A self-proclaimed-self-help junkie, I find myself in a predicament.
I know too much. The trouble with all this starting over crap is — whether you’ve moved coast-to-coast, left a relationship, or are totally revamping your outlook on life — at some point you have to stop starting over and, well, — just keep fucking going.
Self-helpers, like myself, will often spend much of their time building themselves up, hoping to arrive at some very specific end result and — they never quite get there. We can’t finish what we start. We give up. Or, worse — we settle. And, we find ourselves starting over. Again.
It’s an existential hamster wheel. And it’s especially cruel when you’ve read something like 80 books on the subject: Starting over. Creating yourself. Recreating yourself. Healing yourself. Losing yourself. Finding yourself. Finding happiness. Creating happiness. Losing happiness. Keeping happiness. — I know my fellow Seekers will understand. Because, we know. We’ve read the book on that — 80 times. We can watch ourselves fucking it up — in slow motion. We know exactly where we’re missing the mark. But, there’s no stopping that train once we’ve boarded. We’re freight hoppers. It’s this: A one-way track. Stay or jump. — But know, jumping off now will hurt.
Since moving back East, I’ve been trying, relentlessly, to deconstruct this goddamn train. I’ve exhausted myself. And so, I’ve had no choice but to give myself a little leeway. And, after watching the same landscape speed past my train-car window — it dawns on me that, this time, starting over won’t require that I design some grand master plan. I just have to ride this runaway train — and try to enjoy it.
The truth is — I’m in love with all these unfulfilled parts of myself. I admire my own willingness to trudge through mistakes and misery to get what I want. It makes me proud that I haven’t settled for someone else’s version of me. I revel in my highs and lows — I would hate for my own story to be linear. While I may be sad, I will never be stagnant. I’m still a kind of mystery, even to myself. And, sometimes, I find some real joy in my own elusiveness.
On my good days I seek patience, forgiveness, and — when I can muster it — a little tenderness. When I get even just a taste of these things, I’m able to locate some hidden part of myself.
There are moments, however fleeting, where I remember who I really am, without making apologies for her. And, when I find myself in those places — starting over doesn’t seem so pressing. I’m reminded that it is in the pursuit of my happiness that I have been most happy.
Keep fucking going. The train will roll on. Without brakes. Seekers, we don’t need them.
We trust the track — and we ride.
Photo Credit: Mike Brodie, From “A Period of Juvenile Prosperity”; http://mikebrodie.net/
But sometimes, it feels like I’m not here. I get caught-up in mechanical motions, and it feels like I’ve ceased to exist at all.
Simple things, even ones with heart, become so routine that I begin missing the point. — Devoid of place. Time. Importance. — I struggle being present half the time, if at all. I am so convinced of my own insignificance, that, I’m sure, everyone else is too. The world, limitless and beautiful, slowly loses all color and meaning.
Things fall by the wayside, and I let them.
But then — a package arrives.
My wily and wacky Aunt has sent me a hand written note accompanied by a small ceramic dish that bears my initial, “S”, and with it, three, small, paper journals. Pink, blue, and green. — All adorned with their own, ridiculous llama. Each batting their bright eyes, flashing chiclet teeth, wielding unruly, pink tongues, and carrying colorful, tiered packs on their ridiculous, llama backs.
I squint as I read each line of her perfectly penned greeting. Cursive. Tiny. Black and inky. She writes, “Hey, you can’t always have your laptop handy when inspiration strikes.” And, apparently, the llamas are meant to help in these situations.
“Here.” I imagine her saying. “A llama for your thoughts.”
In the kitchen, I feel tears creep into the corners of my eyes. It’s nice. I suddenly have this — an unexpected note from my Aunt. And, with it, ridiculous llamas that make me feel visible again. Something light in all this heaviness.
Most days, I resign myself to feeling forever lost — misplaced among God’s little things. But, here, somehow, my Aunt managed to find me, even in this place where, I’m sure, I don’t belong.
Love’s little notes, — Cursive. Tiny. Black and inky. — are the paper proof that I’m actually here.
Without my laptop handy, I turn to the first page in my little, pink-llama notebook.
My coworker tells a red-faced customer that the New Year starts with our bones.
