Tag: define yourself

The Promise of Color

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Spring draws us out.

Cynical, tired, hopeless, and angry as I find myself — there’s something that soothes every state of unrest in the way the sun rises this time of year. It’s a different shade of yellow. Creamy and light, never sallow. Spring has a grace the other seasons lack. The promise of color. Time moves us forward and we are given permission to let our dead things feed a new Earth.

The tree in my parent’s back yard litters the ground with little, red buds. The pointed tips of green leaves push their way up through thawing dirt, packed tight by feral cat’s paws. And the local squirrels make plans to execute their annual vendetta against my mother’s stoop-garden bulbs.

This time last year everything was soooooo nice. Nice city. Nice boyfriend. Nice apartment. Nice new job. Nice. Nice. Nice. — Oh, and stagnant. Stagnant and boring. I’d always imagined “Nice” as a place I’d want to stay. I thought I’d enjoy stability. But, forever restless, “Nice” needed moving forward. Growth. I began to feel the momentum of Spring pulling me toward the ring. Though, I hadn’t agreed to fight yet. I first spent a few months trying to make “Nice” work.

In Brooklyn, things move, begrudgingly. Uncomfortable and awkward. But, movement is movement. Time passes. And while I keep pushing up against locked doors, part of me feels assured a key is bound to show up. So, I dig in and wait.

When you abandon “Nice,” life picks up speed. The seasons bleed into one another and little things morph into bigger ones. A seemingly harmless unrest can turn into a move across the country. The arc of change is never what we anticipate. And I think, maybe, I did fuck up. Royally at that. It wouldn’t be the first time I made a huge life decision in haste.

I allow room for the possibility. And I’m finding the more I revel in my missteps, the more I like myself. I become increasingly amused by my uncanny ability to be me. I used to be so scared of making mistakes. I was a fearful kid. A fearful young woman. But, the worst of my wounds have scabbed over, I am no longer scared. I know now, with certainty — it absolutely will get worse. And, I know that even after shit hits the fan, it’s possible to get back to “Nice” and still find yourself unsatisfied. I devoted all that time to the pursuit of perfection, and wouldn’t you know — I ended up becoming the fuck-up girl anyway.

Each mistake gives me a new kind of freedom. And, I’ve started letting myself off the hook for losing track of the woman I thought I was supposed to be. Because now, I’m so far off course, it hardly matters.

“Nice” is a temporary thing. It’s better that way.

Eventually, a yellow sun rises and the dark season yields to new color.

 

 

While The Forgettin’s Good

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It still catches me off guard when I hear myself saying the words out loud. — “I don’t drink anymore.”

Like whoa.

It’s not the kind of thing you can say in passing. And this week, I found myself telling my “How I Got Sober Story,” twice. Friends and acquaintances find out that you’re sober and, immediately, they want to know more. How? and When? and Why? and Whyyyyyy? Sobriety is something that almost always requires an explanation. And, I do it. I explain. Not because I feel like an explanation is owed but because, to some, sobriety is this unthinkable, incomprehensible, impossibility. And, I feel obligated to dispel that notion.

Sometimes I forget I’m sober. I forget, I am the odd man out. And, maybe that’s the big-time-bonus after a long stretch of sobriety: Forgetting. — Forgetting everything.

While I played my tale of woe on repeat this week, for the first time, I felt something new. An astranged feeling — a disconnect. The cousin of insincerity, if you will. As the words left my mouth, I had to remind myself that those things that happened did, in fact, happen to me. I hardly recognize the woman in my own story. I don’t know how I ever knew her. It’s almost as if I couldn’t know her. — The small world where she used to live. The poor choices and the meager portions she allowed herself.

I think part of this revelation is, I’m no longer going to 12-Step meetings with regularity. So, I’ve been distanced from that narrative. A lot of rehashing goes on there. I’ve taken myself off the loop. And, after taking this big step back, I’m happy about deciding against wading into the murky lake that I once splashed around in with masochistic delight. My sorrow, these days, is watered by a different well. And, until this past week, I hadn’t taken the time to notice, much less appreciate, the big changes I’ve made.

