything in return, surrounds and envelops me with beauty and intrigue.
All this. Right here. A big sea. A HUGE FUCKING SEA. And me, somehow, no longer terrified of being a guppy. To the contrary — I wish I were smaller. I want to see it all come up around me. My eyes well up as we clatter through the dark tunnels of the NYC underworld. I keep thinking of all the things I missed while I fought so hard trying to get upstream. — All the pages that were turned, all the scooters that were shoved, and all the cream cheese that was oozing. — And, I missed it.
But, I catch myself and I smile when I hear it again. — “Stand clear of the closing doors!”
And, one last straggler — a man in a suit with a missing button — squeezes through the metal doors and joins our little school of fish and, together, we all dive beneath the waves of the East River.
Maybe it takes a year or two to move one, rotten inch. And, it’s sneaky, the business of waking up. Fucking subtle. So, don’t expect it to hit you hard or for it to happen all at once. It’s not some invincible force that saves and redeems you. But, it happens. There is an awakening.
Today marks three years sober. And, like every year, for the past three years, I’ve spent the week, leading up to today, trying to figure out where, exactly, I fit into all of this. Sobriety. — A word I throw around somewhat haphazardly. — I often forget the weight of things. Honestly, I’d being lying if I told you I felt one way or the other about it. In truth, it feels like I’m standing right in the middle of an enormous see-saw.
I wasn’t always up for the balancing act. Three years ago today, I wouldn’t have been able to stand in the middle of anything. Everything was an extreme. — Loss or gain. In or out. Good or evil. God or none. — One side or the other.
Today, I’m not so sure. I find that I’m often open to things that I’m not privy to. Miracles. Fate. Divine intervention. Maybe even some chaos and anarchy. — But, I’m open. That’s for sure.
The night before I got sober, I got cut off at my favorite pub. The owner told me, “Happy Birthday,” as I walked out of his bar, shitfaced. He knew all about sober anniversaries. He was a good guy who was happy to see me go. I, on the other hand, wasn’t so happy. I knew my drinking was bad news, but, I wasn’t so sure that the alternative was better. I think about her — Good ol’ shitfaced me. The girl who was so uncertain about the possibility of something genuinely good coming her way. And, three years later, I look back on that time, wide awake. I didn’t know how to comfort myself back then, because — I wasn’t there. But, now, I’m here every day. And all my voices speak.
The voice that reminds me to cry. The voice that tells me to step up. The voice that ushers me, with care, away from the people and places that no longer serve me. And, the voice that honors all that I’ve lost in these three years. — Together, we kneel at the graves of the many versions of myself that I’ve buried because they didn’t learn the right lessons.
I stand in the middle now, with confidence. Because I know, sooner or later, like it or not — this see-saw’s gonna flip and I’ll see what each end has to offer. I’ll stand high and I’ll sink low. Tides turn. And, I’m not afraid of the change anymore.
It’s nothing I can mark on paper. It’s not even a feeling. Three years is nothing but a notch I use to keep my place in the mess of cogs — a system in flux. Something that, next year, will be even more expansive. Awake and limitless, without warnings or boundaries. I count the years even though I know now — they mean nothing.
Just more room. Room for losses and gains. Ins and outs. Gods and none.
And me. There’s finally room for me.
And, I’m standing, three years deep — in the middle of it all.
We don’t have to say goodbye. To the people. The places. The things.
We can just let them be. — Who they are. Where they are. As they are.
This is my big lesson in letting go. The one I needed to learn. My unavoidable and inevitable truth.
My mother and I pack up my apartment, and, I wish it were different. I wish that my last moments here, in this place, weren’t tip-toeing around my life’s possessions, all of which are strewn haphazardly across the floor. I wish that the big, black garbage bags — one for Goodwill and one for the dumpster — didn’t sit in the middle of my living room, slinking, dark portals to the sad and hopeless lost worlds that await my unwanted past. But we continue — dismantling this world as I know it, piece by piece.
It helps to remember that — I can come back. Maybe in 5 years. Maybe 10. On a plane, or, in a car. On another road trip — maybe with some new beau, or on business, or I don’t know — with a baby. I can’t know how I’ll return to this place. And, I think that’s the thing that scares and excites me the most. Who will I become without this place? Will I like her? Will I miss this woman I am now? Revile her?