He is referencing the seasonable cold front that, only just now, has arrived in New York City. But, as I stare from the coffee shop window out onto the still-dark avenue, I think it’s possible his theory has nothing at all to do with the weather.
He’s right though, the New Year does start with our bones. And, after letting some heavy weight drop, I am left again — feeling empty. Just a feeble frame.
This feeling is a familiar one.
September 9, 2012. I stood in the center of my Portland living room. I remember staring with empty eyes at my black, cubed, IKEA bookshelf. I read the title off the spine of every book I owned.
It was my first day sober, and, I didn’t know what else to do. I could not sit or walk or make calls or cook or watch TV. Most importantly — I could not drink. I could only do this one thing — stare at my shelf full of books. And then, I sat on the stoop outside my tiny kitchen, my elbows pressed into my knees, and I smoked an entire pack of Parliaments. A lonely skeleton.
Days and weeks past. Then, months. Now, years. And, where substance is concerned — I am human again. I can see myself in the mirror without having a drink. I have created something. That old skeleton — a spine, made up once from those of my books and my rib cage, made up once from twenty premium cigarettes — is now covered with flesh. I made matter with which to cloak myself. And, with practice, I learned how to uncover meaning in my own assembly.
Meaning will come and go. But, one thing is sure — Time will always create new bodies for us to build. And I have come to believe, despite the hardship, it is important we continue the difficult work. Unending. Tedious. Painful. Slow. Rewarding. Beautiful. Unexpected. — Grace.
We sew our veins, organs, and muscles into place. We cover ourselves in this — our skin. Unique. Never again to be duplicated. We all start out with these bones. And, at the end, which is never really the end, we are something we weren’t before. Original in our effort. We are our own life’s work. — We become our willingness to begin.
In the New Year, cold descends. We feel it. The work commences.
It’s the Monday before Christmas and I’m walking down 3rd Avenue. I have a chesty cough and my chapped hand clings to a prescription for antibiotics.
“Bronchitis,” the doctor told me matter-of-factly after listening to one, heavy breath with his cold stethoscope pressed to my back. He wished me a “Merry Christmas” as he ushered me out of the exam room and into the hallway where he pulled another chart from the cracked, plastic bracket on the wall. — They’re running out of room at the inn.
On the avenue, I let out a good, phlegm-y cough. My lungs loosen up, and suddenly, a good energy closes in on me. Bay Ridge shoppers scatter in every direction, colorful tubes of wrapping paper poking out from the tops of their over-sized shopping bags. A man in a JETS sweatshirt yells into his cellphone in a thick Brooklyn accent, “Whatddya mean, yous got the fuckin’ Star Wars pajamas? I just waited in line a fuckin’ hour for these fuckin’ things! Jesus Christ Lorraine.” He lets out a sigh, and then, he laughs and raises his right thumb and forefinger to his lips, taking a final pull off his cigarette before flicking it to the curb in an explosion of sparks. “Jesus fuckin’ Christ.”
An Arab kid holds the door for me as I walk into Rite Aid on 78th Street, and, when I thank him, he tells me, “No problem lady. Don’t worry about it,” like he’s a member of the Rat Pack. In the line to pick up my prescription, there’s a toddler in a two-tiered stroller shoving Fruit Loops wildly into his face. He smiles at me, rainbow sludge oozing out of the corners of his mouth. I wave at him covertly and when he laughs his mother turns around to look at me suspiciously.
“What’s your last name, honey?” the pharmacy cashier asks me when I finally get to the front of the line. I tell her and she lets out a laugh like tires on gravel. “You Irish, you’ve got the craziest names! What’s your first name honey?” I don’t bother telling her it’s Scottish. “Sarah.” She hands me a white paper bag with a yellow sticker. “Feel better honey. Happy Holidays. Next in line, come on over honey!”
At the produce place on the corner of Ovington Avenue, I’m in line behind a Greek lady who buys four pints of peeled garlic cloves from the Chinese woman wearing blue, latex gloves. They both laugh, sharing some sort of inside joke. — And, I wonder what the fuck she’s planning on cooking, because whatever it is — I want some.
