Category: Memories

Burn, Baby. Burn.

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Martyrs are crazy, man.

I remember reading about Joan of Arc for the first time when I was a kid and thinking: This chic is fucking nuts.

Yet, I turned each page, unable to tear my eyes away from her gruesome end. Her expression, stoic, as her face disappeared into a haze of smoke and flames. I couldn’t fathom a world where someone would burn for her Beliefs. But, the older I get, the more I learn — people do this everyday. And, usually, it’s not for God’s sake.

The truth is, like it or not, we’re all a little bit martyr-y. I’ve been picking this theory apart, because — it bugs me. I don’t like the idea of people killing themselves, literally or figuratively, in the name of something else — especially expecting praise.

Since my Year of Happiness began, I’ve devoted a lot of time to discovering how my Happiness has been thwarted by my own martyr-like Beliefs and actions.

I’m gonna lay some Belief smack-down on y’all: We’re all selfish, narcissistic, idealistic, and self-serving. — Some of the time. — It’s called Being Human. And, I’m here to tell you that you’re supposed to fuck up and, occasionally, be an asshole. If you’ve been conditioned by your parents, family, coworkers, significant others, children, or friends to believe otherwise, you’ve got some serious martyr-issues to deal with yourself.

People who tell you that they do everything from a selfless place — are liars. Even the most selfless people get pleasure and happiness from the good acts they perform. Martyrdom, by definition, is self-serving. That is to say, to a martyr, to serve God is to serve one’s self. And, I’m not saying that’s a bad thing. Serving other people is THE BEST thing we can do. But, the thing about martyrdom is — to do it right — you can’t expect anything in return. That’s the rub. And, the part where most people fuck up. Unless, of course, you’re Joan of Arc.

But, I’m not here to talk-up theologian mumbo-jumbo. I’m here to tell you that your Belief and commitment to your own Happiness, doesn’t come with a list of prerequisite actions. You’re not selfish or idealistic to a fault if your priority in life is Happiness — Your Happiness.

I think that was the crux of my problem. I always felt that I owed someone — that there was a price to pay for feeling happy. — I had to have a certain job, look a certain way, talk a certain way, act a certain way. And, because I never lived up to my own impossible standards, I unknowingly held a fundamental Belief that I didn’t deserve better. And, that Belief was all-encompassing.

This week, I tackled a lot of the Beliefs I grew up with. Some from home, some from school, some that I’d created, myself, in adulthood. None were very positive. But, more importantly — none of them were true.

As we grow into adults, our little-kid Beliefs grow too. We never revisit the flawed system into which we’ve built ourselves. And, we forget that we wrote all these Beliefs during a time in our lives when we didn’t have the capacity to comprehend the doctrine to which we pledged our faith.

We’re never taught as kids that — Belief is flexible. — It is.

So often, we find ourselves feeling inadequate, powerless, and alone. But, if we leverage our Beliefs, we’ll find that this is never the case. We are, in every moment we live — Worthy, capable, and supported, each of us, integral parts of this incredible celestial ensemble. If your life is a testament to the things you value, shouldn’t the first thing on your list be Yourself? Your Happiness?

This is your gift to the world. — You. — Your unique being and all the gifts you already posses.

Happiness, I’m discovering, grows from a very small place within us. It has an uncanny ability to permeate into all areas of our being — if we let it. But, first, we must hold a Belief, even if it is just a small one, that we are worthy of the Happiness we desire.

I was a dumpy kid. I didn’t have a lot of friends, and, the ones I did have were dumpy too. We supported each other. But, we never believed that we belonged — not at the cool table, or at the pretty-girl-clique parties, or to get picked for school sports teams. And, maybe, that was true back then. But, I think, it’s more likely that we let a little bit of chub and big crew of mean girls get us down.

We were always good enough. But, we never believed it. And, for me, finding Happiness now, is about revisiting those things I internalized long ago. Eradicating ridiculous, outdated Beliefs that were never true. Finding my Happiness, largely, has been slowly silencing the voices that have been lying to me for as long as I can remember.

My advice? If you really want to be happy, don’t be a martyr for the sake of the self-deprecating voice you created to explain the unfairness of your youth. That voice is ridiculous and has no bearing on the person you’ve become. That voice only silences the one you’ve been given by the Universe. The one that serves you and everyone around you.