I’m focused on my endgame. I forget to look around. This is why all those 12-Steppers were encouraging me to be consistent about meeting attendance. I need to be reminded. I need to remind others. And, on some level, that’s true. But, like most healthy relationships, breathing room is always a good idea. Truth be told, I think the space I’ve put between myself, my disease, and all that mea culpa-ing I was doing has allowed for this recent, rewarding reveal. I’m starting to discover that if I stop talking about being a mess. — I stop actually being a mess.

We all could stand to forget a thing or two. Our messes included. Go on, forget it! Forget the definitions we so rigidly create. Forget the people we hold accountable for so much of our pain. Forget the crap that still hurts.

Of course, we can’t forget everything. If we did, we couldn’t appreciate our big changes. We’d devalue our endgames. But, forgetting isn’t letting go. And, forgetting isn’t forever. — There’s always room for remembering. Later. We can put the pain aside and return to it later, with reverence. I promise. If we don’t make room for the new, good things, then the other things, sometimes the big things, slip through our fingers — not the least of which is time.

My sober story needs to be more present. Which, when I think about it, was always my goal. It’s important to remember how I got here, but, it’s also important to put away the things that don’t serve me anymore. It’s no longer about how I couldn’t hack it back then. It’s about now. It’s about what’s working.

It’s possible to tell your own story without throwing knives. It’s OK to make revisions. As the writer of your life, it’s a kindness that’s deserved. — Earned.

Next time I tell my “How I Got Sober Story,” it will be new and improved, rooted in the now. I’ve made some detailed mental notes. The first of which is: Just remember to forget — while the forgettin’s good.

 

 

 

 

 

Millennials: Big Hearts In The Big Void

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There’s nothing like a good corporate questionnaire to highlight all the things you’re not.

I sit at my MacBook Pro, just one double-click away from zombie status, filling in field after field of yet another online job application. This is just one of the many questionnaires that I’ve completed in the past few weeks. A repetitive, mind-numbing process that reminds me I don’t quite fit the mold into which I am constantly attempting to pour myself.

I keep reading all these articles about Millennials. Fucking Millennials. — The problems we face. The problems we create. We’re asked to face the destitute world that the Baby Boomers have so lovingly left for us to burn down, meanwhile — we’re moving back in with them, staring out longingly from the windows of our childhood. Our lazy, privileged existence, devoid of any work ethic or gumption. — The whole conversation makes me angry. Infuriated. Why are we the generation that no one can figure out?

I hate the sweeping designation that’s been bestowed upon our flailing age group. Not all of us are representatives of the Lena-Dunham-GIRLS culture. — At least we’re not trying to be. I find myself wondering, how should I designate myself? How do we set ourselves apart, step up, and place ourselves on solid ground without compromising our values and abandoning our dreams? And, please, don’t tell me we need to pick ourselves up by our bootstraps.

In searching for the keys that unlock the mysteries of the kingdom, I’ve answered my own question. We Millennials, are the seeking generation. And, for us, today’s commerce lies in the search. So much is available to us. And yet, we choke. There are too many places to begin. It’s no longer the pool of pensions and 401Ks that our parents waded into years ago — security is a thing of the past. Now — this river is wild. And, if we’re going to survive, it’s about finding our true calling. Our purpose. — Heart-based business, baby.

A Baby Boomer once told me: “No matter how good you have it — work is work. You’re never going to wake up everyday and find yourself satisfied and excited to show up at the office. That’s just life, kid.” Um. That’s some bullshit and I’m not buying it. — An antiquated excuse born of another era.

To the dreams Baby Boomers lost in Vietnam we hold up our own. — The Gulf, Iraq, Afghanistan — this banner of unending war, which has served as the backdrop of our lives, now more than ever, a sobering reminder. — Our work is worth fighting for.

Privilege, if nothing else, has afforded us Millennials hope. Work is not just work to us. It has to be our heart’s work. Work that feeds us. So, it’s worth waiting for — worth seeking out in this generational void. We, at the cost of returning home, regressing to our 17-year-old-selves, will wait for something that fulfills an unmet need in us — in our world. Oh, and I guess it should pay the bills too? — Therein lies the real gap. The economy is only just now starting to catch up to our wide-open hearts. And, we’re still left wanting.

