Tag: Starting Over

Outline Outlaws

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The only child of two juris doctors, some will say, I was born to be edited.

And, while my lineage might suggest otherwise — I, certainly, am no juris doctor.

I talk food over politics. In the course of our discourse, I am more likely to contribute a word of the four-letter variety than that of the SAT. I have more use for essential oils than I do for supreme court justices. And, I’ll take a trashy beach novel over legalese any day of the week.

For better or for worse — this is who I am.

But, how this came to be, I’ll never know. I remember spending long nights at my mother’s side, as she relentlessly scoured over my high school papers. Her red pen marked small notes in the margin. Misshapen circles ensconced periods at the ends of my sentences. She never provided answers — the circles were left there for me to ponder. And, it would eventually dawn on me, hours later, that semicolons were her preferred punctuation. I would return my pages to her bedside, having made the necessary changes, and a smile of approval would creep up the sides of her jaw.

My mother touted the merits of a well assembled outline. “If it’s any good, it’s harder to write than the actual paper,” she told me. “You have to decide what you want to say. Tell your reader, point by point, what you are going to do. And, then, you have to go about doing just that — with the proper citation!”

I sat at the dining room table, hovering over my stark canvas — an expository Alcatraz — a blank sheet of loose leaf paper. In those fruitless hours, I hated my mother for every moment that she had committed to my education.

An outline? What a fucking drag.

I was far too distracted for that kind of thing. I was meant to ramble. Free writing journals like W.B. Yeats and Maud Gonne. Run on sentences like Hubert Selby, Jr. Did J.D. Salinger make outlines? Kurt Vonnegut? John Updike? No. No, of course not. Writing was too much an act of the heart for such things.

Back then, I thought that being a good writer meant, without exception, you were an outline outlaw. — But, I wrote them anyway. For my mother. — And, as a result, every paper I turned in was a well comprised, point oriented, thoroughly convincing manifesto. To this day, I have never written for an editor that has surpassed her level of bad-assery.

While I set plans into motion, for whatever-the-hell-it-is I’m doing with my life, I keep returning to my mother’s advice. — Assemble a proper outline. — Even now, it seems a heartless chore. But, something urges me on. I still struggle to find some kind of framework.  The thing that tells me, point by point, what I am going to do. Placing me firmly in the reality I so often find myself skirting.

Back here, in this place I thought I’d left, I stand side by side with the thoughtful child I once was — outlaws seeking structure. Back in this writer’s house. My mother’s manila folders stacked on the dining room table, pregnant with white paper. My father’s den, a museum of dusty books stacked from the floor to the ceiling. If ever there were a place to make edits — to begin to write myself again — this is it.

With some effort, pieces slowly come together. Points and arguments. Opinions and footnotes. I learn how to write what’s coming next.

And, when I’m not sure how to punctuate my sentences, I just walk down the hall and run the pages by my live-in editor, clad in her full-length nightgown, red pen at-the-ready.

 

 

 

Drawing: Pete Scully; Materials: “Pens”; http://petescully.com/materials/

 

A Daughter Of The East

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Since leaving Portland, I find little comfort in my place.

I’ve been a New Yorker. I’ve felt its pulse. How the city surges and creativity bleeds up through the asphalt in the heat of summer. How the Winter wind gets in your bones and teaches you, that parts of you — were always cold. How Spring emerges in Washington Square Park from tulip bulbs that have ached, for long months, to paint the city with their color.

But, now, my New York moments have become frequent realizations that the place I once belonged — the home that once called out loudly for me — has quieted, and only loops the hushed whispers of my past — dreams for another life.

So, on a random Friday, without a plan, I find myself driving.

I end up in Kingston, New York. — Not on a total whim. — My cousin, more like a sister, who knows me better than most people care to, told me ages ago, that she thought I’d like it here. I pay a quarter to park the car next to the U.S. Post Office and step out into this cold winter day. — She was right.

In upstate New York, I can move with ease. Trees are a more common sight than people and every few miles, the scent of a wood-burning stove fills my nostrils and I am reminded that life can be simpler than subway maps and overpriced high-rises.

Kingston, on the Westerly side of the Hudson, is colorful. Narrow streets lined with bright buildings that are old, but not tired. Kingston breathes.