Martyring yourself for accolades doesn’t make anyone happy, especially you. More importantly, it doesn’t change the past. Real change takes place when our Beliefs reflect the people we have become, today.

Belief is flexible.

And, with few tweaks, I think you’ll be surprised how fast Happiness will light you up.

No inferno necessary.

 

A Sinking City

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I took a long walk along the promenade in Brooklyn Heights.

I stood against the black iron fence, leaning into New York City’s skyline. I am still waiting for it to embrace me again. But, it only feels tired. Tall cranes and buildings rise, holding themselves up, heavy, against big, grey clouds. Jogger’s treads fall hard against the pavement. Couples in black coats on benches, pressed hard into one another, stiff, like magnets. And I walk, leaden, moving slowly toward Cadman Plaza.

I remind myself that the weight, the heaviness, isn’t forever.

I try to be patient and allow this time in my life to pass without argument or complaint. I let the city rise before me, flooded in darkness. I feel tired. The weight of too many narratives threatening to sink me and this island.

Stories will wait until I have words enough to write new ones.

Meanwhile, I listen for Guru and wait on the sun.

This Stretch Of Road

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Photo Feb 28, 5 49 40 PM

Meeker Street/Morgan Avenue Exit — It wrecks me.

I’m driving home from an amazing weekend when, suddenly, I see it coming. I pump the brakes. — But, it’s too late. — The horizon hits me hard. Breath knocked from my chest, I gulp for air. The thick, orange sky cracks me open, impales me, my guts spill out across the console, soaking the floor mats, seeping into the metal frame, and drip out onto the highway.

Our old Lombardy Street apartment, still remains, unimpressive and industrial, a concrete ghost hiding behind McDonald’s golden arches, staring at me, the highway level with its window eyes.

This darkening sky is a memory I’d long forgotten. Sitting in traffic on the expressway, the smell of gasoline and rubber — the smell of the city. I remember this. We were always returning. From weddings and weekends and snowboarding trips, tired and achy, with blisters and bruised knees, longing for the comfort of our big, red couch. — Drinks in front of the television set in my baggy, black sweatpants. Meeker and Morgan was the exit I waited for, my socked feet propped up on the dash. Meeker and Morgan announced us — we are home. We were home.

The sign is the same. Green, with peeling white letters. The sky too. A color that mixes the blues and whites of winter, but where its line meets the Earth, warm reds and yellows pool beside the sun, warning me that in just a few weeks, days, moments — Spring will arrive. Too soon. All this time. Gone. All this pain. For naught. And you, erased.

I think about the past too much. I know that. I probably talk about it too much too. How things looked and felt. How the air smelled. How, back then, home was a place — not a feeling. I beat myself up for doing so much wrong. Wrong jobs. Wrong people. Wrong comforts in the the wrong places. But, this highway can’t be blamed for any of that. There is nothing to change in this place. Nothing that makes it better. Nothing that can make it disappear. Nothing that can make it right. It is its own place, free of my assignments. I cannot erase these miles. It will always be here, this stretch of road. The sign is just the sign. The sky is just the sky. And, neither of these things will bring him back. Nor I.

I tell myself  — This is it Sarah. The moment that, for better or worse, you need to just let go. I pick up my phone off the passenger’s seat and snap a photo. Capturing it in my hands so I can try to release it. The light. The traffic. A deep breath. The exhale. — He’s gone. — Let go. Please. Sarah. Please. Just let him go.

The sun sinks lower. And, I have passed the worst of it now. — Metropolitan Avenue. Wythe Avenue/Kent Avenue. Tillary Street. Cadman Plaza. Atlantic Avenue.

Now, it’s just me and the BQE. Gasoline and rubber. My blood dripping thick drops onto the dividing line. Driving away from the feeling I called home.

Without him, the sign is just the sign. The sky, just the sky.

 

 

Outline Outlaws

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3630338227_004573113e

The only child of two juris doctors, some will say, I was born to be edited.

And, while my lineage might suggest otherwise — I, certainly, am no juris doctor.

I talk food over politics. In the course of our discourse, I am more likely to contribute a word of the four-letter variety than that of the SAT. I have more use for essential oils than I do for supreme court justices. And, I’ll take a trashy beach novel over legalese any day of the week.

For better or for worse — this is who I am.