Who can say what I’ll be when I return to Portland? I don’t know. — I can’t know. — What I’ll be wearing. What job I’ll have taken time off from to make the trip back. Until that moment, I will not know whether or not I’ve found the illusive thing I’ve always been seeking.
So, instead, I do it. I let go. — I make peace with what’s here. Now. — Who I am. Now.
The most difficult thing, is this: Letting go of everything. Allowing it all to just be — as is. Not knowing how my dreams will return to me, or, how I’ll return to them. In 12-Step, this is called — turning it over. And, it’s the thing that I have always wanted to do, but, never actually did. And, here I am, — allowing it. Placing it all into someone else’s hands, because I am tired of wringing my own.
No promises or commitments. Just time and space. A strange, uncertain portal to my destination — like the garbage bags, sitting in the middle of the living room floor.
But, that’s the way I want to tie it all up. My sobriety. My love. My city. — My letting go. Memorizing all the people, places, and things that held me together. Keeping them somewhere safe, as I turn, and walk the other way.
I will place all these moments into a cranial time capsule. I don’t know that it’s something that I want to write. It’s something I prefer to feel. And, feeling, that’s something I learned to do here — in Portland.
I tape up boxes. I clank through kitchen drawers and cupboards. I clear my cache. I pack up what I need and I throw the rest into the black-hole-garbage-bags in the middle of the living room floor. — I make room for new things. I convince myself to forget about the ways in which I’ll leave, and return, to this place.
In just hours, I will no longer be an Oregonian. And, maybe, I never was one. But, in order for me to leave — I have to believe: I was. I have to believe that in the same way this place made me who I am, it also allowed me to become what it is. Oregon is inside me now. An integral part. Maybe even the central part.
So, I don’t have to say goodbye. — Not even to myself. I can allow it all to just be. As is.
Me. My Oregon. My Portland.
The people. The places. The things. — Who they are. Where they are. As they are.
As I pack, I find stories strewn about everywhere. Stacks of old papers. Pictures. Books. Dresses and socks. Keychains and candles. Molskines and mugs.
I can hardly breathe. — So, bear with me, there won’t be bonafide essays for a few weeks. Just travelogues. Notes on a transient life — which has spilled out in front of me like a bag of rice on the kitchen floor.
One thing is certain — we can tell who we were by the things we carry. Tim O’Brien once wrote a beautiful book that captured those feelings I’m only now beginning to understand.
What follows here are snapshots. Truly. There is so much more. Boxing up my life. Leaving this place I love. I sit with it. I look at it. All of it. I lay it all out on the cutting board. And, I cut away the pieces. Choosing the ones I will throw in my pot — and tossing the rest to the side.
I acknowledge these. These that were. These that shall remain.
1. Adam
His photos are all in one box. I put them there — years ago. A coffin at the top of a closet. The lid was covered with dust. We used to take photo-booth-photos everywhere we went. I still have all of them. The strip above was from our friend’s wedding. He loved me on that day — I remember — and I loved him back. We danced. We sat on cement steps with plates of food in our laps and we laughed. I have tried to throw everything of ours away before. No matter what I trash, I will forever keep this photo strip. Always. Because he was my first love. And, I will never love that way again. And this. — This is what that looked like.
2. Theresa
My maternal grandmother died before I was born, but I’m told that we are a lot alike. My mother says that she was no-frills. That she said what she had to say when she felt like saying it. That she insisted on eating salad with every meal. — And, that she was a fox. People see my fair skin and know that I’m Irish. But, they forget that her Mediterranean blood courses through my veins too. In the Summer, my shoulders turn her Italian, olive brown.
I knew my grandfather well. And, I knew he loved her real bad. — Even years after she died. — He’s gone now too. But, every time I consider settling on some guy — I think about them. And, I know, there’s some dude out there who’s gonna love me, real bad, even when I’m dead. And, I’m waiting for him.
When I see the picture above, the one with my mother sitting in Grandma T’s lap, I think to myself — we all look alike. And, we’re beautiful. Three generations of beautiful. Theresa’s dead, but she sees me. — I’ve known that since I was a kid. It’s weird. — I keep her pictures in every room so she can watch me. So she knows — her daughter did a really good thing.