And so, I breathe with it as I walk around the Old Dutch Church, clutching a cup of hot Earl Grey, out onto a series of little streets which meet one another at curbs that are adorably uneven. The town feels tiny and boasts wood framed, two-story buildings proudly. Each one a New England-y version of the saloons out in the Old West, adorned with decorative, quartered-wagon-wheel fixtures at the corners of each squared-off porch.

Every street corner is regulated by four-way-stop-signs and a flashing red light. Though, I patiently wait at John Street for the Volvo that has the right of way, the woman behind its wheel still waves me on with her puffy grey mitten. And I shuffle, hurriedly, to the uneven curb across the street, waving my thanks with my free hand and gripping my paper tea cup with the other.

This place feels new and old and it floods my heart with it’s charm. I have a moment where I feel like my life is possible again. Real life. — A new apartment building. A new job. A new route to the grocery store. — I could have those things here. I could be OK here. I could be OK. Here. — And, I feel something that I haven’t felt in a long while.

Placed.

I drive through the Hudson Valley and afternoon light hits the mountains, just so, turning them a Holy blue-purple hue that I will not attempt to describe. It reminds me of Sauvie Island, back in Portland. I pull into a gas station and allow my eyes to well up with tears. I let myself pine for Portland. I feel it surge. — All the love I left there. Lost there. Burned there. And, in the parking lot of the Sunoco gas station just five miles out of Kingston, I let it all go and decide –as long as I’m here — it’s time to refuel.

There are reasons to leave the places we love. There is a time to come home and wake your mother in the middle of the night so that she can hold you while you weep. Ruin will sometimes find us, even when we thought we’d escaped it. There are seasons we will lose to depression and bad weather. And, Baba Ram Dass would tell me — Baby, this is all just grist for the mill.

Every now and then, we should take the roads that lead to the places our sisters say we should go. And, perhaps, those are the places we should stay. Rewrite our maps. Discover rivers that will lead us around new curves, spilling out into different oceans. New bodies of water where we can empty out our hearts and make room. Room for bright colors and uneven curbs. Room for new routes and routines. Where strangers with grey mittens will wave us on to what’s next.

Kingston. — On the highway that takes you, in just an hour, to the sister who would have you be happy above all things. A daughter of the East, returns. To this — The Empire State.

Back again, and in the same state as my mother, who once thought she lost me to the wild, wild West.

 

Image Courtesy of:  http://kingston-ny.gov/

 

With Our Bones

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Photo Jan 06, 4 37 51 AM

My coworker tells a red-faced customer that the New Year starts with our bones.

He is referencing the seasonable cold front that, only just now, has arrived in New York City. But, as I stare from the coffee shop window out onto the still-dark avenue, I think it’s possible his theory has nothing at all to do with the weather.

He’s right though, the New Year does start with our bones. And, after letting some heavy weight drop, I am left again — feeling empty. Just a feeble frame.

This feeling is a familiar one.

September 9, 2012. I stood in the center of my Portland living room. I remember staring with empty eyes at my black, cubed, IKEA bookshelf. I read the title off the spine of every book I owned.

It was my first day sober, and, I didn’t know what else to do. I could not sit or walk or make calls or cook or watch TV. Most importantly — I could not drink. I could only do this one thing — stare at my shelf full of books. And then, I sat on the stoop outside my tiny kitchen, my elbows pressed into my knees, and I smoked an entire pack of Parliaments. A lonely skeleton.

Days and weeks past. Then, months. Now, years. And, where substance is concerned — I am human again. I can see myself in the mirror without having a drink. I have created something. That old skeleton — a spine, made up once from those of my books and my rib cage, made up once from twenty premium cigarettes — is now covered with flesh. I made matter with which to cloak myself. And, with practice, I learned how to uncover meaning in my own assembly.

Meaning will come and go. But, one thing is sure — Time will always create new bodies for us to build. And I have come to believe, despite the hardship, it is important we continue the difficult work. Unending. Tedious. Painful. Slow. Rewarding. Beautiful. Unexpected. — Grace.