But, how this came to be, I’ll never know. I remember spending long nights at my mother’s side, as she relentlessly scoured over my high school papers. Her red pen marked small notes in the margin. Misshapen circles ensconced periods at the ends of my sentences. She never provided answers — the circles were left there for me to ponder. And, it would eventually dawn on me, hours later, that semicolons were her preferred punctuation. I would return my pages to her bedside, having made the necessary changes, and a smile of approval would creep up the sides of her jaw.

My mother touted the merits of a well assembled outline. “If it’s any good, it’s harder to write than the actual paper,” she told me. “You have to decide what you want to say. Tell your reader, point by point, what you are going to do. And, then, you have to go about doing just that — with the proper citation!”

I sat at the dining room table, hovering over my stark canvas — an expository Alcatraz — a blank sheet of loose leaf paper. In those fruitless hours, I hated my mother for every moment that she had committed to my education.

An outline? What a fucking drag.

I was far too distracted for that kind of thing. I was meant to ramble. Free writing journals like W.B. Yeats and Maud Gonne. Run on sentences like Hubert Selby, Jr. Did J.D. Salinger make outlines? Kurt Vonnegut? John Updike? No. No, of course not. Writing was too much an act of the heart for such things.

Back then, I thought that being a good writer meant, without exception, you were an outline outlaw. — But, I wrote them anyway. For my mother. — And, as a result, every paper I turned in was a well comprised, point oriented, thoroughly convincing manifesto. To this day, I have never written for an editor that has surpassed her level of bad-assery.

While I set plans into motion, for whatever-the-hell-it-is I’m doing with my life, I keep returning to my mother’s advice. — Assemble a proper outline. — Even now, it seems a heartless chore. But, something urges me on. I still struggle to find some kind of framework.  The thing that tells me, point by point, what I am going to do. Placing me firmly in the reality I so often find myself skirting.

Back here, in this place I thought I’d left, I stand side by side with the thoughtful child I once was — outlaws seeking structure. Back in this writer’s house. My mother’s manila folders stacked on the dining room table, pregnant with white paper. My father’s den, a museum of dusty books stacked from the floor to the ceiling. If ever there were a place to make edits — to begin to write myself again — this is it.

With some effort, pieces slowly come together. Points and arguments. Opinions and footnotes. I learn how to write what’s coming next.

And, when I’m not sure how to punctuate my sentences, I just walk down the hall and run the pages by my live-in editor, clad in her full-length nightgown, red pen at-the-ready.

 

 

 

Drawing: Pete Scully; Materials: “Pens”; http://petescully.com/materials/

 

With Our Bones

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Photo Jan 06, 4 37 51 AM

My coworker tells a red-faced customer that the New Year starts with our bones.

He is referencing the seasonable cold front that, only just now, has arrived in New York City. But, as I stare from the coffee shop window out onto the still-dark avenue, I think it’s possible his theory has nothing at all to do with the weather.

He’s right though, the New Year does start with our bones. And, after letting some heavy weight drop, I am left again — feeling empty. Just a feeble frame.

This feeling is a familiar one.

September 9, 2012. I stood in the center of my Portland living room. I remember staring with empty eyes at my black, cubed, IKEA bookshelf. I read the title off the spine of every book I owned.

It was my first day sober, and, I didn’t know what else to do. I could not sit or walk or make calls or cook or watch TV. Most importantly — I could not drink. I could only do this one thing — stare at my shelf full of books. And then, I sat on the stoop outside my tiny kitchen, my elbows pressed into my knees, and I smoked an entire pack of Parliaments. A lonely skeleton.

Days and weeks past. Then, months. Now, years. And, where substance is concerned — I am human again. I can see myself in the mirror without having a drink. I have created something. That old skeleton — a spine, made up once from those of my books and my rib cage, made up once from twenty premium cigarettes — is now covered with flesh. I made matter with which to cloak myself. And, with practice, I learned how to uncover meaning in my own assembly.

Meaning will come and go. But, one thing is sure — Time will always create new bodies for us to build. And I have come to believe, despite the hardship, it is important we continue the difficult work. Unending. Tedious. Painful. Slow. Rewarding. Beautiful. Unexpected. — Grace.

We sew our veins, organs, and muscles into place. We cover ourselves in this — our skin. Unique. Never again to be duplicated. We all start out with these bones. And, at the end, which is never really the end, we are something we weren’t before. Original in our effort. We are our own life’s work. — We become our willingness to begin.