This questionnaire asks me if I “Strongly Agree” with this? Do I “Strongly Disagree” with that? And, I keep finding myself in this position of being lukewarm. I am trying to remember what it feels like to get riled up about something. To run hot. Where is the heart I so easily find in my writing or in the faces of the smiling regulars I’ve greeted at my plethora of service industry jobs? Why can’t our joy also meet our dividends? I didn’t get sober to lead a thankless life, redeemed only by my employer’s willingness to offer decent health benefits and to match my Roth IRA contributions.

During this process, filling out this heartless questionnaire, my purpose is jolted. Awakened — it remembers. I make the shift from disheartened to inspired. This piece-of-shit questionnaire, now revelatory. A reminder of all these things I’m not, it begs me to put forward all the things I am.

Would you say you are: Stubborn as fuck? Mildly manic? Conscientious? Coyly critical? Empathetic to a fault? Occasionally work-inappropriate? Passionate for people? A wide-open heart? A rabble-rouser? A dinner-table-debater? Tired and poor and yearning to breathe free? Ready to Burn. This. Shit. Down.?

Yeah.

Yeah, I’d say that’s correct. — In fact, put me down for “Strongly Agree.”

 

 

Outline Outlaws

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The only child of two juris doctors, some will say, I was born to be edited.

And, while my lineage might suggest otherwise — I, certainly, am no juris doctor.

I talk food over politics. In the course of our discourse, I am more likely to contribute a word of the four-letter variety than that of the SAT. I have more use for essential oils than I do for supreme court justices. And, I’ll take a trashy beach novel over legalese any day of the week.

For better or for worse — this is who I am.

But, how this came to be, I’ll never know. I remember spending long nights at my mother’s side, as she relentlessly scoured over my high school papers. Her red pen marked small notes in the margin. Misshapen circles ensconced periods at the ends of my sentences. She never provided answers — the circles were left there for me to ponder. And, it would eventually dawn on me, hours later, that semicolons were her preferred punctuation. I would return my pages to her bedside, having made the necessary changes, and a smile of approval would creep up the sides of her jaw.

My mother touted the merits of a well assembled outline. “If it’s any good, it’s harder to write than the actual paper,” she told me. “You have to decide what you want to say. Tell your reader, point by point, what you are going to do. And, then, you have to go about doing just that — with the proper citation!”

I sat at the dining room table, hovering over my stark canvas — an expository Alcatraz — a blank sheet of loose leaf paper. In those fruitless hours, I hated my mother for every moment that she had committed to my education.

An outline? What a fucking drag.

I was far too distracted for that kind of thing. I was meant to ramble. Free writing journals like W.B. Yeats and Maud Gonne. Run on sentences like Hubert Selby, Jr. Did J.D. Salinger make outlines? Kurt Vonnegut? John Updike? No. No, of course not. Writing was too much an act of the heart for such things.

Back then, I thought that being a good writer meant, without exception, you were an outline outlaw. — But, I wrote them anyway. For my mother. — And, as a result, every paper I turned in was a well comprised, point oriented, thoroughly convincing manifesto. To this day, I have never written for an editor that has surpassed her level of bad-assery.

While I set plans into motion, for whatever-the-hell-it-is I’m doing with my life, I keep returning to my mother’s advice. — Assemble a proper outline. — Even now, it seems a heartless chore. But, something urges me on. I still struggle to find some kind of framework.  The thing that tells me, point by point, what I am going to do. Placing me firmly in the reality I so often find myself skirting.

Back here, in this place I thought I’d left, I stand side by side with the thoughtful child I once was — outlaws seeking structure. Back in this writer’s house. My mother’s manila folders stacked on the dining room table, pregnant with white paper. My father’s den, a museum of dusty books stacked from the floor to the ceiling. If ever there were a place to make edits — to begin to write myself again — this is it.

With some effort, pieces slowly come together. Points and arguments. Opinions and footnotes. I learn how to write what’s coming next.

