Tag: Subway

Metal-On-Metal

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Photo Jul 26, 11 21 28 PM

I hear my own silent scream echo in the subway tunnel. A dissonant harmony with the shriek of the train, metal-on-metal, as we move in the darkness.

My book is cracked in my lap. My feet, ever clad in black Vans, are propped up on the metal poll in the center of the car. By all appearances, it would seem that I have returned to my, once-and-again, status as the quintessential New Yorker.

Late nights on the R train have hosted a menagerie of treasured moments in my new, New York City chapter. I have come to love my lonesome, subway nights. Still bustling, in a quieter, more desolate way. But, despite the empty seats that surround me, a strange feeling sneaks into the car and sits right beside me. Too close. Like a foreigner. A tourist, lacking the ever-important understanding of the New Yorker’s personal space.

I squirm and fidget. Something feels off. — I don’t want to be here.

I try reading, but, my thoughts object. I find myself getting louder, repeating: I don’t want to be here. — And then, as if I were scripted, I immediately begin the the process of dismissing the notion. I feel my body push the idea away. I argue with myself. — This is what you wanted, Sarah. This is the bed you made, now, lie in it. Just, find the Happiness here.

One third of my Year of Happiness, is over. And, today, the radar system for my own bullshit is the most dialed in it has ever been. — When you look and listen for your own Happiness, you see and hear it everywhere. — I take it all in from ground control. — Neon green blips, floating laterally across a grid. Bright specs in a sea of black. Easy to spot, but, difficult to track. — Knowing happiness’ trajectory will not always help you to determine where it will land.

But, seeing  the truth was never the skill that was meant to save us. When it comes to getting happy, noticing isn’t enough. — You have to act. You have to react. — Happiness is not a passive game. If you allow your to life happen to you, then — you’ll get what you get. It’s when you stand up to push back or to embrace it that things really get going.

The last four months, I have started showing up for myself in strange ways. I’ve let my weird, woo-woo, overly-sensitive sensibility rule me. And, I hear my own voice getting louder and louder — in my head and when I speak. It still surprises me how, in such a short period of time, I have learned to be an advocate for the things I want and deserve — even when I know I can’t get them instantaneously.

But still, there is always that little bit of truth that I’ll try to deny myself.

The R train moves through the tunnel and the question rumbles in my stomach as we run over the track: If I don’t want to be here — where do I want to be? Why have I been telling myself I can’t get to that place? What’s the story I’ve written? Where can I begin to rewrite this?

This time, when I ask myself to tell the truth, I wonder, if maybe, — I have been lying to myself.

NYC was always meant to be my layover on the way to something else. Something bigger. But, I’m still waiting for that big thing to show up. And so, fearful of becoming stuck, my head makes an argument for old New York, NY. — The great things it is, the wonderful places it hosts, the thousands of interesting and intelligent people it ferries through it’s crowded streets. — But, somewhere in that argument, my heart uncovers my lie: This is what I wanted all along.

But, the truth is, I’m not sure what I wanted. — But, I know this isn’t it.

Suddenly, I’m here on this train, knee deep in sticky, sweaty, NYC-summer. Real, gritty, dirty and dark. And, I see an old pattern emerge. — I’ve inserted myself into a place I never planned to stay, because I’m not sure how to get myself anywhere else. — It’s my default. — But, I know things now. I’m armed with my truth, even if it hurts — unless Happiness becomes my default, I’ll never find the things I’m seeking.

The train pulls into the 45th Street station and a weight lifts. Like, some other person has just stepped out of my body and exited through the sliding doors, while I remain, still seated — my book fanned out over my thigh.

Honesty is recognizing that you’re not done yet. And, that’s OK. Being unfinished is never a sin or a mistake or even a blunder. — It is a place for jumping off. — A beginning.

The train leaves the station and I feel the electricity surge. The lights flicker. And, something moves through the car. I feel myself light up. — Sparks. — Metal-on-metal.

I know every stop this train makes. But, tonight, I have no idea where I am going to get off.

 

 

Little Fish, Big Sea

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portraits_2_3_subway

The subway. It’s revelatory. I’d forgotten.

Every time the conductor cries out “Stand clear of the closing doors!” and the bell chimes, I have a sort of epiphany.

It’s been awhile. But, I’m back on the train — literally and figuratively.

These moments. These people. These — STOPS. I think about them. With every little movement, something huge shifts. Someone changes. A woman turns the page of her book. A kid shoves his scooter under the orange and yellow seats. A guy stuffs a bagel with cream cheese into his face and the white glop oozes out the sides of his Everything and over the wax paper and down his fat, pink fingers. — It’s a show. A glorious fucking show.

I sit on the 2 train, awed. I wonder — Have I been gone so long that these vignettes of mundane existence, these glimpses into the drudgery of everyone’s daily, city commute, have suddenly become the most romantic thing in the world? Maybe it’s because I’ve only been home for a month. And, sure, everything is still shiny and new. But, no, the more I think about it — it’s so much more than that.

I boil it down to get to what’s different and, — I think it’s sobriety. And no — not just the fact that I’m clean and sober — whomp, whomp, patontheback, patontheback — it’s more. It’s one of the side effects of sobriety that have slowly begun to crop up. A kind of gift. It’s something I was denied while I was living here years ago, but now, I suddenly have access. And that, that thing I’ve finally tapped into — is the ability to admire the machine of which I am part.

Here, in  New York City, sober, I have allowed myself to become small again. Something I never could have permitted myself to do before. Back then, I wanted to be a big fish. The biggest fucking fish in the biggest fucking sea. And, blazing forward in my self-obsessed fury — to become and to have and to live and to consume — I missed it. I missed the incredible beauty of living a small life. I never saw these little pieces. The city under a microscope.  I never appreciated the infinite and tiny parts of this incredible and unique place that, without asking anything in return, surrounds and envelops me with beauty and intrigue.

All this. Right here. A big sea. A HUGE FUCKING SEA. And me, somehow, no longer terrified of being a guppy. To the contrary — I wish I were smaller. I want to see it all come up around me. My eyes well up as we clatter through the dark tunnels of the NYC underworld. I keep thinking of all the things I missed while I fought so hard trying to get upstream. — All the pages that were turned, all the scooters that were shoved, and all the cream cheese that was oozing. — And, I missed it.

But, I catch myself and I smile when I hear it again. — “Stand clear of the closing doors!”

And, one last straggler — a man in a suit with a missing button — squeezes through the metal doors and joins our little school of fish and, together, we all dive beneath the waves of the East River.

 

 

Photo: “Portraits, 2-3 Train” By: James Maher; http://www.jamesmaherphotography.com/photoblog_view_post/637-portraits-2-3-train