In the New Year, cold descends. We feel it. The work commences.

It starts with our bones.

 

The Coffee Shop

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Photo Oct 04, 10 47 31 AM

I watch the sun come up in the window of the coffee shop where I work.

I got the job a few weeks ago. — A barista.

I arrive at 6:25AM, five days a week. I brew big carafes of coffee, set out pastries in a glass case, and watch as the Avenue begins to open its eyes and welcome the day. The coffee is the best part. It smells warm and sweet and I breathe it in as deeply as I can throughout the day. And — I know — that when this time in my life is over, I will walk into some cafe, any cafe, and the smell of coffee will remind me of how the light splashed down Third Avenue in the Autumn of 2015.

After the morning rush — a parade of school teachers, mothers and fathers with sons and daughters keen on a breakfast of doughnuts, chocolate croissants and macaroons, crabby little-old-ladies, suited business men, and a suave Italian who always orders a cortado with “just-a little extra milk” — things slow down. It’s still. One regular sits at his computer quietly, for hours, eating his giant, cinnamon-sugar doughnut. I stock white paper cups and stamp white paper bags with our shop’s logo. I look out the window and I ignore the elephant in the room.

I’m just taking cover here, in Bay Ridge. Other parts of Brooklyn still lay in ruins.

I avoid the subway lines in certain neighborhoods. I decline invitations from friends who are headed into different parts of the borough. I’m still walking around in a mine field without Kevlar.

It’s not just that Brooklyn has changed. Change — I expected. It’s what hasn’t changed. The places that still remain — as if I’d never left  — a skeleton of a city that I once shared with someone else. When I left Brooklyn in November of 2009, I wasn’t an “I.” “I” was a “We.” We left this place. It had been ours. Everything. Parks and street corners. Restaurants and bars. Cafes and clothing stores. And Avenues. So many Avenues. I cannot escape how the light falls here. It’s like a time machine. Brooklyn, B.P. (Before Portland) and Brooklyn, A.D. — the two blur, in some strange warp.

Seven years later, I pass the same places and I want to melt into the cement. — To disappear. — All these little things I once loved, still living in the same space. Some are gone, too. My heart aches — for all of it.

But, here, in the coffee shop, I’m safe. The faces are, for the most part, kind. The Brooklyn accents, comforting. And, the smell. Oh, the smell. I grind the beans and I lean in as I pull the cleaning lever, watching, as a little cloud of fine, ground coffee puffs out into the air — flakes of fragrant, roasted perfume. I pour creamy espresso shots into little, ceramic cups and its aroma wafts up and into my nose. The little metal spoon clinks. The machine drips. drips. drips. the drip coffee into a steel carafe. A woman tears the top off a pack of Domino sugar. Everything feels calm and manageable.

I hand a little boy a clear bag that displays his little, coconut macaroon. His father buys one for him every morning. He tilts his head and smiles at the cellophane bag and the gold sticker that secures it. “What do you say to the lady?,” his father asks him. The little boy teeters back shyly into the wall opposite the counter and mumbles, “Thank you.” His father smiles at me when I hand him his cup of coffee. “Come on bud, let’s go.” He ushers the small boy out the door, but, the boy always looks back in. First, to me, then, to the case filled with macaroons.

I know that feeling. Looking back into a place that’s so hard to leave — so inviting. I feel his melancholy — forced to leave his dreams on the wrong side of a glass pastry case. But, it’s all just a part of growing up. He will learn. The necessity of leaving things behind. Too much sugar. He’ll know better. He’ll know what he can return to, and, he’ll know what he has to abandon. Yes, he’ll know. — Gold stickers will not always hold things in place.

I wipe down the counter where a few drops of coffee have spilled.

When I remember this time in my life — I know — I will remember the smell of this place.

I breathe it in deeply. Warm and sweet.

Coffee.

 

 

Little Fish, Big Sea

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portraits_2_3_subway

The subway. It’s revelatory. I’d forgotten.

Every time the conductor cries out “Stand clear of the closing doors!” and the bell chimes, I have a sort of epiphany.

It’s been awhile. But, I’m back on the train — literally and figuratively.