Suddenly, all these little things feel like something big. And, that’s how I know love is edging it’s way back into my life. It always begins with small, innocuous moments. Joy hidden in the bits and pieces of our humanity. I step back and observe it — my Brooklyn. I remind myself that I don’t have to be anything. I’ll just watch this beauty fall around me. And, it doesn’t mean I have to stay here, it just means I have to be here now.
Look. Customers sipping their coffee. My cat curled up on top of my feet. Listen. The murmur of my parent’s conversation downstairs. Sirens wailing out on their way to a fire. Breathe. Someone’s making pasta sauce and its aroma drifts through the window, out onto the street. The clean scent of the pine wreath my mother has fastened to the front door.
I haven’t bought a single gift. Depressed and bed ridden does not a good Christmas-shopper make. But, on the walk home, I convince myself that three days will be plenty of time. I don’t mind waiting in lines. Would you believe I like standing there, watching everyone else’s story unfold? Because, I do. — Especially when I am tired of replaying my own.
I arrive home and I find my mother has left apples out for me on the kitchen counter. She’s placed them neatly on a paper towel in front of the coffee pot.
Love isn’t always wrapped up under the tree.
It’s the kid who’s getting two pairs of Star Wars pajamas this year. It’s an Arab boy with the swagger of Frank Sinatra. It’s macerated Fruit Loops staining the corners of a shrewd toddler’s mouth — and it’s the mother who’ll fiercely protect him. It’s a cashier who calls everyone “Honey.” It’s a Greek lady with a fuck-ton of garlic and it’s a Chinese lady with blue gloves who knows something I don’t.
It’s making my way back home.
And, it’s finding apples waiting for me on the kitchen counter.
Every time the conductor cries out “Stand clear of the closing doors!” and the bell chimes, I have a sort of epiphany.
It’s been awhile. But, I’m back on the train — literally and figuratively.
These moments. These people. These — STOPS. I think about them. With every little movement, something huge shifts. Someone changes. A woman turns the page of her book. A kid shoves his scooter under the orange and yellow seats. A guy stuffs a bagel with cream cheese into his face and the white glop oozes out the sides of his Everything and over the wax paper and down his fat, pink fingers. — It’s a show. A glorious fucking show.
I sit on the 2 train, awed. I wonder — Have I been gone so long that these vignettes of mundane existence, these glimpses into the drudgery of everyone’s daily, city commute, have suddenly become the most romantic thing in the world? Maybe it’s because I’ve only been home for a month. And, sure, everything is still shiny and new. But, no, the more I think about it — it’s so much more than that.
I boil it down to get to what’s different and, — I think it’s sobriety. And no — not just the fact that I’m clean and sober — whomp, whomp, patontheback, patontheback — it’s more. It’s one of the side effects of sobriety that have slowly begun to crop up. A kind of gift. It’s something I was denied while I was living here years ago, but now, I suddenly have access. And that, that thing I’ve finally tapped into — is the ability to admire the machine of which I am part.
Here, in New York City, sober, I have allowed myself to become small again. Something I never could have permitted myself to do before. Back then, I wanted to be a big fish. The biggest fucking fish in the biggest fucking sea. And, blazing forward in my self-obsessed fury — to become and to have and to live and to consume — I missed it. I missed the incredible beauty of living a small life. I never saw these little pieces. The city under a microscope. I never appreciated the infinite and tiny parts of this incredible and unique place that, without asking anything in return, surrounds and envelops me with beauty and intrigue.
All this. Right here. A big sea. A HUGE FUCKING SEA. And me, somehow, no longer terrified of being a guppy. To the contrary — I wish I were smaller. I want to see it all come up around me. My eyes well up as we clatter through the dark tunnels of the NYC underworld. I keep thinking of all the things I missed while I fought so hard trying to get upstream. — All the pages that were turned, all the scooters that were shoved, and all the cream cheese that was oozing. — And, I missed it.
But, I catch myself and I smile when I hear it again. — “Stand clear of the closing doors!”
And, one last straggler — a man in a suit with a missing button — squeezes through the metal doors and joins our little school of fish and, together, we all dive beneath the waves of the East River.
We don’t have to say goodbye. To the people. The places. The things.
We can just let them be. — Who they are. Where they are. As they are.
This is my big lesson in letting go. The one I needed to learn. My unavoidable and inevitable truth.