We sew our veins, organs, and muscles into place. We cover ourselves in this — our skin. Unique. Never again to be duplicated. We all start out with these bones. And, at the end, which is never really the end, we are something we weren’t before. Original in our effort. We are our own life’s work. — We become our willingness to begin.

In the New Year, cold descends. We feel it. The work commences.

It starts with our bones.

 

A Year Without Ghosts

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Resolve.

I scrawl a bunch of words on little slips of paper. Names. Places. Feelings. Each small note, something I want to leave behind. This year, along with the previous 7 years, are folded among them. I’ll burn them up before the year is out.

I’m not one for New Year’s celebrations or resolutions. However well intentioned, they are always laced with disappointment.

But, this year something is different. Tectonic plates have shifted. My position has been compromised and something needs to change. I’ve made mistakes — big ones — on a number of fronts. And, everything has culminated in a literal and figurative move — away from myself. I’ve failed myself. 2015 marks an algorithm I cannot decipher. An un-crackable code. A failure I cannot correct. There is no bandaging this. I can no longer reassemble my pieces and make some new, refurbished mosaic. — There is only leaving it behind.

“Goodbye” is much harder than “We’ll fix this.” It’s why I fight it. I stay in relationships, at jobs, in the company of toxic people — too long. Always avoiding goodbye. Harsh. Permanent. A boundary that cannot be breached. Cold turkey. The difference between resolve and resolution. It’s devastating.

I moved to Oregon in 2009 with incredible spirit and the promise of more to come. My love. My dreams. I became a pioneer of myself. Free. I moved in and out of my own independence with trepidation and joy. I was fearless in my own creation of myself. — I was to become the woman I had dreamed up on the floor of a railroad apartment in Greenpoint, Brooklyn, while I was 25, sitting on a mattress without a box spring. And, it was a thrill.

But Oregon, with all it’s beauty and freedom — took everything back. Piece by piece. My spirit. My love. My dreams. First, untethered and so sure of myself, then, suddenly, a captive of something I could not see. With each passing year, I found myself battling new ghosts.

Lost there, in my beautiful city of beautiful bridges, I was a quiet wind that blew in-between the pines that wrap around Reed College. But, the rain and damp sank so far into my my bones, they began to rot. So, I took what I could salvage and I fled. Back to Brooklyn — a place I hardly recognize, save for these same ghosts who, now, haunt me on street corners and in subway cars.

I watch seasons bleed into one another from the window of my parent’s house. I try to remember what it was that girl sitting on the mattress wanted. I think of little else. But, the more I look for her — her dreams — the more bereft I become. She is lost.

Resolve is this — I am done looking for someone who is gone.

I write my own name on a scrap of paper and place it with the others. She’s not here anymore. And now, there is enough paper for a nice, slow burn. When it’s all ash, I’ll scatter it like the dead. Carbon for the Earth.

For the first time in a long time, I’m looking forward to it — The New Year. — One where I let go. Where I find the courage to say goodbye to that which anchors me in the past. Where I light the way of new dreams with the lessons learned in pursuit of old ones. Where I release the ghost of the girl I was and make room for the real woman I have become.

A New Year, where we find ourselves, always — alive — in the here and now.

 

 

Artwork: Cover art from Ram Dass’ “Be Here Now”

 

 

 

 

I, Have Arrived

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Photo Sep 15, 2 45 32 PM

Wait for it. Or, maybe — Don’t.

I think about the lessons I learned as a child I wish I could erase. And, of all the things I’ve inadvertently carried with me through the years, the need to wait has proved the most stealthy of my childhood foes.

As children, we are constantly waiting on our adults. To wake, to prepare us meals, to take us places, to do things for us. We learn without ever having been taught the lesson, that — time is not our own. We internalize the notion that, if we just wait for it, we’ll get what’s coming to us. And, as children — that’s often true. Eventually, if we’re fortunate, our needs are met.

In our adult-ness, we draw on our childlike expectations. We wait for the job, the man, the money. And we are surprised and disappointed when they never show. Or, they do, but in a cruel turn of events, it turns out — they’re hardly worth the wait. Good things don’t fall into our laps. We re-learn: Life is work. We make our own breakfast. And, while it isn’t always hard, most of the time, our dream — requires waiting. And, when it does manifest, if it manifests, it’s never what we expect. — The love of our life leaves. The pancakes come without syrup. — More often than not, our expectations turn out to be a colossal waste of time.