These moments. These people. These — STOPS. I think about them. With every little movement, something huge shifts. Someone changes. A woman turns the page of her book. A kid shoves his scooter under the orange and yellow seats. A guy stuffs a bagel with cream cheese into his face and the white glop oozes out the sides of his Everything and over the wax paper and down his fat, pink fingers. — It’s a show. A glorious fucking show.

I sit on the 2 train, awed. I wonder — Have I been gone so long that these vignettes of mundane existence, these glimpses into the drudgery of everyone’s daily, city commute, have suddenly become the most romantic thing in the world? Maybe it’s because I’ve only been home for a month. And, sure, everything is still shiny and new. But, no, the more I think about it — it’s so much more than that.

I boil it down to get to what’s different and, — I think it’s sobriety. And no — not just the fact that I’m clean and sober — whomp, whomp, patontheback, patontheback — it’s more. It’s one of the side effects of sobriety that have slowly begun to crop up. A kind of gift. It’s something I was denied while I was living here years ago, but now, I suddenly have access. And that, that thing I’ve finally tapped into — is the ability to admire the machine of which I am part.

Here, in  New York City, sober, I have allowed myself to become small again. Something I never could have permitted myself to do before. Back then, I wanted to be a big fish. The biggest fucking fish in the biggest fucking sea. And, blazing forward in my self-obsessed fury — to become and to have and to live and to consume — I missed it. I missed the incredible beauty of living a small life. I never saw these little pieces. The city under a microscope.  I never appreciated the infinite and tiny parts of this incredible and unique place that, without asking anything in return, surrounds and envelops me with beauty and intrigue.

All this. Right here. A big sea. A HUGE FUCKING SEA. And me, somehow, no longer terrified of being a guppy. To the contrary — I wish I were smaller. I want to see it all come up around me. My eyes well up as we clatter through the dark tunnels of the NYC underworld. I keep thinking of all the things I missed while I fought so hard trying to get upstream. — All the pages that were turned, all the scooters that were shoved, and all the cream cheese that was oozing. — And, I missed it.

But, I catch myself and I smile when I hear it again. — “Stand clear of the closing doors!”

And, one last straggler — a man in a suit with a missing button — squeezes through the metal doors and joins our little school of fish and, together, we all dive beneath the waves of the East River.

 

 

Photo: “Portraits, 2-3 Train” By: James Maher; http://www.jamesmaherphotography.com/photoblog_view_post/637-portraits-2-3-train

 

Rest, For The Weary

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Weary is a really good word.

Until this past week, I’ve never been truly weary before. I’ve been exhausted, tired, drained, tapped out, and spent. Not weary.

Goodbyes are tiring. Traveling is tiring. Road trips, while they are the experience of a lifetime, are tiring. Sitting in a car at a ninety degree angle for sixteen hours at pop is tiring. Yes — even trail mix — is tiring. And, some combination of these things, at random or in succession, leads to extreme weariness.

So, I sit here in a fog. Waiting. Waiting for the moment to hit. The moment when I’ll begin processing all this change and movement I’ve been barreling through at warp speed. But, now, I allow myself the time to rest.

I try to write about home and place. The two things that have always fascinated me the most. They are synonyms and antonyms simultaneously. And, my search for home never started by going to a place, but, instead, by searching within. You must use caution. Home and place will deceive you. I’ve learned too well how familiar things can, very quickly, become foreign.

On the last leg of our trip, as my mother and I crossed over the Pennsylvania border, she said, “This is the East coast landscape I’m used to. It’s so green and lush. It’s beautiful. And, maybe it’s not as dramatic as the West coast, but, this is my home.” Those few, short sentences, summed up everything. My hopes and expectations for this move, the place I hold and have always held for myself in NYC, the sense of myself that I’ve left behind and — the one I’m returning to.

Sometimes, in those TV shows where famous actors or athletes return to their childhood hometowns the host will say, “Stay tuned, and watch as So-and-So returns to the place that made him!” I keep thinking about that. Because, I returned to my childhood home, and, in doing so, I left the place that made me behind. But, having been re-made somewhere else, and returning back home, has its advantages. — It makes everything here look new. Better. Or, at the very least, different.

It’s an unknown feeling. An exciting one. And, when I’m less weary, it’s one I look forward to exploring.