My mother and I pack up my apartment, and, I wish it were different. I wish that my last moments here, in this place, weren’t tip-toeing around my life’s possessions, all of which are strewn haphazardly across the floor. I wish that the big, black garbage bags — one for Goodwill and one for the dumpster — didn’t sit in the middle of my living room, slinking, dark portals to the sad and hopeless lost worlds that await my unwanted past. But we continue — dismantling this world as I know it, piece by piece.
It helps to remember that — I can come back. Maybe in 5 years. Maybe 10. On a plane, or, in a car. On another road trip — maybe with some new beau, or on business, or I don’t know — with a baby. I can’t know how I’ll return to this place. And, I think that’s the thing that scares and excites me the most. Who will I become without this place? Will I like her? Will I miss this woman I am now? Revile her?
Who can say what I’ll be when I return to Portland? I don’t know. — I can’t know. — What I’ll be wearing. What job I’ll have taken time off from to make the trip back. Until that moment, I will not know whether or not I’ve found the illusive thing I’ve always been seeking.
So, instead, I do it. I let go. — I make peace with what’s here. Now. — Who I am. Now.
The most difficult thing, is this: Letting go of everything. Allowing it all to just be — as is. Not knowing how my dreams will return to me, or, how I’ll return to them. In 12-Step, this is called — turning it over. And, it’s the thing that I have always wanted to do, but, never actually did. And, here I am, — allowing it. Placing it all into someone else’s hands, because I am tired of wringing my own.
No promises or commitments. Just time and space. A strange, uncertain portal to my destination — like the garbage bags, sitting in the middle of the living room floor.
But, that’s the way I want to tie it all up. My sobriety. My love. My city. — My letting go. Memorizing all the people, places, and things that held me together. Keeping them somewhere safe, as I turn, and walk the other way.
I will place all these moments into a cranial time capsule. I don’t know that it’s something that I want to write. It’s something I prefer to feel. And, feeling, that’s something I learned to do here — in Portland.
I tape up boxes. I clank through kitchen drawers and cupboards. I clear my cache. I pack up what I need and I throw the rest into the black-hole-garbage-bags in the middle of the living room floor. — I make room for new things. I convince myself to forget about the ways in which I’ll leave, and return, to this place.
In just hours, I will no longer be an Oregonian. And, maybe, I never was one. But, in order for me to leave — I have to believe: I was. I have to believe that in the same way this place made me who I am, it also allowed me to become what it is. Oregon is inside me now. An integral part. Maybe even the central part.
So, I don’t have to say goodbye. — Not even to myself. I can allow it all to just be. As is.
Me. My Oregon. My Portland.
The people. The places. The things. — Who they are. Where they are. As they are.
My sweet, 14+ pound kitty and I had quite the traumatic flight. But, we survived, and we pulled up to my childhood home in Bay Ridge, Brooklyn very much alive. I returned home to find that, despite the fatigue, stress, and moving-related nostalgia, I had been gifted an unusual and, somehow, special sense of place and peace upon my arrival. My cat, however — hid under my bed.
Just days later, my mother and I embarked on our epic cross-country journey BACK to Oregon. (We’re still on the road.) In Portland, we’ll be packing up the last of my things and saying final goodbyes to the people and places I have cherished for the past six years before driving back East. For good.
It’s a strange feeling. Moving — shuttling around. A friend of mine recently moved from Portland to Richmond, Virginia. We’ve been talking about the highs and lows of leaving one home behind for another. The excitement and the sadness. The stress and the satisfaction. One night, after expressing my mild panic about one thing or another, he sent me a text from the road: “The drive across country helped soften the change.”
I thought about his words. Digested them. That’s really what I’ve needed all along. — Something to soften things. All my things. — To make my places safe and comfortable. Graceful transitions have never been my forte.
But, in the car with my mother these past few days, between our laughter, obsessive podcast listening, eclectic music selections, and the obvious we’re-in-a-car-together-for-several-weeks frustrations…I’ve all but forgotten the sadness that my Portland-loss had brought. And, while there’s still packing to do and goodbyes to make, I think that confusing my sense of place has — softened things.
So, this week, and next, I celebrate. I celebrate myself. I celebrate my mother. And we celebrate our place — together and in the world. — Wherever that may be.