And, when I’m not sure how to punctuate my sentences, I just walk down the hall and run the pages by my live-in editor, clad in her full-length nightgown, red pen at-the-ready.

 

 

 

Drawing: Pete Scully; Materials: “Pens”; http://petescully.com/materials/

 

In Stitches

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My world seems so small.

Maybe it’s because there isn’t much happening. But, when I sit down and try to examine why that is, I keep returning to the same thing — in reality — a lot of things are happening.

I’m not a big-picture person. I have trouble backing up. I always find myself too close to the situation. I look at the fragments. And, that’s why, much of the time, I’m disappointed with myself. Disappointed with how things are going. I look at all the little failures and don’t manage to see how they play into everything else. I overlook how all those little missteps have led me to wonderful places that I wouldn’t have otherwise arrived.

Have you ever crocheted a blanket? If you look at one little crochet stitch — it isn’t much. But, after several thousand stitches, you end up with an afghan. Sure, it takes awhile. Yeah, you’ll likely end up pulling out three rows because you’ll notice that you fucked up with your counting a little too late. And, yes, by the time that blanket is done — you’ll be sick as fuck of looking at that same color. But, — you have something. Something big. Something tangible. Something to show for all your time and labor.

I run into problems when it comes to appreciating life’s afghans. I live in the process. The reward, for me, is in the making. Taking the little steps. And, once it’s all said and done, well — it’s all said and done.

Most of the time, I feel like I’ve got nothing to show for myself — no blanket. No payoff.

It feels like the work ahead of me couldn’t be in these little steps. These single stitches. I think that’s why the future feels so daunting. The work I’ve always assigned myself has been in stepping back and seeing the whole, big thing. Making grand decisions for some grand life. And, that’s got me in stitches. I don’t feel equipped. There’s no blanket. And, I want to know — when’s it all going to come together?

I’ve always felt that getting older meant that we had to let go of these small things. I thought we had to follow our little patterns — precisely — so that each row leads seamlessly to the next. And, we have to be very careful — because ripping out rows wastes precious time. But, the truth is, it’s in ripping out the rows that we learn to make the best blankets. Growth is in the repetition. Fuck-ups will happen. I try to remember — It wouldn’t be a genuine, handmade gift without a few little errors hidden somewhere in the chevron.

We eventually find ourselves in our different places — in our different ways. We must remember to occasionally step back, we must look at our work. But, we must also remember to do the work that’s right in front of us. The single stitch becomes the blanket.

It’s all about these little pieces.

I know. — I crochet.

 

 

Freight Hopping

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A self-proclaimed-self-help junkie, I find myself in a predicament.

I know too much. The trouble with all this starting over crap is — whether you’ve moved coast-to-coast, left a relationship, or are totally revamping your outlook on life — at some point you have to stop starting over and, well, — just keep fucking going.

Self-helpers, like myself, will often spend much of their time building themselves up, hoping to arrive at some very specific end result and — they never quite get there. We can’t finish what we start. We give up. Or, worse — we settle. And, we find ourselves starting over. Again.

It’s an existential hamster wheel. And it’s especially cruel when you’ve read something like 80 books on the subject: Starting over. Creating yourself. Recreating yourself. Healing yourself. Losing yourself. Finding yourself. Finding happiness. Creating happiness. Losing happiness. Keeping happiness. — I know my fellow Seekers will understand. Because, we know. We’ve read the book on that — 80 times. We can watch ourselves fucking it up — in slow motion. We know exactly where we’re missing the mark. But, there’s no stopping that train once we’ve boarded. We’re freight hoppers. It’s this: A one-way track. Stay or jump. — But know, jumping off now will hurt.

Since moving back East, I’ve been trying, relentlessly, to deconstruct this goddamn train. I’ve exhausted myself. And so, I’ve had no choice but to give myself a little leeway. And, after watching the same landscape speed past my train-car window — it dawns on me that, this time, starting over won’t require that I design some grand master plan. I just have to ride this runaway train — and try to enjoy it.