It’s like crossing a state line into something unexpected, but, still familiar. A life that’s green and lush. And, maybe not as dramatic as the one I left behind out on the West coast. But, here I am. And I won’t look back.

Because this — this is my home. And, weary or not, I’ve arrived.

 

As-Is, Oregonian

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Oregonian

We don’t have to say goodbye. To the people. The places. The things.

We can just let them be. — Who they are. Where they are. As they are.

This is my big lesson in letting go. The one I needed to learn. My unavoidable and inevitable truth.

My mother and I pack up my apartment, and, I wish it were different. I wish that my last moments here, in this place, weren’t tip-toeing around my life’s possessions, all of which are strewn haphazardly across the floor. I wish that the big, black garbage bags — one for Goodwill and one for the dumpster — didn’t sit in the middle of my living room, slinking, dark portals to the sad and hopeless lost worlds that await my unwanted past. But we continue — dismantling this world as I know it, piece by piece.

It helps to remember that — I can come back. Maybe in 5 years. Maybe 10. On a plane, or, in a car. On another road trip — maybe with some new beau, or on business, or I don’t know — with a baby. I can’t know how I’ll return to this place. And, I think that’s the thing that scares and excites me the most. Who will I become without this place? Will I like her? Will I miss this woman I am now? Revile her?

Who can say what I’ll be when I return to Portland? I don’t know. — I can’t know. — What I’ll be wearing. What job I’ll have taken time off from to make the trip back. Until that moment, I will not know whether or not I’ve found the illusive thing I’ve always been seeking.

So, instead, I do it. I let go. — I make peace with what’s here. Now. — Who I am. Now.

The most difficult thing, is this: Letting go of everything. Allowing it all to just be — as is. Not knowing how my dreams will return to me, or, how I’ll return to them. In 12-Step, this is called — turning it over. And, it’s the thing that I have always wanted to do, but, never actually did. And, here I am, — allowing it. Placing it all into someone else’s hands, because I am tired of wringing my own.

No promises or commitments. Just time and space. A strange, uncertain portal to my destination — like the garbage bags, sitting in the middle of the living room floor.

But, that’s the way I want to tie it all up. My sobriety. My love. My city. — My letting go. Memorizing all the people, places, and things that held me together. Keeping them somewhere safe, as I turn, and walk the other way.

I will place all these moments into a cranial time capsule. I don’t know that it’s something that I want to write. It’s something I prefer to feel. And, feeling, that’s something I learned to do here — in Portland.

I tape up boxes. I clank through kitchen drawers and cupboards. I clear my cache. I pack up what I need and I throw the rest into the black-hole-garbage-bags in the middle of the living room floor. — I make room for new things. I convince myself to forget about the ways in which I’ll leave, and return, to this place.

In just hours, I will no longer be an Oregonian. And, maybe, I never was one. But, in order for me to leave — I have to believe: I was. I have to believe that in the same way this place made me who I am, it also allowed me to become what it is. Oregon is inside me now. An integral part. Maybe even the central part.

So, I don’t have to say goodbye. — Not even to myself. I can allow it all to just be. As is.

Me. My Oregon. My Portland.

The people. The places. The things. — Who they are. Where they are. As they are.

 

Photo: Allison Webber; http://www.allisonwebber.photography/

 

(Un)Pack Your Heart

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Photo Aug 04, 5 12 17 PM

I am leaving Portland in 48 hours.

As I pack, I find stories strewn about everywhere. Stacks of old papers. Pictures. Books. Dresses and socks. Keychains and candles. Molskines and mugs.

I can hardly breathe. — So, bear with me, there won’t be bonafide essays for a few weeks. Just travelogues. Notes on a transient life — which has spilled out in front of me like a bag of rice on the kitchen floor.

One thing is certain — we can tell who we were by the things we carry. Tim O’Brien once wrote a beautiful book that captured those feelings I’m only now beginning to understand.

What follows here are snapshots. Truly. There is so much more. Boxing up my life. Leaving this place I love. I sit with it. I look at it. All of it. I lay it all out on the cutting board. And, I cut away the pieces. Choosing the ones I will throw in my pot — and tossing the rest to the side.

I acknowledge these. These that were. These that shall remain.