Oh, sweet, sweet expectation. The root of all addiction. It’s no wonder we seek comfort in the steady, reliable things that we can count on — things that kill our pain, things we don’t have to wait on. Drugs and booze, baby. Because, really, who wants to wait? — No one. That’s who.

The older, angrier, and more jaded I become, the more I start to think that our inclination to do what we want, when we want — isn’t so reckless. I spend all this time, certain that I am “adult-ing,” convincing myself of my maturity, letting time pass me by and “seeing what happens.” As I revel in my stuck-ness, I begin to grapple with the idea that — the waiting game is just a nice way to frame our fear.

Fear of losing. Fear of failure. Fear of being alone. And, while fear’s expression is perhaps the most central of all our innate human instincts, I’m beginning to wonder if is isn’t the least evolved. It’s antiquated. And, it’s fucking up the whole shebang.

Here, I’ve been crawling around in circles — waiting for something to change. The pity party’s long over. I stare a plethora of excuses in the face — Why can’t I and I’m sad and I’m stuck and I’m old and I’m too much of this and I’m not enough of that. But, — Wait for it. And. No. Just wait. And. No. Wait. Wait. Wait. And. No. — Fuck it.

I’m tired of waiting for IT. What is IT? Who is IT? Is IT coming? Does IT cost money? Is IT a place? — I don’t care anymore.

I surrender. And, my forfeit isn’t a pittance. It’s a declaration. I’ve tired of listening to the shrill hiss of my own misguided anger. It’s an unwelcome guest, slithering, just below the surface of my thick skin — ready to snap its jaw. But, I can’t wait any longer.

So, I train for a 5K. I pull out my banjo when I have the house to myself and I really fucking wail. I crochet little-white-snowflakes to hang up in the coffee shop. I buy a new Kindle book, and — I actually read it. I watch Master of None and I let big-belly-laughs escape me, even though my laughter still feels like some sort of betrayal. But, I decree — There will be no more waiting.

The time for being pragmatic has passed. After standing on the edge of the bridge and looking down into the black water — it’s do or die. Sink or swim. And, as the last of the yellow leaves blow off the tree outside my bedroom window, I decide I won’t wait for the buds of Spring to remind me I’m still alive.

The wait is over.

Not because IT has arrived. But — because I have.

 

 

 

 

In-Between-Speed City

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I’m sick. Really sick. East-Coast-sick.

I haven’t had a cold-flu-bug like this in ages. Apparently everything was milder in Portland — including viral illness. — Meanwhile, back in New York…The weather. The people. The attitude. Not one thing is laid back. Not one. Even influenza cannot be bothered with a “mild” setting. Here — it’s all or nothing.

And, maybe that’s what I missed so much about this place. The limitless energy. New Yorker’s don’t have to gear up like we did back on the West Coast. Because, here, there is only one gear — Badass.

I remember when I first arrived in Portland, how people were taken aback by my candor. I said what was on my mind. To the point. I never pussyfooted around. That bothered a lot of people out West. They expected something more dilute and demure. They also thought that I walked too fast. And, even though we adjusted to each other, I missed New York City’s edge. Its speed. — Its sense of urgency. — There’s nothing quite like it anywhere else.

I’m considering moving up to New England, or at the very least, a bit further out of the city — maybe the Hudson Valley. I need an in-between-speed city. As much as I love the hustle, I also feel worn down. I want something easier. Quieter. I try to plot it out sensibly. But it’s difficult. What criteria should be used when selecting a home? I evaluate how I arrived at all the places I’ve been and the things that made me want to stay or go. It seems easy. But, it isn’t really. There are a lot of variables. And, while nothing is permanent — it’s still a big decision. Place can be everything. Mean everything. Place can define you. And, place can make or break your sobriety. — I’m starting to feel that as I slip here in Brooklyn. — I have to be careful.

What does my heart say? I wait to feel the pull.

I know it will take a special place to set my heart ablaze again. I guess it’s just a matter of time.