3. Dad
My dad is, and always will be, a strange bird. But, there’s no guy in the world who will ever love me more. Growing up, he used to listen to a lot of classical music. Opera, symphony, choral — all that stuff. He had bookcases full of classical recordings. One day, he was just over it. Suddenly — it was all Bob Dylan — all the time. He used to pick me up at play rehearsal in Bensonhurst, Brooklyn and blast Blood On The Tracks like it had been released that day — every day. If we’re being honest, I’d rather not admit I know every track by heart — but, I do. My dad gives me Bob Dylan postcards and books. It’s like, he’s telling me — subliminally — if I get Bob, then, I’ll get him. That alone is enough to keep my interest. I don’t always acknowledge it, but, I love that my Dad is weird as fuck. Because, I am too. And, it’s nice not being so alone in my weirdness. He’ll watch an entire season of any HBO show I want — in 1-2 days. When I sold my complete series of OZ DVDs on Hawthorne yesterday, it kinda broke my heart. But, my Dad knows what’s up. He’s got HBO GO. And, I know, we’ll get back into it. And now, while we’re in the car — I get to pick the album. — I paid some dues getting through, Tangled Up In Blue.
4. Mom
My mom sends me a card for everything. They arrive so frequently, I forget how amazing they are. Now, I’m finding them everywhere. Sometimes, she’ll throw in some cash and tell me to grab a bite, or to do something nice for myself, or to buy the cat a treat. She wants me to be happy — always. In good, motherly fashion, she has always wanted me to have, feel, and be the best. I find her heart scribbled on tiny cards everywhere. Maybe she doesn’t know — I save them all. When I was little, she emphasized the art and necessity of the “Thank You” card. — How it will “never go out of style to have class.” How, to appreciate people and things is important. It occurs to me as I pour over her notes — crying like a child, because it’s uncanny how she always knew exactly when I needed saving — that I should send her more cards. There is no one in my life more deserving of thanks and kindness. She deserves nothing less than 100%class. And, there’s no one who needs more reminding to do kind things for herself. Someone needs to give her permission to feel good. Maybe that person is me.
The card above was sent to me at Christmastime — the year that my heart was first brutally slaughtered. Whenever I come across this note — I’m reminded of who I’m supposed to be. And, that’s a woman who’s a lot like my Mom. — Gracious, brave, strong, and impossibly classy.
5. Me, Myself & Eye
I took this photo yesterday in my kitchen.
I wanted to share a vulnerable moment with you this week because, well, that’s how I’m feeling. I wanted to show you the vulnerability. But, I don’t have to. I’ve been showing you for months and months. These things I’m packing up aren’t me. They’re my archives. All this crap I’m putting into bags and boxes — those aren’t the moments — they’re the evidence. Proof. My tears are like that too. All that outside stuff.
When you go to school to become a writer, they don’t teach you to write. — They teach you to read.
The voices. The colors. The timbres. Each writer’s words ring out their peerless note — dissonance or harmony — no two stories are the same.
Every writer has her unique fingerprint — even in her plagiarisms.
In high school they instruct you — The beginning! The middle! The end! The kind of storytelling that has somehow been distilled down to a series of predictable climaxes — each is noted on a three foot by three foot chalkboard. Written carefully in smudgy, cursive letters. All of which — have no meaning.
If you learned to read properly, you already know this three-pronged formula is a useless chore. — A map that leads you nowhere and discovers nothing.
If you learned to read properly, you already know that each story is just one dot on an infinite timeline. And, in the futile hunt to uncover everything, the writer’s unrepeatable dot marks, without knowing it, the unexampled treasures that she alone has illuminated.
No beginning. No middle. No end. — Just moments. — Dots.
This weekend, I packed up the last six years. Books in boxes, old notes and bills, yellowed rolling papers, dried up pens, and renegade Christmas ornaments. So many dots. Too many dots. Wonderful and tragic dots.
One, I set aside. A single page, tucked carefully away, hidden neatly in between the pages of my copy of James Joyce’s A Portrait of the Artist as a Young Man. — an entry, torn from my journal. I unfold it, only days away from turning six years old, it reads:
July 30th, 2009
It’s hot in Brooklyn. I’ve been sitting in front of the box fan, watching TV and wondering if I’ll miss the heat and humidity of New York when we get to Portland. — If we get to Portland.