I learn that place will never define us. It cannot define us. It only builds and informs us — it transforms us. But, it is us who will do the defining. And, with each step I take away from, and back toward, Portland — I write myself. — My place. — I discover that I am my own home.
And, I allow myself to live — here — in my own heart.
And with that knowledge, I soften with every passing day.
As I pack, I find stories strewn about everywhere. Stacks of old papers. Pictures. Books. Dresses and socks. Keychains and candles. Molskines and mugs.
I can hardly breathe. — So, bear with me, there won’t be bonafide essays for a few weeks. Just travelogues. Notes on a transient life — which has spilled out in front of me like a bag of rice on the kitchen floor.
One thing is certain — we can tell who we were by the things we carry. Tim O’Brien once wrote a beautiful book that captured those feelings I’m only now beginning to understand.
What follows here are snapshots. Truly. There is so much more. Boxing up my life. Leaving this place I love. I sit with it. I look at it. All of it. I lay it all out on the cutting board. And, I cut away the pieces. Choosing the ones I will throw in my pot — and tossing the rest to the side.
I acknowledge these. These that were. These that shall remain.
1. Adam
His photos are all in one box. I put them there — years ago. A coffin at the top of a closet. The lid was covered with dust. We used to take photo-booth-photos everywhere we went. I still have all of them. The strip above was from our friend’s wedding. He loved me on that day — I remember — and I loved him back. We danced. We sat on cement steps with plates of food in our laps and we laughed. I have tried to throw everything of ours away before. No matter what I trash, I will forever keep this photo strip. Always. Because he was my first love. And, I will never love that way again. And this. — This is what that looked like.
2. Theresa
My maternal grandmother died before I was born, but I’m told that we are a lot alike. My mother says that she was no-frills. That she said what she had to say when she felt like saying it. That she insisted on eating salad with every meal. — And, that she was a fox. People see my fair skin and know that I’m Irish. But, they forget that her Mediterranean blood courses through my veins too. In the Summer, my shoulders turn her Italian, olive brown.
I knew my grandfather well. And, I knew he loved her real bad. — Even years after she died. — He’s gone now too. But, every time I consider settling on some guy — I think about them. And, I know, there’s some dude out there who’s gonna love me, real bad, even when I’m dead. And, I’m waiting for him.
When I see the picture above, the one with my mother sitting in Grandma T’s lap, I think to myself — we all look alike. And, we’re beautiful. Three generations of beautiful. Theresa’s dead, but she sees me. — I’ve known that since I was a kid. It’s weird. — I keep her pictures in every room so she can watch me. So she knows — her daughter did a really good thing.
3. Dad
My dad is, and always will be, a strange bird. But, there’s no guy in the world who will ever love me more. Growing up, he used to listen to a lot of classical music. Opera, symphony, choral — all that stuff. He had bookcases full of classical recordings. One day, he was just over it. Suddenly — it was all Bob Dylan — all the time. He used to pick me up at play rehearsal in Bensonhurst, Brooklyn and blast Blood On The Tracks like it had been released that day — every day. If we’re being honest, I’d rather not admit I know every track by heart — but, I do. My dad gives me Bob Dylan postcards and books. It’s like, he’s telling me — subliminally — if I get Bob, then, I’ll get him. That alone is enough to keep my interest. I don’t always acknowledge it, but, I love that my Dad is weird as fuck. Because, I am too. And, it’s nice not being so alone in my weirdness. He’ll watch an entire season of any HBO show I want — in 1-2 days. When I sold my complete series of OZ DVDs on Hawthorne yesterday, it kinda broke my heart. But, my Dad knows what’s up. He’s got HBO GO. And, I know, we’ll get back into it. And now, while we’re in the car — I get to pick the album. — I paid some dues getting through, Tangled Up In Blue.
4. Mom
My mom sends me a card for everything. They arrive so frequently, I forget how amazing they are. Now, I’m finding them everywhere. Sometimes, she’ll throw in some cash and tell me to grab a bite, or to do something nice for myself, or to buy the cat a treat. She wants me to be happy — always. In good, motherly fashion, she has always wanted me to have, feel, and be the best. I find her heart scribbled on tiny cards everywhere. Maybe she doesn’t know — I save them all. When I was little, she emphasized the art and necessity of the “Thank You” card. — How it will “never go out of style to have class.” How, to appreciate people and things is important. It occurs to me as I pour over her notes — crying like a child, because it’s uncanny how she always knew exactly when I needed saving — that I should send her more cards. There is no one in my life more deserving of thanks and kindness. She deserves nothing less than 100%class. And, there’s no one who needs more reminding to do kind things for herself. Someone needs to give her permission to feel good. Maybe that person is me.