So, in the interim, I nurse this badass-East-Coast-cold and I tell people it like it is and I walk to work at record speeds.

Because, time — I got.

 

 

 

 

A Temperature I Can Live With

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The last time I felt like I was on fire — I was bonafide crazy.

Holy. Hotness. Boiling over. And, that’s how I know things have gotten bad. — The heat.

It’s been building. Pressure. But, I’ve been preparing for this moment. — The moment where I miss Portland. The moment where I wonder if I made the right choice. The moment where I have my doubts. And, I knew, I knew this moment was on it’s way — so, I readied myself. And, when it arrived, as planned, I embraced it like a lost child, dropping everything to find a place to go cool down with it.

When the hot iron of crazy strikes, and, it’s happened to me several times since getting sober — I know that I have to stop everything. Completely cease. Mentally rest. I tend to run on fumes. In this state, my mind will go ape-shit and find itself creating the worst possible outcome — every time. I let small obsessions take over. I’m curt and angry. And, I show it. I hate showing it. I feel like I might lose my mind. So, this time — I was ready. And, when the moment hit, I made a beeline to the nearest place I could be alone. To sit in it undisturbed. — Silent. Silent. Silence.

The church was empty. Marble echoed the squeaky sound of my black Vans. I looked up at the alter. And I let Jesus know — “I’m back.” But, I’m not really here to pray. So, I tell Jesus that too.

“I’m not here to pray, Jesus. — I’m just crazy.” And, I’m pretty sure, he’s heard that line before.

The last time I sat still, with intention, was back when my ex was kicking heroin then using heroin then kicking heroin then using heroin then kicking heroin. I felt like I was hanging on for dear life. So, every night, I lay in my Portland bathtub and I waited while the water turned from scalding to tepid. My mind, still. I’d be hot and then I’d be cold. And, so, so still. I’d move the water back and forth slowly with my shriveled fingers — but everything else would remain — calm. I let all my thoughts go. I allowed my sadness and my confusion and my pain and my fury and my forgiveness and my hope to coexist in that white, rectangular pot — all of  it, just steeping in the water. I let it come to a boil, and then, I let it cool. I let it cool down until it was just so. Just bearable. A temperature that I could live with.

I sit in an empty church pew because I don’t have a bathtub anymore. I explain this to Jesus. And I apologize for using his space. I tell him how I just need to let the water cool. And, then I let him know that I might need help with that, “you know — if you have some time.” And then, I feel like I need to explain that it’s not about my junkie ex-boyfriend, or anything super serious like that. It’s just me. Me and my shit. I had to clear all that up for Jesus. So, I told him about being homesick. And, — “I know, Jesus, I know — that sounds funny, because I was just homesick for home and then I moved home and now I’m homesick for Portland — which was home — but wasn’t.” And then, I apologize again, because, — “I know, Jesus — it’s fucking confusing.”

After about a half hour, I realize that I’ve asked Jesus to assist me with quite a few things. I wonder — were those prayers? Did I just pray to Jesus? Nah. I turn my head around and, behind me, I see there’s another man praying now. He’s on his knees about ten pews back. I whisper to Jesus — “Help that guy first.” After all, I’m just here to cool off. “Really. Don’t worry about me. I’m good.” — It’s quiet here. That’s all I need.

Cool air blows in from the side door when a little, Latina woman shuffles in with a black and white shawl wrapped around her shoulders. I watch her shove a few dollars in the copper collection box and she lights two red candles. A chill creeps up the sleeves of my hoodie. Cools me down. I feel my blood go from boiling to tepid.

On my way out, I genuflect and, then, I stand in the aisle and tip my black-knit-beanie up to Jesus. “Yeah. So. Thank you, for the space and the air, I mean, for everything. Amen.”

And then, I try to begin again. — With a brisk walk back home.

 


 

Artwork: “Just Ducky”; Beth Carrington Brown;

Just Ducky: A bathtub painting

 

 

 

The Coffee Shop

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Photo Oct 04, 10 47 31 AM

I watch the sun come up in the window of the coffee shop where I work.

I got the job a few weeks ago. — A barista.