Sometimes I wonder if it’s possible for me to get anywhere at all, because I’ve been sitting on a couch, somewhere in this city, just waiting for something to happen to me.
Three months until we leave this place. Home. Family. Friends. All for the wild frontier — The West. Ninety days to see what needs to be seen — To say goodbye. To worry. To plan. To Dream.
But, I try not to worry. Because, on most days, I’d like to be anywhere but here.
I read it twice. Then three times. And then, for that girl, I weep. Six years ago — and I still remember how she thought this place could save her. How saying goodbye would hurt her. How her story, six years later, would read exactly the same way, but, — she — she is impossibly different.
Today, I cannot be mistaken for that girl. I know now that — it’s true — this place did save me. And, even in the sanctity of being saved, I will still choose to leave it behind — my savior. I return to a different place, revisit another dot. An old dot that, now, I can finally allow to be new. A story I know well, but, I’ve yet to write.
In my living room, I see it written on a piece of paper. — How I’ve learned to read here. I embrace the moments where Oregon has made me into something that New York City never could have — Beautiful. Seen. Heard. The words may read the same way, but, there is a new heart here. I read it — the story that was written for his heart — before I knew my own. Before I discovered my seperate pieces. My own, little dots — strewn wildly across the Oregon dirt. The seeds I once placed in someone else’s hands for planting. — But now it’s my harvest. — I’ve grown my own fruit.
In Oregon, I learn to read again. — To read myself. — I connect my dots. I learn to hold these new things — My love. My loss. My beauty. My strength. My pain. My sobriety. — like my children, to my breast. I shoulder their weight and carry them back to where I started. And I begin again.
I see them. They mark my own timeline. — My unrepeatable dots. — A goodbye. A worry. A plan. A Dream.
(A very special thanks to the beautiful and talented Allison Webber for inviting me to be part of her photo series: The Personal Beauty Project. A series that empowers women, allowing them to be seen in the way that they see themselves. These images capture not only my spirit, but, the spirit of my Oregon. As I return to the East Coast, I am able to take these images with me. Images that, for me, represent so much of what and who I have become as a result of being part of this magical place. I encourage you all to enjoy Allison’s work at her aforementioned website.)
The thing that breaks us, is never the thing that really broke us.
It sounds nonsensical. But — it’s the truth.
Our minds and bodies are magical things. — Beautiful and complicated mechanisms of celestial science and engineering, built to withstand incredible stress. INCREDIBLE stress. Though, I’ll say in earnest, for me, it doesn’t often feel that way. — Especially having been broken recently by an insignificant thing.
I’ve been here — a big-mouthed Brooklyn-girl — in Portland, Oregon. I’ve made my own way for quite some time. I’m not scared. I’m not in any trouble. I’m not facing imminent danger. At least, I’m not anymore. I’m just fine. Though, I hate the word. — Fine.
But, last night, after dropping my mother off at PDX, sending her homeward toward NYC, I swerved in my lane driving back home on I-205, sobbing hysterically. Minutes earlier, back at the terminal, when my mother’s arms broke their lock from around my sunburned shoulders, I felt it. — A sincere desire to be vulnerable again.
It only takes one insignificant thing.
In recent weeks it’s all flooded back. My time. Here. In Oregon. I’ve watched a lover and partner of almost 7 years walk out on me, never returning to say goodbye. I didn’t break. I’ve been arrested. Battled addictions. Marched myself through rehab like a soldier. I never broke. I watched my new lover and partner of almost 2 years get strung out on heroin — again and again and again. Not a crack. I stood, through all this, strong, like an Oregon pine. Dropping my dead needles. Picking up my pieces. Picking up their pieces. I pulled it all back together, my sap, like emotional super glue. — But, leaving my mother at the airport. — That’s what did me in.
The insignificant thing. The moment where you realize that you’ve held your own world together for far too long. Somehow, even after standing in the eye of the storm, it’s in the push and pull of the insignificant things where we find we’re — Tired. Broken. Lost. And still, we find it difficult to let go. The body, in all it’s magical resilience, resists giving way. Finally straining and, eventually, snapping under the weight of this thing that reminds us — We must respect the nature of things.