The card above was sent to me at Christmastime — the year that my heart was first brutally slaughtered. Whenever I come across this note — I’m reminded of who I’m supposed to be. And, that’s a woman who’s a lot like my Mom. — Gracious, brave, strong, and impossibly classy.
5. Me, Myself & Eye
I took this photo yesterday in my kitchen.
I wanted to share a vulnerable moment with you this week because, well, that’s how I’m feeling. I wanted to show you the vulnerability. But, I don’t have to. I’ve been showing you for months and months. These things I’m packing up aren’t me. They’re my archives. All this crap I’m putting into bags and boxes — those aren’t the moments — they’re the evidence. Proof. My tears are like that too. All that outside stuff.
When you go to school to become a writer, they don’t teach you to write. — They teach you to read.
The voices. The colors. The timbres. Each writer’s words ring out their peerless note — dissonance or harmony — no two stories are the same.
Every writer has her unique fingerprint — even in her plagiarisms.
In high school they instruct you — The beginning! The middle! The end! The kind of storytelling that has somehow been distilled down to a series of predictable climaxes — each is noted on a three foot by three foot chalkboard. Written carefully in smudgy, cursive letters. All of which — have no meaning.
If you learned to read properly, you already know this three-pronged formula is a useless chore. — A map that leads you nowhere and discovers nothing.
If you learned to read properly, you already know that each story is just one dot on an infinite timeline. And, in the futile hunt to uncover everything, the writer’s unrepeatable dot marks, without knowing it, the unexampled treasures that she alone has illuminated.
No beginning. No middle. No end. — Just moments. — Dots.
This weekend, I packed up the last six years. Books in boxes, old notes and bills, yellowed rolling papers, dried up pens, and renegade Christmas ornaments. So many dots. Too many dots. Wonderful and tragic dots.
One, I set aside. A single page, tucked carefully away, hidden neatly in between the pages of my copy of James Joyce’s A Portrait of the Artist as a Young Man. — an entry, torn from my journal. I unfold it, only days away from turning six years old, it reads:
July 30th, 2009
It’s hot in Brooklyn. I’ve been sitting in front of the box fan, watching TV and wondering if I’ll miss the heat and humidity of New York when we get to Portland. — If we get to Portland.
Sometimes I wonder if it’s possible for me to get anywhere at all, because I’ve been sitting on a couch, somewhere in this city, just waiting for something to happen to me.
Three months until we leave this place. Home. Family. Friends. All for the wild frontier — The West. Ninety days to see what needs to be seen — To say goodbye. To worry. To plan. To Dream.
But, I try not to worry. Because, on most days, I’d like to be anywhere but here.
I read it twice. Then three times. And then, for that girl, I weep. Six years ago — and I still remember how she thought this place could save her. How saying goodbye would hurt her. How her story, six years later, would read exactly the same way, but, — she — she is impossibly different.
Today, I cannot be mistaken for that girl. I know now that — it’s true — this place did save me. And, even in the sanctity of being saved, I will still choose to leave it behind — my savior. I return to a different place, revisit another dot. An old dot that, now, I can finally allow to be new. A story I know well, but, I’ve yet to write.
In my living room, I see it written on a piece of paper. — How I’ve learned to read here. I embrace the moments where Oregon has made me into something that New York City never could have — Beautiful. Seen. Heard. The words may read the same way, but, there is a new heart here. I read it — the story that was written for his heart — before I knew my own. Before I discovered my seperate pieces. My own, little dots — strewn wildly across the Oregon dirt. The seeds I once placed in someone else’s hands for planting. — But now it’s my harvest. — I’ve grown my own fruit.
In Oregon, I learn to read again. — To read myself. — I connect my dots. I learn to hold these new things — My love. My loss. My beauty. My strength. My pain. My sobriety. — like my children, to my breast. I shoulder their weight and carry them back to where I started. And I begin again.