I arrive at 6:25AM, five days a week. I brew big carafes of coffee, set out pastries in a glass case, and watch as the Avenue begins to open its eyes and welcome the day. The coffee is the best part. It smells warm and sweet and I breathe it in as deeply as I can throughout the day. And — I know — that when this time in my life is over, I will walk into some cafe, any cafe, and the smell of coffee will remind me of how the light splashed down Third Avenue in the Autumn of 2015.

After the morning rush — a parade of school teachers, mothers and fathers with sons and daughters keen on a breakfast of doughnuts, chocolate croissants and macaroons, crabby little-old-ladies, suited business men, and a suave Italian who always orders a cortado with “just-a little extra milk” — things slow down. It’s still. One regular sits at his computer quietly, for hours, eating his giant, cinnamon-sugar doughnut. I stock white paper cups and stamp white paper bags with our shop’s logo. I look out the window and I ignore the elephant in the room.

I’m just taking cover here, in Bay Ridge. Other parts of Brooklyn still lay in ruins.

I avoid the subway lines in certain neighborhoods. I decline invitations from friends who are headed into different parts of the borough. I’m still walking around in a mine field without Kevlar.

It’s not just that Brooklyn has changed. Change — I expected. It’s what hasn’t changed. The places that still remain — as if I’d never left  — a skeleton of a city that I once shared with someone else. When I left Brooklyn in November of 2009, I wasn’t an “I.” “I” was a “We.” We left this place. It had been ours. Everything. Parks and street corners. Restaurants and bars. Cafes and clothing stores. And Avenues. So many Avenues. I cannot escape how the light falls here. It’s like a time machine. Brooklyn, B.P. (Before Portland) and Brooklyn, A.D. — the two blur, in some strange warp.

Seven years later, I pass the same places and I want to melt into the cement. — To disappear. — All these little things I once loved, still living in the same space. Some are gone, too. My heart aches — for all of it.

But, here, in the coffee shop, I’m safe. The faces are, for the most part, kind. The Brooklyn accents, comforting. And, the smell. Oh, the smell. I grind the beans and I lean in as I pull the cleaning lever, watching, as a little cloud of fine, ground coffee puffs out into the air — flakes of fragrant, roasted perfume. I pour creamy espresso shots into little, ceramic cups and its aroma wafts up and into my nose. The little metal spoon clinks. The machine drips. drips. drips. the drip coffee into a steel carafe. A woman tears the top off a pack of Domino sugar. Everything feels calm and manageable.

I hand a little boy a clear bag that displays his little, coconut macaroon. His father buys one for him every morning. He tilts his head and smiles at the cellophane bag and the gold sticker that secures it. “What do you say to the lady?,” his father asks him. The little boy teeters back shyly into the wall opposite the counter and mumbles, “Thank you.” His father smiles at me when I hand him his cup of coffee. “Come on bud, let’s go.” He ushers the small boy out the door, but, the boy always looks back in. First, to me, then, to the case filled with macaroons.

I know that feeling. Looking back into a place that’s so hard to leave — so inviting. I feel his melancholy — forced to leave his dreams on the wrong side of a glass pastry case. But, it’s all just a part of growing up. He will learn. The necessity of leaving things behind. Too much sugar. He’ll know better. He’ll know what he can return to, and, he’ll know what he has to abandon. Yes, he’ll know. — Gold stickers will not always hold things in place.

I wipe down the counter where a few drops of coffee have spilled.

When I remember this time in my life — I know — I will remember the smell of this place.

I breathe it in deeply. Warm and sweet.

Coffee.

 

 

Hand Signals

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Shadow-puppets-with-hands

I’m laying in Shavasana on the living room floor.

My head is uncomfortably quiet. In the gold plated fixture on the ceiling where a lamp used to be, I see my own reflection. I’m wearing black, and, I stare at my corpse. Palms open. Hands signalling to myself — the crow above.

Since returning to New York, I’ve revisited many things. Most of which, are very different than the way I left them. People. Places. Feelings. While I was gone, I wasn’t the only one reinventing myself. Losing myself. Rebuilding myself. It was all happening here, without me.

The world spins madly on. But, this evening, after returning home from a 12-Step meeting, the only thing spinning inside me is an immense gratitude. — A gratitude so big that it quiets everything else.