A friend of mine, who got divorced a few years ago, bravely escaping an abusive relationship, recently told me that she’s tired of being the “strong one.” I know what she means. We send each other notes. We tell each other that we’re better for it. But, in truth, we’d both take happiness over fortitude any day.
Blinking back more tears, I struggle to see this place. — Oregon. — These trees. The Gorge. The Wild West. Open air and unspoiled land. This place, by nature, has made me an adventurer.
It’s not insignificant that, here, I have learned how to be shipwrecked and to wash ashore — wet — but still breathing. What’s more, I’ve learned that I can fall in love again. I can heal myself. And, I can skillfully duct tape my 2001 Honda Civic back together — with expert craftsmanship — and not care what my father has to say about it.
But, the insignificant thing I can’t ignore is this — an unshakeable feeling that, it’s possible, I don’t belong here.
There are only so many storms I want to weather. Only so many loves I will stand to lose. Only so many places where I’m no longer haunted by the person I once was.
A long time ago, in a one-bedroom, railroad apartment in Greenpoint, Brooklyn, I held a love bigger than my heart was meant to carry, and I told myself — Dream big. I freed myself up and, for a time, I loved fearlessly.
Those things I told myself back then — they weren’t insignificant. They were my system of road maps. Maps for letting go. Holding on. Surviving. Breaking. Rebuilding. Reviving. Re-starting.
On I-205, a man in a Toyota Tundra watches me sob at the merge. I allow it. I allow my mother’s departure to break me. Suddenly — I care not for strength. I give up on mourning the things I lost. I decide to abandon the dream I was hell bent on living so long ago. I allow myself to want again.
Something else. Someone else. Somewhere else.
And, before I reach the exit for Powell Blvd., I watch the course of my life change in my side-view-mirror — the one that’s duct taped, securely, to the driver’s side door.
And, without anyone else’s permission, I vow to follow it closely — wherever it goes — my insignificant thing.
This weekend, I evicted a squirrel from my apartment.
I first saw his ratty, grey tail peeking out from under my enormous television set. First, I panicked. Next, I reached for my yoga mat. Which, obviously, I proceeded to wield as an unruly weapon.
Even in my hysteria, it seemed simple enough. — I just had to lock the cat in the back bedroom, open the front door, and then usher my squirrel guest out, with gusto, flopping my yoga mat this way and that.
As it turned out, we were both quite terrified. So, I called my friend Tony who lives across from me in our apartment complex. No answer. Then, I tried my landlord. No answer. Then, I called my father — in New York City. Though separated by five thousand miles, he was the one who did not fail me. And while he did laugh at me like a hyena for five minutes, he also remained on the line for my intense, steady, and, dare-I-say-it — hunter-like — progression of profanity. Which, progressed as follows:
“Holy shit! Oh my God he’s in the closet now! Fuck! He’s making noises! Holy fucking shit, I can’t see him! What if he fucking bites me, Dad? Dad — Stop laughing! That stupid fucker just ran into the kitchen. God, that asshole’s a stupid motherfucker. THE FRONT DOOR IS OPEN YOU ASSHOLE!!! Jesus fucking Christ, he just ran out the front door. He was, like, fuckin’ airborne Dad. He’s out. Holy shit. He’s out! Fuck.”
My heart was beating like rapid fire. — And, there I was, yoga mat in hand. — Alive.
In truth, I’m rarely present. I run over the past in my mind, I plan the future, I design escapes and intrigue. But, I’m not here. It’s tough to get me in the moment.
One evening, my ex, after hearing me spout off about this or that, asked me how it came to be that Ram Dass was my hero — my guru — if I was constantly struggling to “Be Here Now.” — “Why didn’t I try harder to live in the present?” He wondered. I didn’t have an answer. It’s hard to explain to someone else how you can love a person that has the one, intangible thing that you want most, but, can never seem to grasp. It’s not coveting. It’s reverence. And, it’s nearly impossible to describe to someone who cannot comprehend any spirit that’s bigger than their own.
It’s funny, because that very same ex got me a framed “Be Here Now” poster as a gift. — A reminder I guess. It’s purple with a white lotus flower in the center. And, even though my ex is gone, the poster remains, situated happily on my mantle. So, after I had called, texted, emailed, and tweeted to everyone I knew — I plopped down on my couch to draw in my breath and stare at my purple-poster. I smiled with my teeth for the first time in months.