1. Adam

Photo Aug 04, 4 40 23 PM

His photos are all in one box. I put them there — years ago. A coffin at the top of a closet. The lid was covered with dust. We used to take photo-booth-photos everywhere we went. I still have all of them. The strip above was from our friend’s wedding. He loved me on that day — I remember — and I loved him back. We danced. We sat on cement steps with plates of food in our laps and we laughed. I have tried to throw everything of ours away before. No matter what I trash, I will forever keep this photo strip. Always. Because he was my first love. And, I will never love that way again. And this. — This is what that looked like.

2. Theresa

Photo Aug 04, 4 46 16 PM

My maternal grandmother died before I was born, but I’m told that we are a lot alike. My mother says that she was no-frills. That she said what she had to say when she felt like saying it. That she insisted on eating salad with every meal. — And, that she was a fox. People see my fair skin and know that I’m Irish. But, they forget that her Mediterranean blood courses through my veins too. In the Summer, my shoulders turn her Italian, olive brown.

I knew my grandfather well. And, I knew he loved her real bad. — Even years after she died. — He’s gone now too. But, every time I consider settling on some guy — I think about them. And, I know, there’s some dude out there who’s gonna love me, real bad, even when I’m dead. And, I’m waiting for him.

When I see the picture above, the one with my mother sitting in Grandma T’s lap, I think to myself — we all look alike. And, we’re beautiful. Three generations of beautiful. Theresa’s dead, but she sees me. — I’ve known that since I was a kid. It’s weird. — I keep her pictures in every room so she can watch me. So she knows — her daughter did a really good thing.

3. Dad

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My dad is, and always will be, a strange bird. But, there’s no guy in the world who will ever love me more. Growing up, he used to listen to a lot of classical music. Opera, symphony, choral — all that stuff. He had bookcases full of classical recordings. One day, he was just over it. Suddenly — it was all Bob Dylan — all the time. He used to pick me up at play rehearsal in Bensonhurst, Brooklyn and blast Blood On The Tracks like it had been released that day — every day. If we’re being honest, I’d rather not admit I know every track by heart — but, I do. My dad gives me Bob Dylan postcards and books. It’s like, he’s telling me — subliminally — if I get Bob, then, I’ll get him. That alone is enough to keep my interest. I don’t always acknowledge it, but, I love that my Dad is weird as fuck. Because, I am too. And, it’s nice not being so alone in my weirdness. He’ll watch an entire season of any HBO show I want — in 1-2 days. When I sold my complete series of OZ DVDs on Hawthorne yesterday, it kinda broke my heart. But, my Dad knows what’s up. He’s got HBO GO. And, I know, we’ll get back into it. And now, while we’re in the car — I get to pick the album. — I paid some dues getting through, Tangled Up In Blue.

4. Mom

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My mom sends me a card for everything. They arrive so frequently, I forget how amazing they are. Now, I’m finding them everywhere. Sometimes, she’ll throw in some cash and tell me to grab a bite, or to do something nice for myself, or to buy the cat a treat. She wants me to be happy — always. In good, motherly fashion, she has always wanted me to have, feel, and be the best. I find her heart scribbled on tiny cards everywhere. Maybe she doesn’t know — I save them all. When I was little, she emphasized the art and necessity of the “Thank You” card. — How it will “never go out of style to have class.” How, to appreciate people and things is important. It occurs to me as I pour over her notes — crying like a child, because it’s uncanny how she always knew exactly when I needed saving — that I should send her more cards. There is no one in my life more deserving of thanks and kindness. She deserves nothing less than 100% class. And, there’s no one who needs more reminding to do kind things for herself. Someone needs to give her permission to feel good. Maybe that person is me.

The card above was sent to me at Christmastime — the year that my heart was first brutally slaughtered. Whenever I come across this note — I’m reminded of who I’m supposed to be. And, that’s a woman who’s a lot like my Mom. — Gracious, brave, strong, and impossibly classy.

5. Me, Myself & Eye

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I took this photo yesterday in my kitchen.

I wanted to share a vulnerable moment with you this week because, well, that’s how I’m feeling. I wanted to show you the vulnerability. But, I don’t have to. I’ve been showing you for months and months. These things I’m packing up aren’t me. They’re my archives. All this crap I’m putting into bags and boxes — those aren’t the moments — they’re the evidence. Proof. My tears are like that too. All that outside stuff.

The good stuff? — It’s packed up and ready to go.

Better still, it’s on its way.

Me. — Coming soon. To a city near you.