In Portland, I’d all but lost my 12-Step program. I crumbled after meeting an unstable and dangerous person, and, it almost took me out of the game that made me. I forgot who I was and how I had arrived at my own sobriety. I connected confused feelings to 12-Step that were better left isolated, and, as a result, I returned to the angry and bitter woman I had worked so hard to leave behind. But, here, back home, I’m peeking through the crack in the door. I am revisiting the program that once saved me — with a childlike caution. There is comfort returning to this thing that never truly left me, though, I tried to tell myself it was gone. Things I once let frighten me, return and become my beacons. My reminders. — We are here. — And, none of us is safe, but, unified, we are all alive and trying.

Change, so incredibly painful, — ushers us forward.

In a church basement, things I had forgotten return to me. My ears, once again, are opened and humbled by someone else’s pain. And, in a strange moment where I feel loss and gain simultaneously, I remember how it feels to have a profound understanding of someone else without knowing them at all — the power just one voice can wield.

In quiet stillness, our hands reach out for each other. I am truly home again.

Nothing is the same. No one is the same.

Visibly shaken, our hands make quick work of signaling our stories. Dark shadows on a bright wall. And, in our shared state of despondent confusion, we are united in possibility.

And gratitude. — Immense and compelling gratitude. — The kind that quiets you for days. — Until you hear your own words leave another man’s mouth.

And, without making a sound, you have returned. To this beautiful, and changed, universe. — Brooklyn.

 

 

Little Fish, Big Sea

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The subway. It’s revelatory. I’d forgotten.

Every time the conductor cries out “Stand clear of the closing doors!” and the bell chimes, I have a sort of epiphany.

It’s been awhile. But, I’m back on the train — literally and figuratively.

These moments. These people. These — STOPS. I think about them. With every little movement, something huge shifts. Someone changes. A woman turns the page of her book. A kid shoves his scooter under the orange and yellow seats. A guy stuffs a bagel with cream cheese into his face and the white glop oozes out the sides of his Everything and over the wax paper and down his fat, pink fingers. — It’s a show. A glorious fucking show.

I sit on the 2 train, awed. I wonder — Have I been gone so long that these vignettes of mundane existence, these glimpses into the drudgery of everyone’s daily, city commute, have suddenly become the most romantic thing in the world? Maybe it’s because I’ve only been home for a month. And, sure, everything is still shiny and new. But, no, the more I think about it — it’s so much more than that.

I boil it down to get to what’s different and, — I think it’s sobriety. And no — not just the fact that I’m clean and sober — whomp, whomp, patontheback, patontheback — it’s more. It’s one of the side effects of sobriety that have slowly begun to crop up. A kind of gift. It’s something I was denied while I was living here years ago, but now, I suddenly have access. And that, that thing I’ve finally tapped into — is the ability to admire the machine of which I am part.

Here, in  New York City, sober, I have allowed myself to become small again. Something I never could have permitted myself to do before. Back then, I wanted to be a big fish. The biggest fucking fish in the biggest fucking sea. And, blazing forward in my self-obsessed fury — to become and to have and to live and to consume — I missed it. I missed the incredible beauty of living a small life. I never saw these little pieces. The city under a microscope.  I never appreciated the infinite and tiny parts of this incredible and unique place that, without asking anything in return, surrounds and envelops me with beauty and intrigue.

All this. Right here. A big sea. A HUGE FUCKING SEA. And me, somehow, no longer terrified of being a guppy. To the contrary — I wish I were smaller. I want to see it all come up around me. My eyes well up as we clatter through the dark tunnels of the NYC underworld. I keep thinking of all the things I missed while I fought so hard trying to get upstream. — All the pages that were turned, all the scooters that were shoved, and all the cream cheese that was oozing. — And, I missed it.

But, I catch myself and I smile when I hear it again. — “Stand clear of the closing doors!”

And, one last straggler — a man in a suit with a missing button — squeezes through the metal doors and joins our little school of fish and, together, we all dive beneath the waves of the East River.

 

 

Photo: “Portraits, 2-3 Train” By: James Maher; http://www.jamesmaherphotography.com/photoblog_view_post/637-portraits-2-3-train