I see them. They mark my own timeline. — My unrepeatable dots. — A goodbye. A worry. A plan. A Dream.
(A very special thanks to the beautiful and talented Allison Webber for inviting me to be part of her photo series: The Personal Beauty Project. A series that empowers women, allowing them to be seen in the way that they see themselves. These images capture not only my spirit, but, the spirit of my Oregon. As I return to the East Coast, I am able to take these images with me. Images that, for me, represent so much of what and who I have become as a result of being part of this magical place. I encourage you all to enjoy Allison’s work at her aforementioned website.)
Oregon, if I could talk drunk to you — I’d say too much.
But, in between botched and blurred sentences, I’d speak those gems. I’d say things that my heart kept pad-locked-up until we went ahead and blasted the doors off with a fifth of Jim Beam and a couple of cold, tall pints.
It’s been a long time since we’ve opened those doors. And it’s been even longer since my heart allowed me to hear the things you’ve been trying to say. But baby, if I could talk drunk to you, I’d ask you — Do you remember being young? Not that you’re some old man, but — we’re old enough now that when we’re asked if we remember being young — we know the answer.
Do you remember loving her? Some girl. Any girl. This girl. Maybe she was quiet and lost. Maybe she walked up and down your coast. Maybe she stood in the arch of The Vista House, her hair flying wildly over The Gorge as she screamed out your name across the Columbia River and cursed you. But, do you remember loving her? Do you remember how you’d give anything for her to just call, or show up at your door? She’d look at you in a way that made you feel. Like you were really there — like you existed. Not only existed, but, existed just for her. Do you remember — feeling that way?
Love made you feel. Can you remember when love was humbling? When you’d bow down before it, sovereign, wanting nothing more than for it to look upon you? Just. One. Brief. Moment. — To crown you? We all felt it when we were young. Sometimes, because we didn’t know any better. But, more often than not — we did. Know better.
It’s not something you can escape. It captures you. And baby, I may feel old, but when I love you — when I let you go — I’m young. And my heart was once your happy captive. Those ideals that you thought I’d soon abandon, well, — maybe I will someday — but not today. Not today. Today this love rules me. It runs laps around my heart. It crushes me with its casual distance. And maybe, after our most recent repairs — your heart looks pretty shabby too, baby. But, if I could talk drunk to you, I’d tell you — It’s worth piecing together.
If I could talk drunk to you, I’d ask you to love me with that same, reckless abandon. I’d ask you to forget your old man heart and dive into mine, where things aren’t nearly as broken and battered as they were when I found you. I’d ask you why people give up on love when they’re finally old enough to feel it. I’d tell you, I may be young and stupid — but there are parts of me that are old — and I know more now than your green heart could handle. I’d tell you — I’m worth it. All of it. I’m that girl you couldn’t have back when you were seventeen. I’m the comfort that you never got from the women who held out their hands to light your cigarettes. I’m all that passion you beat down into your guts because you never thought you’d find someone who could match it.
Here I am.
If I could talk drunk to you, I’d tell you that — back then — before I met you, my love was like a paper cut. But now, your love fuels some massive inferno that turns my insides red-hot, and if it ever goes out, all that will remain is a burnt up cross where my heart used to be.
Oregon, you taught me to love. And, some days, I fear the love I have for you. You’ve broken me before. But, when you touch me, you spin that golden thread that pumps through my veins, straight to my heart. A drug that I’ll choose to give up, but, somewhere, I’ll always seek.
I should tell you — I’ve watched the sun rise over your head. And, that first time I told you I loved you, your sky said, “Oh baby, I love you too,” like I already knew, but, — I didn’t know. I never knew.
If I could talk drunk to you, I’d say that my love is crazy, and if you could see it, if it were an actual thing you could touch or hold — I know you’d want it. You’d want to keep it. You wouldn’t leave it on a shelf or stash it in some drawer. You’d wear it. You’d protect it. You’d carry it until whatever made you, made you no more.
If I could talk drunk to you, I’d tell you that — I know — I think too much. I wish it were that simple.
But, it’s not. Simple.
It’s time for me to go. But, you knew that already.
And, what good is talking drunk to you if I’m just telling you the things that you already know?
saucysobriety 