The truth is — I’m in love with all these unfulfilled parts of myself. I admire my own willingness to trudge through mistakes and misery to get what I want. It makes me proud that I haven’t settled for someone else’s version of me. I revel in my highs and lows — I would hate for my own story to be linear. While I may be sad, I will never be stagnant. I’m still a kind of mystery, even to myself. And, sometimes, I find some real joy in my own elusiveness.

On my good days I seek patience, forgiveness, and — when I can muster it — a little tenderness. When I get even just a taste of these things, I’m able to locate some hidden part of myself.

There are moments, however fleeting, where I remember who I really am, without making apologies for her. And, when I find myself in those places — starting over doesn’t seem so pressing. I’m reminded that it is in the pursuit of my happiness that I have been most happy.

Keep fucking going. The train will roll on. Without brakes. Seekers, we don’t need them.

We trust the track — and we ride.

 

Photo Credit: Mike Brodie, From “A Period of Juvenile Prosperity”; http://mikebrodie.net/

A Llama For Your Thoughts

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We’re supposed to be visible.

But sometimes, it feels like I’m not here. I get caught-up in mechanical motions, and it feels like I’ve ceased to exist at all.

Simple things, even ones with heart, become so routine that I begin missing the point. — Devoid of place. Time. Importance. — I struggle being present half the time, if at all. I am so convinced of my own insignificance, that, I’m sure, everyone else is too. The world, limitless and beautiful, slowly loses all color and meaning.

Things fall by the wayside, and I let them.

But then — a package arrives.

My wily and wacky Aunt has sent me a hand written note accompanied by a small ceramic dish that bears my initial, “S”, and with it, three, small, paper journals. Pink, blue, and green. — All adorned with their own, ridiculous llama. Each batting their bright eyes, flashing chiclet teeth, wielding unruly, pink tongues, and carrying colorful, tiered packs on their ridiculous, llama backs.

I squint as I read each line of her perfectly penned greeting. Cursive. Tiny. Black and inky. She writes, “Hey, you can’t always have your laptop handy when inspiration strikes.” And, apparently, the llamas are meant to help in these situations.

“Here.” I imagine her saying. “A llama for your thoughts.”

In the kitchen, I feel tears creep into the corners of my eyes. It’s nice. I suddenly have this — an unexpected note from my Aunt.  And, with it, ridiculous llamas that make me feel visible again. Something light in all this heaviness.

Most days, I resign myself to feeling forever lost — misplaced among God’s little things. But, here, somehow, my Aunt managed to find me, even in this place where, I’m sure, I don’t belong.

Love’s little notes, — Cursive. Tiny. Black and inky. — are the paper proof that I’m actually here.

Without my laptop handy, I turn to the first page in my little, pink-llama notebook.

And, I jot that down — so I don’t forget.

 

 

 

 

 

Doing Things Badly

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This week, my people, has been tough.

A dry, dusty, depression wasteland.

But, rather than abandon you, my faithful, with nothing — I leave you with a morsel from one the zaniest and the most human of my favorite writers — Anne Lamott.

Her book, Grace, Eventually  started me down the road that led me to Baba Ram Dass, and shortly thereafter — to my own sobriety. She is a writer who had little trouble wiggling her way into my heart, and, I hope that this week you’ll devote the five minutes you might have spent reading my words to watching this short piece, and perhaps, you’ll allow her to wiggle her way into yours.

 

Artwork: Nicholas Roerich, “Issa and Giant’s Head”

 

 

 

 

 

 

With Our Bones

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My coworker tells a red-faced customer that the New Year starts with our bones.

He is referencing the seasonable cold front that, only just now, has arrived in New York City. But, as I stare from the coffee shop window out onto the still-dark avenue, I think it’s possible his theory has nothing at all to do with the weather.

He’s right though, the New Year does start with our bones. And, after letting some heavy weight drop, I am left again — feeling empty. Just a feeble frame.

This feeling is a familiar one.

September 9, 2012. I stood in the center of my Portland living room. I remember staring with empty eyes at my black, cubed, IKEA bookshelf. I read the title off the spine of every book I owned.