Excitement. Joy. Suspense. Hilarity. A SQUIRREL. Here. Now. IN MY APARTMENT.
That squirrel was my gift. Maybe from Baba himself. The moment where I was reminded: I am a real, breathing creature, wielding a yoga mat and taming wild — albeit tiny — beasts. Even when the moment had passed — the tiny creature bounding out over my two-step stoop, the feeling he awakened in me remained. — A feeling that will not escape me so quickly.
Sometimes, we can only love those that are present — without us. We can bask in their light. Their awareness. Their true presence. We can read the words that they have spilled across thousands of pages in countless books, we can watch their YouTube channels, we can sing chants along with Krishna Das. We seek out the presence.
But, sometimes, it will come to you: A squirrel who shits all over your house —while you chase it wildly with a yoga mat — while your father laughs in your ear — while your heart pumps in your chest. At the end of it all, you watch something leap to freedom. — And, it’s you.
I thank the purple poster and, for old time’s sake, I text my ex.
Because, I need to tell someone — I’m here. Now.
“Now is now. Are you going to be here, or not?” — Baba Ram Das
I spent my lunch break in the self-help section at Powell’s City of Books.
And, I know. It’s bad. But, it’s how I roll when I’m in a rut.
In sobriety, I’ve learned pain is predictable. I know when it’s coming. And, I know what to expect. There are levels of rut. In 12-Step, when you’re still sweating alcohol and amphetamines, they tell you, “It will always be peaks and valleys, peaks and valleys.” — It’s mostly valleys.
So, back to the self-help section. I’m not entirely sure how I ended up there. I know I started in the Red Room — the travel writing section. I was reading David W. McFadden’s An Innocent In Ireland. It was really good, too. I was totally planning on buying it.
But, I was standing there next to this intellectual-type-guy with horn-rimmed glasses. He was paging through some book on Greece, and I found myself getting pissed off. Like, really pissed off. And, I had no reason to hate this guy. Absolutely. None. But, I absolutely did. He was breathing too loudly and he was turning the pages too recklessly. One moment, I’m in this pub in Ireland, and the next, I’m about to lose my shit — thinking, “Screw this fuckin’ guy, and, screw Mykonos!” At that point, I just couldn’t take it any longer. McFadden went back on the shelf. I’d come back for him later.
Next thing I knew, I was two rooms over — in the thick of it — Self-Help: General. I’m standing there reading Louise Hay’s You Can Heal Your Life. And, fuuuuuuuucccckkk. It’s good. It’s Mykonos beachesgood.
I’m on page twenty. And, I seriously I have to get back to work. But, with those twenty pages under my belt, I’m walking out of the store, then onto Eleventh Avenue, then up Flanders Street and — I’ve totally bought into it — Goddammit! — I CAN heal my life!
I can see it. This hysteria. It’s just the rut. A big, long valley. It’s the same place where I always get stuck. Post-break-up and pre-break-through. And, when I’m here — I read a self-help book. And, it’s bad. It’s awful. It’s a waste of ink and trees. And, as I’m reading it, I’m thinking, “God, I hate myself.” Because, I kinda do. — That’s how you end up in the self-help section.
But, then, it happens. — I help myself.
The thing is, there comes a point where we completely detach. Someone has to talk us into changing. And yes, sometimes it ends up being a hack who’s spiritual abundance is superseded by monetary gain. But, sometimes, hacks can make good points. I should know.
So, I do the rut-thing. I’m in bed, with the blinds closed, for days. I watch terrible rom-coms until I start to smell and the cat begins to pity me. Eventually, I convince myself to shower and take a walk. And, that’s when it happens.
I get back to dreaming. The sun kisses my vampire skin. I see the hot-pink flowers that don’t exist on the East Coast. There’s a calico cat rolling in a patch of long grass by the hippie-guy’s house. And — I’m here and I’m alive and I can change.
And, that’s how it happens.
Go to the Red Room. Meet McFadden for a pint. Escape the horn-rimmed-glasses-wearing- Grecian-jerk. Lose your place in time and space. And, return to consciousness with Louise Hay.
Twenty pages later. — No, I haven’t healed my life. But, I’ve helped myself.
And, that’s the hardest part. Helping your heart. Convincing yourself that you’re close.