It was my first day sober, and, I didn’t know what else to do. I could not sit or walk or make calls or cook or watch TV. Most importantly — I could not drink. I could only do this one thing — stare at my shelf full of books. And then, I sat on the stoop outside my tiny kitchen, my elbows pressed into my knees, and I smoked an entire pack of Parliaments. A lonely skeleton.

Days and weeks past. Then, months. Now, years. And, where substance is concerned — I am human again. I can see myself in the mirror without having a drink. I have created something. That old skeleton — a spine, made up once from those of my books and my rib cage, made up once from twenty premium cigarettes — is now covered with flesh. I made matter with which to cloak myself. And, with practice, I learned how to uncover meaning in my own assembly.

Meaning will come and go. But, one thing is sure — Time will always create new bodies for us to build. And I have come to believe, despite the hardship, it is important we continue the difficult work. Unending. Tedious. Painful. Slow. Rewarding. Beautiful. Unexpected. — Grace.

We sew our veins, organs, and muscles into place. We cover ourselves in this — our skin. Unique. Never again to be duplicated. We all start out with these bones. And, at the end, which is never really the end, we are something we weren’t before. Original in our effort. We are our own life’s work. — We become our willingness to begin.

In the New Year, cold descends. We feel it. The work commences.

It starts with our bones.

 

A Year Without Ghosts

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Resolve.

I scrawl a bunch of words on little slips of paper. Names. Places. Feelings. Each small note, something I want to leave behind. This year, along with the previous 7 years, are folded among them. I’ll burn them up before the year is out.

I’m not one for New Year’s celebrations or resolutions. However well intentioned, they are always laced with disappointment.

But, this year something is different. Tectonic plates have shifted. My position has been compromised and something needs to change. I’ve made mistakes — big ones — on a number of fronts. And, everything has culminated in a literal and figurative move — away from myself. I’ve failed myself. 2015 marks an algorithm I cannot decipher. An un-crackable code. A failure I cannot correct. There is no bandaging this. I can no longer reassemble my pieces and make some new, refurbished mosaic. — There is only leaving it behind.

“Goodbye” is much harder than “We’ll fix this.” It’s why I fight it. I stay in relationships, at jobs, in the company of toxic people — too long. Always avoiding goodbye. Harsh. Permanent. A boundary that cannot be breached. Cold turkey. The difference between resolve and resolution. It’s devastating.

I moved to Oregon in 2009 with incredible spirit and the promise of more to come. My love. My dreams. I became a pioneer of myself. Free. I moved in and out of my own independence with trepidation and joy. I was fearless in my own creation of myself. — I was to become the woman I had dreamed up on the floor of a railroad apartment in Greenpoint, Brooklyn, while I was 25, sitting on a mattress without a box spring. And, it was a thrill.

But Oregon, with all it’s beauty and freedom — took everything back. Piece by piece. My spirit. My love. My dreams. First, untethered and so sure of myself, then, suddenly, a captive of something I could not see. With each passing year, I found myself battling new ghosts.

Lost there, in my beautiful city of beautiful bridges, I was a quiet wind that blew in-between the pines that wrap around Reed College. But, the rain and damp sank so far into my my bones, they began to rot. So, I took what I could salvage and I fled. Back to Brooklyn — a place I hardly recognize, save for these same ghosts who, now, haunt me on street corners and in subway cars.

I watch seasons bleed into one another from the window of my parent’s house. I try to remember what it was that girl sitting on the mattress wanted. I think of little else. But, the more I look for her — her dreams — the more bereft I become. She is lost.

Resolve is this — I am done looking for someone who is gone.

I write my own name on a scrap of paper and place it with the others. She’s not here anymore. And now, there is enough paper for a nice, slow burn. When it’s all ash, I’ll scatter it like the dead. Carbon for the Earth.

For the first time in a long time, I’m looking forward to it — The New Year. — One where I let go. Where I find the courage to say goodbye to that which anchors me in the past. Where I light the way of new dreams with the lessons learned in pursuit of old ones. Where I release the ghost of the girl I was and make room for the real woman I have become.

A New Year, where we find ourselves, always — alive — in the here and now.

 

 

Artwork: Cover art from Ram Dass’ “Be Here Now”